Résultats lu par "Bill Nighy" dans Toutes les catégories

Rincewind, inept wizard and reluctant hero, has found himself magically stranded on the Discworld's last continent. It's hot. It's dry. There was this thing once called The Wet, which no one believes in any more. Practically everything that's not poisonous is venomous. But it's the best bloody place in the world, all right? And in a few days, it will die. The only thing standing between the last continent and wind-blown doom is Rincewind, and he can't even spell wizard. Still...no worries, eh?

Religion is a competitive business in the Discworld. Everyone has their own opinion and their own gods, of every shape and size - all fighting for faith, followers, and a place at the top.

Captivating radio dramatisations of seven of Charles Dickens' most famous novels. Charles Dickens is one of the most renowned authors of all time, and this first digital volume of the dramatised canon of his work includes seven of his most popular novels.

Eric is the Discworld's only demonology hacker. Pity he's not very good at it. All he wants is his three wishes granted. Nothing fancy—to be immortal, rule the world, have the most beautiful woman in the world fall madly in love with him, the usual stuff. But instead of a tractable demon, he calls up Rincewind, probably the most incompetent wizard in the universe, and the extremely intractable and hostile form of travel accessory known as the Luggage.

The Discworld is in danger, heading towards a seemingly inevitable collision with a malevolent red star, its magic fading. It needs a hero, and fast. What it doesn't need is Rincewind, an inept and cowardly wizard who is still recovering from the trauma of falling off the edge of the world. Or Twoflower, the well-meaning tourist whose luggage has a mind (and legs) of its own.

Thespian sleuth Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation - especially in the form of women and alcohol. Estranged from his long-suffering wife, Frances, his personal life is shambolic, and as an actor, he's C-list at best. But he does have a talent for solving murders - which is just as well, because wherever he goes, someone seems to drop dead.

Being 16 is always difficult, even more so when there's a Death in the family. After all, it's hard to grow up normally when Grandfather rides a white horse and wields a scythe. Especially if he decides to take a well-earned moment to uncover the meaning of life and discover himself in the process, so that you have to take over the family business, and everyone mistakes you for the Tooth Fairy.

This is the collected BBC radio productions of the internationally renowned playwright Tom Stoppard. One of the giants of British theatre, Sir Tom Stoppard has been writing for the stage and screen for over 50 years. Full of wit, verbal brilliance and big ideas, his plays appeal to critics and audiences alike and are among the most studied works of the last century.

Change is in the air for Moist von Lipwig, swindler, con-man and (naturally) head of the Royal Bank and Post Office. A steaming, clanging new invention - a steam locomotive named Iron Girder, to be precise - is drawing astonished crowds. Suddenly it's a matter of national importance that the trains run on time. Moist does not enjoy hard work. His input at the bank and post office consists mainly of words, which are not that heavy. Or greasy. And it certainly doesn't involve rickety bridges, runaway cheeses or a fat controller with knuckledusters.

Insurrection is in the air in the city of Ankh-Morpork. The Haves and Have-Nots are about to fall out all over again. Captain Sam Vimes of the city's ramshackle Night Watch is used to this. It's enough to drive a man to drink. Well, to drink more. But this time, something is different - the Have-Nots have found the key to a dormant, lethal weapon that even they don't fully understand and they're about to unleash a campaign of terror on the city. Time for Captain Vimes to sober up.

Death has been fired by the Auditors of Reality for the heinous crime of developing…a personality. Sent to live like everyone else, Death takes a new name and begins working as a farmhand. He's got the scythe already, after all. And for humanity, Death is just…gone. Which leads to the kind of chaos you always get when an important public service is withdrawn. If Death doesn't come for you, then what are you supposed to do in the meantime? You can't have the undead wandering about like lost souls—there's no telling what might happen.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but which looks completely different. Particularly as it’s carried though space on the back of a giant turtle (sex unknown). It plays by different rules. But then, some things are the same everywhere. The Disc’s very existence is about to be threatened by a strange new blight: the world’s first tourist, upon whose survival rests the peace and prosperity of the land.

The evil Saruman has been defeated by Gandalf, but in Mordor the battle for the Ruling Ring continues. Wounded by the giant spider, Shelob, Frodo has been captured by the dreaded orcs

Death comes to us all. When he came to Mort, he offered him a job. Death is the Grim Reaper of the Discworld, a black-robed skeleton with a scythe who ushers souls into the next world. He is also fond of cats and endlessly baffled by humanity. Soon Death is yearning to experience what humanity really has to offer, but to do that, he'll need to hire some help. It's an offer Mort can't refuse. As Death's apprentice he'll have free board, use of the company horse—and being dead isn't compulsory. It's a dream job—until Mort falls in love with Death's daughter, Ysabell.

Vampires have come to Lancre, but they're not what you'd expect. Sure, they drink blood and view humans as dinner, but they're modern and sophisticated. They've got style and fancy waistcoats. And they're not a bit afraid of garlic. The Magpyr family are out of the casket and want a bite of the future. But they haven't met the neighbours yet. Between them and Lancre stand a coven of four - Granny Weatherwax, Nanny Ogg, Magrat and young Agnes - and they don't take kindly to murderous intruders....

When the neighbours in question are the proud empires of Klatch and Ankh-Morpork, those are going to be some pretty large garden tools indeed. Of course, no-one would dream of starting a war without a perfectly good reason...such as a 'strategic' piece of old rock in the middle of nowhere. It is after all every citizen's right to bear arms to defend their own. Even if it isn't technically their own. And even if they don't have much in the way of actual weaponry.

Charles Paris - unsuccessful actor, bad husband, and dipsomaniac - is back, and getting into trouble once more. As he tries to woo back his semi-detached wife, Frances, and land a few half-decent roles, he finds himself embroiled in murder and mayhem and forced to turn detective. Luckily, his sleuthing is much better than his acting.

Fast-paced radio dramatisations of six of Dick Francis's classic racing thrillers, plus bonus documentary.

Winner of the Mythopoeic Fantasy Award for Adolescent Literature * Locus Award for Best Young Adult Book Winner * ALA Best Fiction for Young Adults * ALA Notable Children's Book The second in beloved and bestselling fantasy grandmaster Sir Terry Pratchett's beloved Discworld novels starring the...

Actor, alcoholic and amateur sleuth Charles Paris returns in another quintet of humorous theatrical thrillers. All Charles asks for is a nice juicy part in a successful play - but wherever he appears on the bill, murder and mystery always play a starring role.