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Light-skinned Black woman Irene Redfield encounters an old childhood friend - Clare - who is now "passing" as a White woman. Clare is married to a racist White man, who doesn't know she has African American blood. In spite of the danger of being found out by her husband and society at large, she finds herself helplessly drawn to Irene's world.

First published in 1929, Passing is a remarkable exploration of the shifting racial and sexual boundaries in America. Larsen, a premier writer of the Harlem Renaissance, captures the rewards and dangers faced by two Negro women who pass for White in a deeply segregated world.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

Nella Larsen's "Quicksand" paints a poignant portrait of Helga Crane, a young woman grappling with her mixed racial heritage in the 1920s. Caught between societal expectations and her yearning for identity, Helga navigates different settings.

A woman wrestles with stifling race and gender expectations in this debut novel by Nella Larsen, one of the most important voices of the Harlem Renaissance.

Nella Larsen’s 1929 novel Passing is hailed today as a significant literary work of Harlem Renaissance, though for several decades it, like all of her works, was out of print. As history rights a wrong and recommits Larsen’s name to memory, it is beneficial to look at the other writings she published over her short career, collected here in Beyond Passing: The Further Writings of Nella Larsen.

A chance meeting reunites Irene Redfield and Clare Kendry, estranged friends who have long been separated by their ambitions. Since losing touch, Irene has become a wife and mother in Harlem, where she remains closely connected to her racial heritage. The seductive Clare, however, now “passes,” enjoying the privileges of white society while hiding her roots from the world, including her rich (and racist) husband.