Résultats de "Andreï Makine" dans Toutes les catégories

Je me souvenais qu'un jour, dans une plaisanterie sans gaîté, Charlotte m'avait dit qu'après tous ses voyages à travers l'immense Russie, venir à pied jusqu'en France n'aurait pour elle rien d'impossible [...]. Au début, pendant de longs mois de misère et d'errances, mon rêve fou ressemblerait de près à cette bravade. J'imaginerais une femme vêtue de noir qui, aux toutes premières heures d'une matinée d'hiver sombre, entrerait dans une petite ville frontalière [...].

This wonderful novel is set in what is known as the Soviet period of stagnation - the 1970s, or late Brezhnev era. The university-educated narrator wistfully looks back on a few months in mid-decade when he left his cynical and jaded friends in Leningrad to travel to a small provincial town near the White Sea. Ostensibly writing about provincial folk customs, but also hoping to gather material for an anti-Soviet satire, he instead meets Vera, a woman much older than he who has waited 30 years for her lover to return from World War II.

Aux confins de l'Extrême-Orient russe, dans le souffle du Pacifique, s'étendent des terres qui paraissent échapper à l'Histoire... Qui est donc ce criminel aux multiples visages, que Pavel Gartsev et ses compagnons doivent capturer à travers l'immensité de la taïga ? C'est l'aventure de cette longue chasse à l'homme qui nous est contée dans ce puissant roman d'exploration. C'est aussi un dialogue hors du commun, presque hors du monde, entre le soldat épuisé et la proie mystérieuse qu'il poursuit.

Défendre cette femme... Effacer les clichés qui la défigurent. Briser le masque que le mépris a scellé sur son visage. Aimer cette femme dont tant d'hommes n'ont su que convoiter le corps et envier le pouvoir. C'est cette passion qui anime le cinéaste russe Oleg Erdmann, désireux de sonder le mystère de la Grande Catherine. L'effervescence du XVIIIe siècle européen se trouve confrontée à la violente vitalité de la Russie moderne.

On the far eastern borders of the Soviet Union, in the sunset of Stalin’s reign, soldiers are training for a war that could end all wars, for in the atomic age man has sown the seeds of his own destruction. Among them is Pavel Gartsev, a reservist. Orphaned, scarred by the last great war and unlucky in love, he is an instant victim for the apparatchiks and ambitious careerists who thrive within the Red Army’s ranks.

May 24, 1941: Alexeï Berg, a classical pianist, is set to perform his first solo concert in Moscow. But just before his début, his parents - his father a renowned playwright, and his mother a famed opera singer - are exposed for their political indiscretions and held under arrest. With World War II on the brink, and fearing that his own entrapment is not far behind, Alexeï flees to the countryside, assumes the identity of a Soviet soldier, and falls dangerously in love with a general officer's daughter. What follows is a two-decades-long journey through war and peace, love and betrayal, art and artifice - a rare ensemble in the making of the music of a life.

Love for another person. Love for humanity as a whole. Are the two compatible or mutually exclusive? In Andrei Makine's most daring and ambitious novel since Dreams of My Russian Summers, in the midst of an insane African war somwehtere along the border between Angola and Zaire, two young people--Elias Almeida, a black revolutionary, and Anna, a Russian student--will struggle to stay together while forces beyond them work to tear them apart.

In World War II Ivan Demidov won the Red Army's highest award for bravery, that of Hero of the Soviet Union. But the decades following the War have brought him a life of hardship, alleviated only by his pride in this achievement and the modest privileges granted to War veterans. His daughter, Olya, on the other hand, born in 1961 and trained as a linguist, takes up a post as an interpreter at Moscow's International Business Center with access to a metropolitan lifestyle beyond the dreams of her parents.

Makine's most ambitious, complex, and uncompromising work is a three-generation epic set against the wide canvas of Russia's turbulent last eighty years, from Czarist times to the fall of Communism. We follow Nicholas, the protagonist's grandfather, from the brutal battle between the Reds and the Whites in the 1920s to the moment when Pavel, his grandson, is recruited by the KGB as a spy.

Agli estremi confini orientali della Russia, dentro al vento del Pacifico, per terre immense che sembrano sfuggite alla storia, Pavel Gartsev e i suoi compagni danno la caccia a un criminale dal volto sconosciuto. Pavel, nato e cresciuto nella Russia di Stalin, ha un passato di solitudine e abbandoni: rimasto orfano da bambino in circostanze che non conosce, ha vissuto, soldato ancora giovanissimo, tutta la violenza della seconda guerra mondiale.

Siberia, early seventies. The narrator, a thirteen-year-old orphan, saves Vardan, a young Armenian boy, from discrimination and being attacked by fellow Soviet students in their schoolyard. A friendship is born. When Vardan brings him home, the narrator enters a world of Armenian families living in the periphery of a prison where their husbands, sons, and fathers are detained. It is there, in the warmth of their home, that the narrator meets courage, love, and dignity—all of which will mark him for the rest of his life.

Défendre cette femme... Effacer les clichés qui la défigurent. Briser le masque que le mépris a scellé sur son visage. Aimer cette femme dont tant d'hommes n'ont su que convoiter le corps et envier le pouvoir. C'est cette passion qui anime le cinéaste russe Oleg Erdmann, désireux de sonder le mystère de la Grande Catherine. L'effervescence du XVIIIe siècle européen se trouve confrontée à la violente vitalité de la Russie moderne. La quête d'Erdmann révèle ainsi la véritable liberté d'être et d'aimer.