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Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

Adrift in the divide between galaxies and surrounded by the vast emptiness of the intergalactic void, the Tantalus Cluster is the only home humanity has ever known. Desperate and facing starvation, humanity’s only hope is a strange nebula that has suddenly appeared beyond the edge of the cluster. Its shifting clouds may hide a source of salvation for the people of Tantalus, but time is running out.

Just when John thinks things are finally calming down, the world never fails to throw a new twist his way. And the latest one is deadly. A distress call from Katrine has set John on a crash course with a band of vicious dimensional raiders led by a supreme mage who are already planning an invasion, while back home, the clock is ticking on the prophecy of the beast invasion that will wipe humans from the face of the world. Worse still, John’s mana is growing stronger, forcing him to choose between sealing his mana away and becoming mortal, or destroying the world by his very presence.

Kylar Stern has rejected the assassin's life. The Godking's successful coup has left Kylar's master, Durzo and his best friend, Logan, dead. He is starting over: new city, new friends and new profession. But when he learns that Logan might actually be alive and in hiding, Kylar is faced with an agonizing choice: will he give up the way of shadows forever and live in peace with his new family, or will he risk everything by taking on the ultimate hit?

Up until senior year, Greg has maintained total social invisibility. He only has one friend, Earl, and together they spend their time - when not playing video games and avoiding Earl's terrifying brothers - making movies, their own versions of Coppola and Herzog cult classics. Greg would be the first one to tell you his movies are f*@$ing terrible, but he and Earl don't make them for other people. Until Rachel.

Bean's past was a battle just to survive. He first appeared on the streets of Rotterdam, a tiny child with a mind leagues beyond anyone else. He knew he could not survive through strength; he used his tactical genius to gain acceptance into a children's gang, and then to help make that gang a template for success for all the others. He civilized them, and lived to grow older. Then he was discovered by the recruiters for the Battle School.

In Othello, Shakespeare creates powerful drama from a marriage between the exotic Moor Othello and the Venetian lady Desdemona. Shakespeare builds many differences into his hero and heroine, including race, age, and cultural background. Yet most audiences believe the couple’s strong love would overcome these differences were it not for Iago, who sets out to destroy Othello.

Michael Corleone is returning to the U.S. after the two-year exile to Sicily in which listeners left him in The Godfather. But he is ordered to bring with him the young Sicilian bandit, Salvatore Guiliano, who is the unofficial ruler of northwestern Sicily. In his fight "to make Sicilians free people", the young folk hero, based on the real-life Giuliano of the 1940s, has made both the police and the Mafia his enemies.

I may have reached my breaking point. As if trying to graduate from a school for supernaturals isn’t stressful enough, my relationship status has gone from complicated to a straight-up dumpster fire. Oh, and the Bloodletter has decided to drop a bomb of epic proportions on us all...

Orphaned. Trained to fight. Raised to fear the power of Underhill. Secretly in love with a man who doesn’t want me. I’m still just Alli, aka the half-human orphan fae, but my life is looking up for the first time. It only took me my whole 24 years. But when Underhill—the ancestral home of the fae—shatters, making it impossible for any fae to enter, I’m the only one who knows who did it. A secret that will be the death of me if I do nothing.

Everything feels off—especially me. I’ve returned to Katmere Academy, but I’m haunted by fragments of days I have no recollection of living and struggling to understand who, or what, I really am. Just when I start to feel safe again, Hudson is back with a vengeance. He insists there are secrets I don’t know about, threatening to drive a wedge between Jaxon and me forever. But far worse enemies are at our doorstep.

Veteran Fourth Echelon agent Sam Fisher has a new mission recruiting and training the next generation of Splinter Cell operatives for the National Security Agency's covert action division. But when a lethal assassin from Fisher's past returns from the dead on a mission of murder, he is thrust into a race against time as a sinister threat to global security is revealed. With his daughter Sarah signed up as his newest recruit, Sam Fisher has everything to lose in a deadly game of cat-and-mouse.

As a bookseller, Nia saved up for years for her dream vacation—drinking champagne on a beach with her favorite books. But her dream turns into a nightmare when she's kidnapped by a muscular, tattooed jerk of a fey named Raphael. Yes, kidnapped. It turns out Nia has a magic power, and Raphael demands that she train at Camelot's elite academy for spies.

On the night of the blood moon, the Vampire Lord must die. Floriane's position as the forge maiden of Hunter's Hamlet is one of reverence, for it is her skill that arms and protects the vampire hunters. She knows her place and is a faithful servant to the Master Hunter and her community... until the night of the blood moon. Until her brother is dying at the hands of the Vampire Lord Ruvan.

BBC Radio has a unique heritage when it comes to Shakespeare. Since 1923, when the newly formed company broadcast its first full-length play, generations of actors and producers have honed and perfected the craft of making Shakespeare to be heard.

Here is the full-cast production of Shakespeare's classic love story, fully dramatized from the complete text, and starring Michael Sheen as Romeo and Kate Beckinsale as Juliet.

The elves come for two things: war and wives. In both cases, they come for death. Three-thousand years ago, humans were hunted by powerful races with wild magic until the treaty was formed. Now, for centuries, the elves have taken a young woman from Luella's village to be their Human Queen. To be chosen is seen as a mark of death by the townsfolk. A mark nineteen-year-old Luella is grateful to have escaped as a girl. Instead, she's dedicated her life to studying herbology and becoming the town's only healer. That is, until the Elf King unexpectedly arrives... for her.

Ryan Cawdor and his band of post-holocaust survivors come face-to-face with a specter from the past: out of the swirling dust that was once New Mexico bursts a regiment of pony soldiers, led by a man with flowing yellow hair. Brandishing Colts and Winchesters, the horsemen grimly prepare to destroy the ragtag strangers, intruders who dare to penetrate their ruthlessly defended stronghold.

Shaky is a sharp, soulful, and surprisingly romantic comedy about Nicole, a 30-year-old drummer whose wild-child lifestyle screeches to a halt after a shocking Young-Onset Parkinson’s diagnosis. Her plan? Keep partying, keep drumming, and pretend nothing’s changed. But when she crashes back into her childhood home—complete with her no-nonsense mom and painfully put-together younger sister—Nicole’s carefully constructed denial starts to unravel. As old tensions flare and new romantic sparks fly, she’s forced to confront the one thing she’s been avoiding: her future.

Kenneth Branagh stars in BBC Radio 4's ambitious eight-hour dramatisation of Life and Fate, Vasily Grossman's epic masterpiece set during the Battle of Stalingrad. This powerful work, completed in 1960, charts the fate of both a nation and a family in the turmoil of war. Its comparison of Stalinism with Nazism was considered by Soviet authorities to be so dangerous that the KGB placed the manuscript under arrest and Grossman was informed his book would not be published for at least 200 years.