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In late summer of 2012, millionaire landowner Göran Lundblad went missing from his farm in Sweden. When a search yielded nothing, and all physical evidence had seemingly disappeared, authorities had little to go on - except a disturbing phone call five weeks later from Göran’s daughter Maria. She was sure that her sister, Sara, was somehow involved. At the heart of the alleged crime: Sara’s greed, her father’s land holdings, and his bitter feud with Sara’s idler boyfriend. With no body, there was no crime - and the case went as cold and dark as the forests of southern Sweden.

Martin Berg's wife, Cecilia, disappeared years ago. His memories of their carefree college days seem ever out of reach, and the intellectual curiosities that once made him the object of her desire have given way to midlife uncertainty. Perhaps nothing reminds Martin of these failures more than his friend Gustav Becker, a wildly successful painter who's returned to Gothenburg on the eve of his career-defining retrospective. Gustav, meanwhile, is hurting too. His obsession with Cecilia's inexplicable disappearance had made his art hagiographic, fixated on her image.

Vilda takes life as it comes, talking for hours about everything and nothing with her best friend, Alma. It's never been a big deal to Vilda that her mother's side of the family is Sámi and her father's is Swedish, but as summer vacation starts, she wants to know more about her indigenous roots—and she's looking forward to her beloved grandfather, Áddjá, teaching her the Sámi language. Then Áddjá has a fatal heart attack and, overnight, Vilda loses not only a person she loves most in the world, but a crucial link to her history and identity.