Résultats de "Norman Mailer" dans Toutes les catégories

There was entertainment at the Republican Gala on Sunday night. The climax was a full marching band of bagpipers. They must have been hired for the week since one kept hearing them on the following days, and at all odd times, heard them even in my hotel room at four am for a few were marching in the streets of San Francisco, sounding through the night, giving off the barbaric evocation of the Scots, all valor, wrath, firmitude, and treachery - the wild complete treachery of the Scots finding its way into the sound of the pipes.

For many, the moon landing was the defining event of the twentieth century. So it seems only fitting that Norman Mailer - the literary provocateur who altered the landscape of American nonfiction - wrote the most wide-ranging, far-seeing chronicle of the Apollo 11 mission. A classic chronicle of America's reach for greatness in the midst of the Cold War, Of a Fire on the Moon compiles the reportage Mailer published between 1969 and 1970 in Life magazine

In his first major work of fiction in more than a decade, Norman Mailer offers what may be his consummate literary endeavor: he has set out to explore the evil of Adolf Hitler. The narrator, a mysterious SS man who is later revealed to be an exceptional presence, takes the young Adolf from birth through his adolescence. En route, reavealing portraits are offered of Hitler's father and mother, sisters, and brothers.

In his first major work of fiction in more than a decade, Norman Mailer offers what may be his consummate literary endeavor: he has set out to explore the evil of Adolf Hitler. The narrator, a mysterious SS man who is later revealed to be an exceptional presence, takes the young Adolf from birth through his adolescence. En route, reavealing portraits are offered of Hitler's father and mother, sisters, and brothers.

First published in the early days of the Iraq War, Why Are We at War? is an explosive argument about the American quest for empire that still carries weight today. Scrutinizing the Bush administration's words and actions, Mailer unleashes his trademark moral rigor: "Because democracy is noble, it is always endangered.... To assume blithely that we can export democracy into any country we choose can serve paradoxically to encourage more fascism at home and abroad."

"Questions are posed," writes Norman Mailer, "in the hope they will open into richer insights, which in turn will bring forth sharper questions." In this series of conversations, John Buffalo Mailer, 27, poses a series of questions to his father, challenging the reflections and insights of the man who has dominated and defined much of American letters for the past sixty years.

1968. The Vietnam War was raging. President Lyndon Johnson, facing a challenge in his own Democratic Party from the maverick antiwar candidate Eugene McCarthy, announced that he would not seek a second term. In April, Martin Luther King Jr. was assassinated and riots broke out in inner cities throughout America. Bobby Kennedy was killed after winning the California primary in June. In August, Republicans met in Miami, picking the little-loved Richard Nixon as their candidate.

Narrated by Ranald ("D.J.") Jethroe, Texas's most precocious teenager, on the eve of his departure to fight in Vietnam, this story of a hunting trip in Alaska is both brilliantly entertaining and profoundly thoughtful.

Originally published in 1959, Advertisements for Myself is an inventive collection of stories, essays, polemic, meditations, and interviews. It is Mailer at his brilliant, provocative, outrageous best. Emerging at the height of "hip", Advertisements is at once a chronicle of a crucial era in the formation of modern American culture and an important contribution to the great autobiographical tradition in American letters.

Published at the height of the McCarthy era, Norman Mailer's audacious novel of socialism is at once an elegy and an indictment, a sinuous moral thriller and an intellectual slugfest. Wounded during World War II, Mike Lovett is an amnesiac, and much of his past is a secret to himself. But when Lovett rents a room in Brooklyn, he finds that his housemates have secrets of their own: one betrays a husband no one ever sees; another may have been a Communist executioner.