Résultats de "F L Light" dans Toutes les catégories

The day before the rebellion of the Earl of Essex in London, the Lord Chamberlain's Men performed upon commission Richard II, a play wherein Bolingbroke might be taken for Essex and King Richard for Queen Elizabeth. Amazing Insecurity presents two scenes from that performance, as revised by F. L. Light in Sophoclean English classicized. This historical drama maintains the classical form of tragedy in English with seven scenes of dialogue and seven choral performances.

Edward Stokes, from one the wealthiest families of Philadelphia, often impoverished himself in the illicit casinos of New York City. Associated with James Fisk in a business and cohabiting with Fisk’s former mistress, he contrived with her to bring various suits for monetary awards against the Prince of Erie. When Stokes was indicted for blackmail on a charge by Fisk, he declared, "This is the end!" This drama is part of the Gouldium, a series of plays on the life and times of Jay Gould.

The fifty daughters of Danaos have with their father fled by ship from Egypt, escaping compulsatory marriage with their fifty cousins, the sons of Aegyptos. They arrive in Argos, where, by supplication to the king and people, they seek refuge from their cousins, who sailed in pursuit. Their devout abhorrence of the marriage is the weightiest theme of the play.

Aristotle's assertion that in Greek tragedy there is no loftier work than Oedipus the King cannot be lightly contradicted. This drama is endued fearfully with nature, as she works against the conscientiousness of measure found in man. Heretofore no translation of this play has been a poem of Sophoclean worthiness and work. The rhythmic stature of this translation runs with the Greek in heat and light.

As the southernmost line in New York State, the Erie Railroad in the 1860s ran from Jersey City to Lake Erie. Commodore Vanderbilt considered it an appropriate expansion to his New York Central and tried to corner Erie's shares. This drama represents how three of Erie's directors, Jay Gould, Jim Fisk and Daniel Drew, fought a financial war to check his acquisition. But the main part to Vanderbilt belongs as the most triumphant American of the nineteenth century.

Prince Kreon, enforcing an arbitrary mandate, is enraged that Antigone would abide by a natural law of sisterly respect in contradiction of his will. As neither can be reconciled with the other's acts, the drama grows devoutly tenebrous. This translation is iambic, as is most of the text in Greek.

Holding the Presidency of Erie Railway, Jay Gould fought against an insurgent board of directors that sought his dismissal. This drama portrays the historic broil between him and James McHenry's supporters for control of the largest railroad in the United States. This play is the fifth in a series on Jay Gould, The Gouldium, now amounting to twenty four dramas. The drama is framed like a Sophoclean tragedy, with seven scenes of dialogue and seven choral episodes of New York reporters.

In San Francisco, the new Bank of California would branch itself in Virginia City, Nevada, a mining town situated on a mountain side over the Comstock Lode of silver. As the branch's moment bigger grows under the direction of William Sharon, so a monopolistic sovereignty of mills and mines is ventured. This drama sets forth the actions of monopolist temerity and what success or miss the principals had. F. L. Light is the author of the Gouldium, a series of 24 dramas (all framed to his peculiar form of Athenian tragic poetry), on the life and times of Jay Gould.

There was no larger steel mill in the United States than the Homestead works, a division of Carnegie Steel. The discord between the employed, represented by the Amalgamated Association, and the employers, defended by Henry Clay Frick, a major shareholder and chief officer for all parts of Carnegie Steel, was, when the contract expired at the end of June, 1892, unsettled and provoked severe hostilities.

Rodrigo Lopez, former physician to Queen Elizabeth, and his supposed accessories are questioned in the Tower on the charge of treason. Both the Earl of Essex and Lord Burghley agree that his confession must conform to the charge. This historical drama maintains the classical form of tragedy in English with seven scenes of dialogue and seven choral performances. By Aristotelian standards it may be recognized.

The Bank of California's sovereign competence, encompassing the West, depended on the personal attainments of William Ralston, her principal officer and capitalist. His delirious liabilities unsettled the advancement of the bank.

James Burbage, the founder of the Lord Chamberlain's Men, Shakespeare's acting company, is countered by Lady Elizabeth Russell in this play when he pursues the construction of a theatre inside the former Blackfriars' monastery in London. This historical drama maintains the classical form of tragedy in English with seven scenes of dialogue and seven choral performances.

In 1863, under the instigation of his former associate, Daniel Drew, the New York State Legislature betrayed Commodore Vanderbilt, withdrawing the permit for his extension of the Harlem Railroad. The lawmakers and Drew then shorted Harlem stock. This play of counteraction portrays the most competitive businessman of the nineteenth century.

In 1580, the new Lord Deputy of Ireland, Lord Arthur Grey de Wilton, came to Dublin with 3000 troops to end the Desmond Rebellion. Accompanied with his secretary, Edmund Spenser, the great English poet, he proved, in battle and in transactions with the enemy, formidable but flawed. This play follows the historical relation closely. This historical drama maintains the classical form of tragedy in English with seven scenes of dialogue and seven choral performances.

Disparities are just deserts, between the good and bad in competition seen. 1844 maxims of rhythmic justice and assertive rhyme, carried forward in the cause of human dissimilarity upon competitive pretensions for rewards, merciless poetry manifest. Successful emulation in enterprise these unemasculated couplets may inspire.

In 1564, Shakespearean judgments on Keynesian legislation, Shakespear Versus Keynes reveals that winning never multiplies from wasting, that affluence is not accrued from effluence, that profit is no fruit of prodigality, that thrift befits a thriver more than losses of lavishment, and that owners are more procreant than the disowners taxing them. Each judgment is a couplet in compact pentameter. No slackness is allowed.

Cuthbert and Richard Burbage inherited the theater from their father, James, who was its builder and manager. Upon jarred transactions with their landlord, they resolve both to raze and restore the theater, preparing for a shift across the Thames. The Siblings Burbage presents the dramatic troubles of this action. This historical drama maintains the classical form of tragedy in English, with seven scenes of dialogue and seven choral performances.

Jay Gould returns to Colorado in a second attempt to combine the Kansas Pacific Railroad and her extensions with the Union Pacific. His chief adversary in this drama is a renowned Civil War reporter, Henry Villard, who represents the senior bondholders of the extensions. This play is one of the Gouldium, a series of dramas on the life and times of Jay Gould. As in most of these plays there are seven scenes of dialogue and seven choral episodes.

The longer that Jay Gould was chief shareholder of Union Pacific, the more advancements for the railroad and for his own system of roads he procured. His adversaries in this drama are the executives of the Chicago Burlington and Quincy Railroad who disputed the rates and branches of the Iowa Pool of railroads with him. There are also reconcilements in this play, first with Carlos Greeley of the Kansas Pacific bondholders and the other with Henry Villard.

After Zeus has learned that Prometheus stole his sovereign property, fire, and conveyed it to mankind, he orders Hephaistos, under the direction of Power and Force, to bind his adversary to an arduous crag of most difficult remoteness on the earth. As the Titan responds to this punishment, the reader is inspired with the fire of individual affirmation, devoted indomitably to life and liberty.