Résultats lu par "John Burlinson" dans Toutes les catégories

Although he achieved notable success as a novelist, poet, essayist, and painter, August Strindberg is best known today as one of the first and most significant masters of naturalist theatre. Among his many dramatic works are a number of one-act plays, four of which are presented in this recording. All of the plays feature a persistent theme in Strindberg's works: the inevitable disillusion that results from intense involvement in relationships, whether they be familial, romantic or circumstantial.

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.

Of all the Texas feuds, the one between the Sutton and Taylor forces lasted longer and covered more ground than any other. The Sutton-Taylor Feud in Texas began shortly after the Civil War ended, and continued into the 1890s. William E. Sutton was the only Sutton involved, but he had many friends to wage warfare against the large Taylor family.

This collection contains a mixture of stories about ghosts and contacts from spirits, some by celebrated authors, together with essays on psychical research. As Joseph French notes in the preface, even for the skeptic, tales of ghostly activity retain a distinct fascination. The widespread interest in psychic phenomena in the early twentieth century proved to be a significant stimulus to literary production.

In 1870, a 26-year-old Paiute, Sarah Winnemucca, wrote to an army officer requesting that Paiutes be given a chance to settle and farm their ancestral land. The eloquence of her letter was such that it made its way into Harper’s Weekly. Ten years later, as her people languished in confinement as a result of the Bannock War, she convinced Secretary of the Interior Carl Schurz to grant the requests in her letter and free the Paiutes as well.

This collection presents eleven of Dreiser’s best tales, ranging from trenchant social analysis to penetrating character study.

This book examines the hearings that followed Mormon apostle Reed Smoot’s 1903 election to the US Senate and the subsequent protests and petitioning efforts from mainstream Christian ministries disputing Smoot’s right to serve as a senator. Exploring how religious and political institutions adapted and shapeshifted in response to larger societal and ecclesiastical trends, The Reed Smoot Hearings offers a broader exploration of secularism during the Progressive Era and puts the Smoot hearings in context with the ongoing debate about the constitutional definition of marriage.

Socrates, perhaps the most famous philosopher of the ancient world, left no writings. The method of philosophical investigation for which he is celebrated has come down to us in the form of dialogues, composed by his student, Plato. The four dialogues in this collection are known by the names of the chief characters in each: Lysis, Charmides, Laches, and Euthyphro. As they fall into a more or less natural group due to the fact that each one deals with a single ethical abstract—friendship, temperance, courage, and piety, respectively—they have been renamed based on their subjects.

In Dying to Learn, Michael Hunzeker develops a novel theory to explain how wartime militaries learn. He focuses on the Western Front, which witnessed three great-power armies struggle to cope with deadlock throughout the First World War. Through careful study of the British, French, and German experiences, the book provides a model that shows how a resolute focus on analysis, command, and training can help prepare modern militaries for adapting amidst high-intensity warfare in an age of revolutionary technological change.

As with many of Ostrovsky's plays, the target of the author's satire is the merchant class and the inevitable corruption associated with mercantile endeavors. In Ostrovsky's bitterly realistic world, all personal encounters end in transactions, some humourous and some tragic.

The belief that Native Americans might belong to the fabled “lost tribes of Israel” - Israelites driven from their homeland around 740 BCE - took hold among Anglo-Americans and Indigenous peoples in the United States during its first half century. In Lost Tribes Found, Matthew W. Dougherty explores what this idea can tell us about religious nationalism in early America.

This translation, by an unknown hand, of D'Aurevilly's salacious miscellany, which consists of six novellas, was published in 1900 under the title Weird Women and is in the public domain. When the collection was first published in France in 1874, it caused up an uproar; it was declared a danger to public morality and the prosecutor issued orders for its seizure on the grounds of blasphemy and obscenity.

Pull up a chair, snuggle under your favorite blanket, gather the kids, and enjoy the charming stories you know and love. This multicast production brings to life all your favorites!

In a public debate held at the Manhattan Opera House, Clarence Darrow argued that not one of the 19 men under sentence of death at Sing Sing Prison would have been convicted if they could have afforded good attorneys. He was opposed by Judge Alfred J. Talley of General Sessions, who argued for the retention of the death penalty for murder. The debate commenced with an address by Lewis Lawes, who was the warden at Sing Sing.

Under the auspices of the League for Political Discussion, in a meeting held at the Manhattan Opera House, Rev. John Haynes Holmes of the Community Church, taking the positive, and Clarence Darrow, taking the negative, debated the following proposition: "A Resolution that the United States should continue the policy of prohibition as defined in the 18th Amendment." The meeting was chaired by Senator Royal S. Copeland and introduced by Benjamin Javits.

Margery Williams' classic story about a toy rabbit who longs to become real is a treat for listeners of all ages. This full-cast performance brings this timeless tale to vibrant life.

During his life, Gene Nunnery was recognized as a master turkey hunter and an artisan who crafted unique, almost irresistible turkey calls. In The Old Pro Turkey Hunter, the vaunted sportsman shares over 50 years of personal experience in Mississippi and surrounding states, along with the decades-old wisdom of the huntsmen who taught him. Throughout the book, his stories make clear that turkey hunting is more than just killing the bird - it is about matching wits with a wild and savvy adversary.

In the introduction to this selection of tales of the macabre, anthologist Arthur Reeve writes: "What is the fascination we feel for the mystery of the ghost story? Man is incurably fascinated by the mysterious. If all the ghost stories of the ages were blotted out, man would invent new ones. For, do we not all stand in awe of that which we cannot explain, of that which, if it is not in our own experience, is certainly recorded in the experience of others, of that of which we know and can know nothing?"