Résultats lu par "Lucy Paterson" dans Toutes les catégories

Zoe didn't meet her daughter the way most mothers do. She finds five-year-old Maddie alone and dirty on a countryside road. Frightened for Maddie's safety, she picks her up and takes her back to her father, not knowing what she's about to step into. Because Maddie wasn't just lost; she was there to lure her serial killer dad's new victim. After escaping from the clutches of Maddie's dangerous father, she bonds with the little girl. Only Maddie knows what it was like to be at that house. And when no family members come forward to claim Maddie, Zoe decides to adopt her.

ME: Staring down at the sweet baby in my arms, I feel panic instead of love. Because this isn’t the child I gave birth to. My husband whispers to the midwife. They all think I’m going crazy. But the tiny boy in my arms is crying again. I’m certain: he knows I’m not his mummy. And I’ll do whatever it takes to get my son back.

We last saw Eve and Villanelle in a spy-vs.-spy race around the world, crossing powerful criminal organizations and dangerous governments, each trying to come out on top. But they aren't finished yet. In this sequel, Eve, the former MI6 operative and the novel's heroine, reveals a new side to her strengths, while coming ever closer to a confrontation with Villanelle, the evasive and skilled assassin Eve is hunting.

The Empire of the Wolf simmers with unrest. Rebels, heretics, and powerful patricians all challenge the power of the Imperial throne. Only the Order of Justices stands in the way of chaos. Sir Konrad Vonvalt is the most feared Justice of all, upholding the law by way of his sharp mind, arcane powers, and skill as a swordsman. At his side stands Helena Sedanka, his talented protégé, orphaned by the wars that forged the Empire.

Though the cat-and-mouse chase between these two lethal adversaries has seemingly ended, the sophisticated, deadly thrill of Eve and Villanelle's relationship is far from over.

Esther is nearing thirty, with a great job and a flat she shares with her two best friends, Bibi and Louise. But her life is missing that special someone. Tired of being single and sick of bad date after bad date, she thinks she’s found the answer to her romance problem in an old women's magazine. According to the magazine’s dating column, there are seven archetypes a woman will date before finding Mr. Right.

For years, Aidan Cullen has dreamed of becoming a successful crime writer. When his hard work finally pays off and his first book is published, what should have been a night of celebration unravels into an evening of horror. Left for dead after a brutal attack, trauma leaves him paranoid and reclusive, and he retreats to the remote countryside with only his dog Nanook for company. With the world kept at arm’s length, he begins to feel safe. That is, until a woman is murdered at the end of his road.

The Battle of Galen’s Vale is over, but the war for the Empire’s future has just begun. Concerned by rumors that the Magistratum’s authority is waning, Sir Konrad Vonvalt returns to Sova to find the capital city gripped by intrigue and whispers of rebellion. In the Senate, patricians speak openly against the Emperor, while fanatics preach holy vengeance on the streets. Yet facing down these threats to the throne will have to wait, for the Emperor’s grandson has been kidnapped—and Vonvalt is charged with rescuing the missing prince.

The first the police know of the crime is when clips are sent from the victim's Snapchat account, showing her begging for forgiveness. The CCTV at the cinema where she was working show her being dragged into the night by a masked killer. When the body is found, it is marked with a number 2...Detective Huldar joins the murder investigation, bringing child psychologist Freyja on board to help question the murdered teenager's friends. Soon, they uncover that Stella was far from the angel people claim: a relentless bully, she made life miserable for those around her.

Ex-MI6 officer Eve Polastri and assassin Oxana Vorontsova are living off grid in Russia. Their existence is pinched and drab; both know how close they came to mutual destruction. Oxana is approached by the Twelve. Frustrated by inaction, hungry for her old life, she allows herself to be brought in from the cold. Then she finds Eve gone, taken from her by those who think she still belongs to them.

Children of all ages will adore this audiobook collection of some of the most notable stories in history. Listen to tales from the Grimm brothers, journey through the jungle with Mowgli in The Jungle Book, embrace youth with Wendy in Peter Pan, and run across pastures in Black Beauty.

Perhaps one of the best known of the English monarchs, Queen Victoria forever shaped a chapter of English history, bequeathing her name to the Victorian age. In Queen Victoria, Lucy Worsley introduces this iconic woman in a new light. Going beyond an exploration of the queen merely as a monarch, Worsley considers Victoria as a woman leading a truly extraordinary life in a unique time period.

The only witness to a shocking murder is the victim's 10-year-old daughter, Margret. The police turn to the Children's House for their expertise in childhood trauma. The manager, Freyja, doesn't much like the police - especially the detective in charge, Huldar. But she does want to help them protect Margret. And when more people die - their murders heralded by strange messages, texts, and strings of numbers - they will have to work together to crack the riddle before they become targets themselves.

A chilling note predicting the deaths of six people is found in a school's time capsule, 10 years after it was buried. But surely, if a 13-year-old wrote it, it can't be a real threat.... Detective Huldar suspects he's been given the investigation simply to keep him away from real police work. He turns to psychologist Freyja to help understand the child who hid the message. Soon, however, they find themselves at the heart of another shocking case.

Shifting Sands is about that other Sahara, not the empty wasteland of the romantic imagination but the vast and highly differentiated space in which Saharan peoples and, increasingly, new arrivals from other parts of Africa live, work, and move. It takes us from the ancient Roman Empire through the bloody colonial era to the geopolitics of the present, questioning easy clichés and exposing fascinating truths along the way.

A terrifying ghost story from the Queen of Icelandic crime, Yrsa Sigurdardottir, author of the Thora Gudmundsdottir novels. The crunching noise had resumed, now accompanied by a disgusting, indefinable smell. It could best be described as a blend of kelp and rotten meat. The voice spoke again, now slightly louder and clearer: Don't go. Don't go yet. I'm not finished.

Anna and Zoe are twins. Identical in appearance, utterly different in personality, they share a bond so close that nothing - or no one - can rip them apart. Until Anna meets charismatic Nick. Anna is trusting, romantic and hopeful; she thinks Nick is perfect. Zoe is daring, dangerous and extreme; she thinks Nick is a liar. Zoe has seen Anna betrayed by men before. She'll stop at nothing to discover if Nick is as good as he seems. The problem is, lies may hurt. But honesty can kill.

It's New Year's Eve and the stage is set for a lavish party in one of Edinburgh's best postcodes. It's a moment for old friends to set the past to rights-and move on. The night sky is alive with fireworks and the champagne is flowing. But the celebration fails to materialize. Because someone at this party is going to die tonight. Midnight approaches and the countdown begins—but it seems one of the guests doesn't want a resolution. They want revenge.

Although it's hard to believe now, Rose West was an exceptionally beautiful little girl with long, glossy dark hair and big brown eyes. Looking at photos of young Rosie as a child, it is almost impossible to comprehend that she would grow up to become one of Britain's most notorious female murderers. But Rose's early life made her the perfect partner for Fred West, and the two committed a string of murders in Gloucester throughout the '70s and '80s. Her part in the killings is very different to that which many people believe even today.

In this “dark fairy tale” (Kirkus Reviews), Phoebe, an eight-year-old girl, lies comatose following a car accident—a body without a spirit. Ceres, her mother, can only sit by her bedside and read aloud the fairy stories Phoebe loves in the hope they might summon her back to this world. But an old house on the hospital grounds, a property connected to a book written by a vanished author, is calling to Ceres.