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In the aftermath of the Civil War, siblings Rena and John Walden seek a better life for themselves by passing as white in their new home state of South Carolina. John’s success as an attorney and marriage to a white Southerner help cement his own place, but Rena’s engagement to John’s best friend brings a new level of scrutiny that threatens to expose them both. As the rewards increase, so does the risk, and ultimately, the color line seems determined to re-exert itself.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of the American male author whose time has now come again.

In this series we explore the many facets of love through literary talents that span both time and country. By a choice of vows each undertakes to stay with the other through the good times and the bad. And most probably there will be plenty of both and much in between. But the union of marriage comes in many shades and hues, some balanced, some destined to last a lifetime and others set to fizzle out or stumble to an ill-mannered conclusion in separation or divorce and, of course, death.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. For America, as the century closes, she is becoming less isolated. Her industrial might, her rising military power are pulling her ever closer into the entangled globe of nations. Her authors flex ideas and lexicons with riveting tales of this astonishing society.

History stories. Simplified and entertaining. Probably entertaining. Possibly entertaining. It is definitely probably possible.

After serving in the Civil War as a Confederate officer and then achieving business success in the North, Colonel Henry French returns to his hometown of Clarendon, North Carolina, and dreams of building a better future. In his absence, Clarendon has endured as a deeply prejudiced place—still permeated by systems of racist oppression even after the Civil War—but Henry believes he has what it takes to make a difference.

A northern white couple has relocated to the South to operate a vineyard on a North Carolina plantation. There, they pass their idle hours listening to the stories of one Uncle Julius, who has a deep knowledge of the land. These stories, however, are more than mere entertainments. They all have their time and place, and they offer not only a quiet commentary on the events of the day but also a deeper reckoning with the plantation’s disturbing past.

Drawing on the 1898 overthrow of the Wilmington, North Carolina, government by white supremacists, Charles W. Chesnutt’s classic novel unmasked the racism of the post-Reconstruction South.

Charles W. Chesnutt (1858-1932) is considered the first important Black American novelist. The Conjure Woman is a collection of seven stories that began appearing in magazines in 1887 and were first published together in 1899. The narrator of The Conjure Woman is a White man from the North living in the South who passes along the stories told to him by the ex-slave Julius McAdoo. The narratives provide a realistic picture of the pre-Civil War South, including descriptions of brutish slave owners.

The Conjure Woman is a collection of short stories by noted African American author Charles Waddell Chesnutt. It is considered to be one the seminal collections of African American literature.

Charles Waddell Chesnutt was an influential African American writer of fiction at the turn of the 20th century; his biographical work on Frederick Douglass was thus an exception. The book begins with Douglass’ birth in slavery and covers escape to New York. It culminates in Douglass’ life as a free man and lecturer on the antislavery circuit.

The biracial Charles W. Chesnutt ranks among the 20th-century’s most important civil rights advocates. Published in 1905, The Colonel’s Dream was extremely progressive and controversial for its time. When former Confederate officer Colonel French returns to his North Carolina hometown after building his fortune in the North, he intends to create better economic conditions for those who have only known hardship. But there is a new social order in the South that stands in his way.

Major Carteret is the white owner of the biggest newspaper in Wellington, a racially segregated city in the post-Civil War South. Carteret, along with other powerful white men in Wellington, are outraged that an editorial published the town's black newspaper has questioned the justification for lynchings.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

The Marrow of Tradition is a novel written by African American author Charles Chesnutt, first published in 1901. The book tells the story of a fictional town called Wellington, which is based on the real-life town of Wilmington, North Carolina, during the late 19th century. The novel explores themes of racial discrimination, segregation, and violence in the aftermath of the Reconstruction era. The story is told through the perspectives of various characters, including white supremacists, African Americans, and Northern sympathizers. Chesnutt's writing style is celebrated for its realism, ...

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Charles Chesnutt's The Doll is a story of seeking truth, facing discrimination, and making bold choices for the sake of one's own livelihood. The Doll, depicts the African American barber as a human character by showing him struggle with and simply show human thoughts and emotions. The story takes place during a time of huge racial prejudice, a time in which some people did not even consider African Americans to be human

The Goophered Grapevine is the first short story from The Conjure Woman, published in The Atlantic in August 1887, told to the narrator by Julius McAdoo, a former enslaved man who lives on the plantation that the narrator, John, and his wife, Annie, visit one day. Set in Patesville, North Carolina, John and Annie moved there for an improvement in his wife's health and to seek other business opportunities. Knowing that the couple wanted to purchase the property, McAdoo advises them not to do so, informing them that when Dugal McAdoo, the previous master, purchased the property, it was very rich in wine production because of its vineyards.

The short story Sis' Becky's Pickaninny of "The Conjure Woman" now follows John as he reproaches McAdoo for all of his superstitious beliefs and how they lack foundation, commenting that these traditions are the reason why Southern Black people are destined for a life of continued acquiescence and little prosperity. This opinion stemmed from McAdoo's assertion that carrying a rabbit foot leads to good luck. John is concerned for Annie's health, since the main reason they moved to the countryside was to improve her health due to her current bouts of depression and anxiety.

Po' Sandy is a second short story from The Conjure Woman, was published in The Atlantic in 1888. It follows the same frame narrative as the previous one with Julius McAdoo advising John against following through with his plans of demolishing a schoolhouse to build a kitchen. In this short story, Sandy is an enslaved man owned by Mars Marrabo McSwayne, who sends Sandy to travel to help friends and families. During one of Sandy's trips, McSwayne sells Sandy's wife and replaces her for another woman named Tenie.