Résultats lu par "Julia Franklin" dans Toutes les catégories

Needing to find a job, Betty Dean is sent into service at Stowford House. The work is gruelling, and her dreams of making something of herself seem out of reach. When Betty is forced to leave after a scandalous incident, she feels that her life is over—until a new job throws her a lifeline. Meeting Connie and Jean brings the joy of friendship, even if Betty struggles with having to keep secrets from her new pals. When soldier Duncan Kennedy enters Betty's life, it seems that she may finally find the love she's always wanted. But opening herself up to someone new isn't easy.

Daniel Kind's relationship with Miranda is on the rocks. After the bright lights of London, Miranda feels isolated in the Lake District and Daniel fears that she will just up and leave. And Miranda wouldn't be the first: ten years ago Emma Bestwick left her cottage and never returned. Her disappearance went unaccounted for, much to the chagrin of DCI Hannah Scarlett, head of the local Cold Case Review Team. But in a small, rural community, someone is bound to know something. And that someone has recently started calling the local newspaper and dropping hints about Emma's death.

Actress Enora Andressen is facing the perfect storm. Her favourite French director, Remy Despret, has lost his touch and is keeping dangerous company. Her agent, Rosa, has been seduced by a kiss-and-tell novel of doubtful provenance. While H, sicker by the day at home at Flixcombe Manor, is battling both Long Covid and something far darker. Devoting herself to H, Enora needs good news, and it arrives in the shape of a fascinating Remy idea based on Flixcombe's role during the Second World War.

In 1851, Joshua Browning sets off to join the Californian gold rush, leaving his wife and twin sons behind to run Hatherton Farm. Squire Cameron Marshall soon plots a way to regain the few acres of land, which he believes are rightfully his. Gracie Browning soon finds herself at the mercy of the unscrupulous Squire. For the sake of her cherished sons, Gracie is compelled to make some huge sacrifices. With no alternative than to flee from their homeland, a terrible catastrophe inflicts a momentous change to the Browning family.

In the peaceful village of Old Sawrey, a murderer strikes. Warren Howe, a husband and father of two, is brutally slaughtered with his own scythe by a mysterious hooded figure. The police identify several suspects, but due to the lack of evidence they fail to make an arrest. Years later an anonymous tip-off sparks the interest of DCI Hannah Scarlett, who heads the local Cold Case Review Team. Scarlett's investigations lead her to suspect Howe's widow, Tina. Meanwhile, someone is sending vicious poison pen letters to Tina and her two children.

Bristol - 1953. It’s Coronation Year. A new beginning in the aftermath of war, but there are still battles to be fought and secrets to be kept. Charlotte Hennessey-White copes with the shortcomings of her marriage and throws herself into helping refugees unwelcome by some and exploited by others. Edna Burbage has three beautiful children and considers herself lucky until the advent of a deadly twentieth century disease makes her think otherwise. Polly Chandler still hopes for a better life, but there are too many obstacles standing in her way.

Bristol 1939. At forty years of age, Mary Anne Randall still turns heads. With an abusive husband spending most of his wages on beer, she has resigned herself to be the sole breadwinner to protect her family and keep the wolves from the door. In order to make ends meet, Mary Anne runs a pawnbroking business from the wash house at the end of the garden. Following the outbreak of war an opportunity presents itself to escape her loveless marriage and find true love. Will she take that chance, or carry on living just for her children and not for herself?

Bristol 1941. Having left her abusive husband for very good reasons, Mary Anne Randall finds herself judged harshly by her friends and neighbours, after courageously risking everything for a second chance at happiness with Michael. With Michael away fighting, Mary Anne is less concerned by her tarnished reputation and focusses on keeping her beloved children safe. But with the bombs beginning to fall on Bristol, danger is all too close to home.

The world is struggling in the face of a relentless virus. When Hayden Prentice develops symptoms during a stay in his native Portsmouth, Enora Andressen and her son, Malo, must do their best to save his life. Because H, already in deep financial jeopardy, trusts no one. Except his kith and kin. But survival comes at a savage price. Not just the fortune that Enora must somehow raise to pay for his home nursing, but the murderous attentions of a stalker from H's past, determined to pay him one last visit and exact vengeance for a long-ago debt of blood....

Cryptic inscriptions in an antique Bible appear to record three gruesome deaths that took place in a quiet English village in 1779. Nearly 200 years later, a fourth person is found dead under similarly violent circumstances. As the investigation unfolds, suspicions are roused by the parallels with other events in the village’s history, and the book becomes key to unravelling a more than one mystery.

Written in the form of two letters, 'Dear Mr. Editor...' showcases Christianna Brand’s skill for crafting inventive plots with a limited cast of characters. In this story, a woman receives a letter from an editor requesting a submission for an anthology of horror stories. Keen to provide an original piece, she plans to kill her sister for the perfect plot.

Lancashire, 1936. With her son Gabriel finally married, and her youngest following his dreams of becoming a doctor, Gwynneth Harte finds herself with an empty nest—until a fire forces her to move in with Gabriel and his wife, Maisie, at their home on Daisy Street. Arthur Chapman has been at a low ebb ever since the death of his wife. Turning to drink in his grief, he lost both his job and contact with his grandchild, Beatie—but now the inheritance of a house from a distant relative is the fresh start he needs.

Frankie Piccione is done running away from her responsibilities - for now, anyway. Two years after fleeing Westenbury with a shattered heart, it's time to return and take up her place on the board of the family business. Piccione's Pickles and Preserves is floundering, and Frankie knows she can turn it around. But with her brother Luca and the new, rather attractive, Cameron Mancini watching her every move, she's going to have to come up with something special to persuade them that she belongs on the board just as much as they do.

The majority of Vernon Lee’s work was essays and studies on art and history, but this little-known essay’s sense of places lends itself more to poetry than nonfiction. As Lee guides us through an enchanted wood, it gives us an insight into the inspiration behind Lee’s supernatural stories.

Written in 1905, this is Vernon Lee’s final genuinely weird tale, and it tells the 18th-century legend of Sister Benvenuta, a nun who wrote letters to a model of infant Christ. Whilst unexpectedly funny in places, this short story has dark undertones.

The return of the veiled lady to Chilcote Priory fills Mrs Peterson with dread. The ghostly apparition was too rare for them to accept the house is haunted, and they had managed to brush it under the carpet, but when it scares their latest maid senseless, Mrs Peterson thinks the ghostly visitor has a message this time.

From the vaults of the British Library comes a new anthology celebrating the best works of forgotten, never-since-republished supernatural fiction from the early 20th century. Waiting within are malevolent spirits eager to possess the living and mysterious spectral guardians - a diverse host of phantoms exhumed from the rare pages of literary magazines and newspaper serials to thrill once more.

Amelia is constantly overshadowed by her beautiful cousin, Ernestine. When two men both fall for Ernestine, they dare each other to stay in an ominous vine-covered pavilion, and it is up to Amelia to come to the rescue in this eerie feminist tale.

Charlotte Perkins Gilman is known for her themes of female entrapment and patriarchal control, and she gives this a Gothic twist in "The Giant Wistaria". A wealthy young couple and their friends rent a manor house, excited by the prospect that it’s haunted, and they are not disappointed when they all experience the same vivid dream.

Strangling vines and meat-hungry flora fill this unruly garden of strange stories, selected for their significance as the seeds of the villainous (or perhaps just misunderstood) 'killer plant' in fiction, film and video games. Step within to marvel at Charlotte Perkins Gilman's giant wisteria and H.G. Wells' hungry orchid; hear the calls of the ethereal women of the wood and the frightful drone of the moaning lily; and do tread carefully around E. Nesbit's wandering creepers. Every strain of vegetable threat can be found within this new collection.