Résultats de "Akemi" dans Toutes les catégories

La sagesse japonaise pour une vie harmonieuse et équilibrée. Les caractères qui composent le mot chōwa signifient "recherche de l'équilibre", mais on les traduit plus simplement par "harmonie". Le chōwa propose des pistes pour résoudre les problèmes et nous aider à équilibrer les forces contraires et trouver l'harmonie : à la maison, au travail, au cours de notre éducation et dans nos différentes relations.

The Japanese wisdom of chowa (pronounced like power) offers a fresh approach to being, showing us how to create space and symmetry at work, at home, and in our relationships. Chowa is an ancient philosophy and set of practices that enable us to discover what matters most in our individual lives, and help us transform our way of thinking about ourselves and others.

Just Care is Akemi Nishida’s thoughtful examination of care injustice and social justice enabled through care. The current neoliberal political economy has turned care into a business opportunity for the healthcare industrial complex and a mechanism of social oppression and control. Nishida analyzes the challenges people negotiate whether they are situated as caregivers, receivers, or both. Also illuminated is how people with disabilities come together to assemble community care collectives and bed activism (resistance and visions emerging from the space of bed) to reimagine care as a key element for social change.

At the southern end of the Japanese archipelago lies Okinawa, host to a vast complex of US military bases. A legacy of World War II, these bases have been a fraught issue in Japan for decades - with tensions exacerbated by the often volatile relationship between islanders and the military, especially after the brutal rape of a 12-year-old girl by three servicemen in the 1990s. But the situation is more complex than it seems. In Night in the American Village, journalist Akemi Johnson takes listeners deep into the “border towns” surrounding the bases....

Come With Me is a podcast that brings the listeners on a journey with me as I talk about my life as an actor, writing my first scifi screenplay and going back to school to get my associates at age 36.

Eliot is grieving Babung, her paternal grandmother who just passed away, and she feels like she’s the only one. She’s less than excited to move to her new house, which smells like lemons and deception, and is searching for a sign, any sign, that ghosts are real. Because if ghosts are real, it means she can find a way back to Babung. When Eliot chases the promise of paranormal activity to the presumably haunted Honeyfield Hall, she finds her proof of spirits. But these ghosts are losing their memory, stuck between this world and the next, waiting to cross over.

It’s been ten months since Nami narrowly escaped the Four Courts and Ophelia’s wrath. Ten months since she was betrayed by someone she once considered a friend. Someone she poured her heart out to. And now her family here in the afterlife are gone, captured, and Nami is utterly alone. On the run, only steps ahead of the AI forces pursuing her, and desperate to free her friends, Nami must take the allies she can find, even if she doesn’t fully trust them. And as she tests the limits of her own power, she must also reckon with the responsibility that entails.

Harley Milano has dreamed of becoming a trapeze artist for as long as she can remember. With parents who run a famous circus in Las Vegas, she spends almost every night in the big top watching their lead aerialist perform, wishing with all her heart and soul that she would be up there herself one day. After a huge fight with her parents, who continue to insist she go to school instead, Harley leaves home, betrays her family, and joins the rival traveling circus Maison du Mystère.

Millie is attending a real school for the first time and dreams of finally having friends and a little bit of freedom. So when she joins an imitation band of her favorite J-Pop group, she's thrilled to meet a group of misfits who quickly become like family. But Millie realizes that one of them is dealing with problems bigger than what notes to hit when it comes time for their performance. Can Millie help her friend, even when their problem feels too big to say out loud?

Rumi Seto spends a lot of time worrying she doesn't have the answers to everything. What to eat, where to go, whom to love. But there is one thing she is absolutely sure of - she wants to spend the rest of her life writing music with her younger sister, Lea. Then Lea dies in a car accident, and her mother sends her away to live with her aunt in Hawaii while she deals with her own grief. Now thousands of miles from home, Rumi struggles to navigate the loss of her sister, being abandoned by her mother, and the absence of music in her life.

Eighteen-year-old Nami Miyamoto is certain her life is just beginning. She has a great family, just graduated high school, and is on her way to a party where her entire class is waiting for her - including, most importantly, the boy she’s been in love with for years. The only problem? She’s murdered before she gets there.

In the not-so-distant future, organs can be re-grown from a handful of stem cells. Even the most complex organ of all can be reproduced in the lab with nearly perfect accuracy. Nearly. Spurred by personal tragedy, scientist William Dalal works feverishly to improve the lives of brain regeneration patients. For every success however, there is a consequence, and the question arises in his mind: Are they worth it?

マヤ暦を味方にして、あなたの財運を爆上げしようマヤ暦──、それは古代マヤ人が使っていた、１年が２６０日（１３日×２０週）の不思議な暦。