Résultats Éditeur "Penguin Audio" dans Post-apocalyptique

It is 2059, and the world has crashed. Forty years ago, a solar catastrophe began to slow the planet's rotation to a stop. Now, one half of the globe is permanently sunlit, the other half trapped in an endless night. Ellen Hopper is a scientist living on a frostbitten rig in the cold Atlantic. She wants nothing more to do with her country after its slide into casual violence and brutal authoritarianism. Yet when two government officials arrive demanding she return to London to see her dying college mentor, she accepts—and begins to unravel a secret.

Shannon Moss is part of a clandestine division within the Naval Criminal Investigative Service. In western Pennsylvania, 1997, she is assigned to solve the murder of a Navy SEAL's family - and to locate his vanished teenage daughter. Though she can't share the information with conventional law enforcement, Moss discovers that the missing SEAL was an astronaut aboard the spaceship USS Libra - a ship assumed lost to the currents of Deep Time. Moss knows firsthand the mental trauma of time travel and believes the SEAL's experience with the future has triggered this violence.

World's changing. Doesn't mean Dredd has to. Mega-City One, 2082. In two short years, Judge Joseph Dredd has tackled hardened killers and would-be revolutionaries; he's taken beat-downs and bounced back; and he's even arrested his own brother. There's no such thing as a 'normal year' in the Big Meg. In his third year on the sked, he'll become embroiled in the growing anti-robot movement; he'll head back out to the Cursed Earth; and he'll fall afoul of the secretive SJS - and not for the last time....

Seven years after first contact, Providence Five launches. It is an enormous and deadly warship, built to protect humanity from its greatest ever threat. On board is a crew of just four - tasked with monitoring the ship and reporting the war's progress to a mesmerized global audience by way of social media. But while pursuing the enemy across space, Gilly, Talia, Anders, and Jackson confront the unthinkable: Their communications are cut, their ship decreasingly trustworthy and effective. To survive, they must win a fight that is suddenly and terrifyingly real.

It's not safe for anyone alone in the woods. There are predators that come out at night: critters and coyotes, snakes and wolves. But the woman in the red jacket has no choice. Not since the Crisis came, decimated the population, and sent those who survived fleeing into quarantine camps that serve as breeding grounds for death, destruction, and disease. She is just a woman trying not to get killed in a world that doesn't look anything like the one she grew up in, the one that was perfectly sane and normal and boring until three months ago.

The year is 2025, and a mysterious virus has broken out in Scotland - a lethal illness that seems to effect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic - and a political one. The victims are all men. The world becomes alien - a women's world.

Cometh the hour, cometh the fall in time, the whole world will be a graveyard, a charnel pit for billions. In time, a tiny few will be all that remains, fighting back against the terrible, rotting 'greys' until none are left. In time, the Dark Judges will rule unquestioned over an empty world. But before the end of Deadworld must come the fall.

A young boy and his older sisters find themselves suddenly and utterly alone, orphaned in an abandoned fishing village. Their food supplies dwindling, they set out across a breathtaking yet treacherous wilderness in search of the last of their people. Down the coast, raiders deliver the children's mother, along with the rest of their human cargo, to the last port city of a waning empire. Determined to reunite with her family, she plots her escape—while her fellow captives plan open revolt.

A shopping mall where droids sell organs harvested from street trash. A murderous imaginary friend. A psychotic composer drafting music from pain. All in a day's work for the Lawman of the Future. Edited by and with an introduction by Dredd veteran Michael Carroll, Judge Fear's Big Day Out and Other Stories gathers the very best short stories from more than a decade of the Judge Dredd Megazine, including stories by legends Alan Grant, Gordon Rennie and Simon Spurrier, among countless others.

Months after a super-EMP attack devastated the United States, the country is now unrecognizable. Major cities are run by gangs, survivors are dying of starvation and the government is falling victim to lawlessness. Those who were prepared for the end find that they weren't really prepared at all. While some seek vengeance for their losses, others are determined to restore the nation. Gordon, Samantha, Sebastian, Barone, Connor and Pablo are all on different paths, but they are all in search of a home away from chaos.

Former Marine-turned-author, G. Michael Hopf grabs listeners from minute one with his breathtaking blend of action, adventure, and political intrigue. The End - the first book in Hopf ’s New World series - has sold more than 50,000 copies, and word of mouth is quickly building on the series as a whole. In the fourth book, The Line of Departure, the United States is on the brink of total anarchy in the wake of a super-EMP attack. Gordon Van Zandt and his family have managed to beat the odds so far, but can they survive once war erupts?

The Marigold, a gleaming Toronto condo tower, sits a half-empty promise: a stack of scuffed rental suites and undelivered amenities that crumbles around its residents as a mysterious sludge spreads slowly through it. Public health inspector Cathy Jin investigates this toxic mold as it infests the city’s infrastructure, rotting it from within, while Sam “Soda” Dalipagic stumbles on a dangerous cache of data while cruising the streets in his Camry, waiting for his next rideshare alert.

In the Before, when the government didn't prohibit large public gatherings, Luce Cannon was on top of the world. One of her songs had just taken off and she was on her way to becoming a star. Now, in the After, terror attacks and deadly viruses have led the government to ban concerts, and Luce's connection to the world - her music, her purpose - is closed off forever. She does what she has to do: She performs in illegal concerts to a small but passionate community, always evading the law.

United States of America, 2051 AD It has been 20 years since Eustace Fargo's justice bill was passed. There are new weapons on the streets, and vast city blocks rising to the sky, as the first human being sets out to visit another star system. New York, California and Texas cry out for autonomy, chafing against a federal government they feel has lost control. Reeling from news of Chief Justice Fargo's death in service, the nation asks: has it all been worth it?

When the Halloran clan gathers at the family home for a funeral, no one is surprised when the somewhat peculiar Aunt Fanny wanders off into the secret garden. But then she returns to report an astonishing vision of an apocalypse from which only the Hallorans and their hangers-on will be spared, and the family finds itself engulfed in growing madness, fear, and violence as they prepare for a terrible new world.

Firewalkers are brave. Firewalkers are resourceful. Firewalkers are expendable. The Earth is burning. Nothing can survive at the Anchor, not without water and power. But the ultra-rich, waiting for their ride off the dying Earth? They can buy water. And thanks to their investment, the sun can provide power. But someone has to repair the solar panels when they fail, down in the deserts below. Kids like Mao, and Lupé, and Hotep, kids with brains and guts but no hope. The Firewalkers.

Five hundred years in the future, earth is no longer populated by humans. The new guardians of Earth, the genetically engineered Erta, have reversed climate change. They are now faced with a dilemma; if they reintroduce the rebellious and violent Homo sapiens, all of their work will be undone. They decide to raise one final child, a sole human to help decide if humanity should again inherit the Earth. But the quiet and clinical Ima finds that there is more to raising a human than she had expected and that there is more to humanity's history than she has been told.

In an unspecified future, the United States' borders have receded behind a salt line - a ring of scorched earth that protects its citizens from deadly disease-carrying ticks. Those within the zone live safe, if limited, lives in a society controlled by a common fear. Few have any reason to venture out of zone, except for the adrenaline junkies who pay a fortune to tour what's left of nature. Those among the latest expedition include a pop star and his girlfriend, Edie; the tech giant Wes; and Marta, a seemingly simple housewife.

The year is 1873, and a bison hunter named Samson travels the Kansas plains, full of hope for his new country. The year is 1975, and an adolescent girl named Bea walks those very same plains; pregnant, mute, and raised in extreme seclusion, she lands in an institution, where a well-meaning psychiatrist struggles to decipher the pictures she draws of her past. The year is 2027 and, after a series of devastating storms, a tenacious engineer named Paul has left behind his banal suburban existence to build a floating city above the drowned streets that were once New Orleans.

United States of America, AD 2041. Eustace Fargo's new justice system has been in effect for eight years. The old days of waiting times and backlogs are over: judgement is quick, and sentencing is instantaneous. The old police academies have all shut down, and the new order is triumphant. But are things any better? Unrest is worse than ever. Criminals are more likely to kill rather than be caught. There's a war coming for the streets.