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My Seditious Heart collects the work of a two-decade period when Arundhati Roy devoted herself to the political essay as a way of opening up space for justice, rights, and freedoms in an increasingly hostile environment. Radical and superbly listenable, the essays speak in a voice of unique spirit, marked by compassion, clarity, and courage. Roy offers a powerful defense of the collective, of the individual, and of the land, in the face of the destructive logic of financial, social, religious, military, and governmental elites.

Likened to the works of Faulkner and Dickens when it was first published 20 years ago, this extraordinarily accomplished debut novel is a brilliantly plotted story of forbidden love and piercing political drama, centered on the tragic decline of an Indian family in the state of Kerala, on the southernmost tip of India. Armed only with the invincible innocence of children, the twins Rahel and Esthappen fashion a childhood for themselves in the shade of the wreck that is their family.

From the poisoned rivers, barren wells, and clear-cut forests, to the hundreds of thousands of farmers who have committed suicide to escape punishing debt, to the hundreds of millions of people who live on less than two dollars a day, there are ghosts nearly everywhere you look in India. India is a nation of 1.2 billion, but the country's 100 richest people own assets equivalent to one-fourth of India’s gross domestic product.

In late 2014, Arundhati Roy, John Cusack, and Daniel Ellsberg traveled to Moscow to meet with Edward Snowden. The result is a series of essays and dialogues in which Roy and Cusack reflect on their conversations with Snowden. In these provocative and penetrating discussions, Roy and Cusack discuss the nature of the state, empire, and surveillance in an era of perpetual war, the meaning of flags and patriotism, the role of foundations and NGOs in limiting dissent, and the ways in which capital but not people can freely cross borders.

Arundhati Roy's debut novel The God of Small Things took the literary world by storm, winning the Booker Prize in 1997. It went on to sell over six million copies in 40 languages, and was named as one of the BBC's 100 'Novels That Shaped Our World' in 2019. Set in Kerala in both the present and 1969, it tells the compelling tale of fraternal twins Rahel and Estha, whose lives are shattered by the 'Love Laws' that dictate 'who should be loved, and how.

Destrozada por la muerte de su madre y, al mismo tiempo, desconcertada y "más que un poco avergonzada" por la intensidad de su reacción, Arundhati Roy comenzó a escribir estas memorias en un intento de comprender sus sentimientos hacia la madre de la que huyó a los dieciocho años, "no porque no la amara, sino para poder seguir amándola". Así empieza esta historia asombrosa, que Roy lleva "escribiendo toda la vida", un texto radicalmente honesto, divertido y profundamente conmovedor. .

Uno de los grandes fenómenos editoriales de las últimas décadas. Un debut que ganó el Booker, traducido a más de cuarenta idiomas y con ocho millones de ejemplares vendidos en todo el mundo. Debut de una desconocida Arundhati Roy en el año 1997, El dios de las pequeñas cosas ha sido uno de los grandes fenómenos editoriales de las últimas décadas. Ganador del Premio Booker y traducido a más de cuarenta lenguas, es ya un clásico contemporáneo con ocho millones de lectores en todo el mundo.

As a novelist, Arundhati Roy is known for her lush language and intricate structure. As a political essayist, her prose is searching and fierce. All of these qualities shine through in the interviews collected here by David Barsamian. This newly reissued and expanded edition, featuring interviews from 2001 to 2022 and a moving foreword by Naomi Klein, explores Roy's evolving political thought and commitments across the tumultuous twenty-first entry.

'अपार ख़ुशी का घराना' हमें कई वर्षों की यात्रा पर ले जाता है. यह एक ऐसी कहानी है जो वर्षों पुरानी दिल्ली की तंग बस्तियों से खुलती हुई फलते-फूलते नए महानगर और उससे दूर कश्मीर की वादियों और मध्य भारत के जंगलों तक जा पहुँचती है, जहां युद्ध ही शान्ति है और शान्ति ही युद्ध है. अंजुम, जो पहले आफ़ताब थी, शहर के एक क़ब्रिस्तान में अपना तार-तार कालीन बिछाती है और उसे अपना घर कहती है. यह सम्मोहक, शानदार किताब नए अंदाज़ में फिर से बताती है कि एक उपन्यास क्या कर सकता है.

Auf einem Friedhof in der Altstadt von Delhi wird ein handgeknüpfter Teppich ausgerollt. Auf einem Bürgersteig taucht plötzlich ein Baby auf. In einem verschneiten Tal schreibt ein Vater einen Brief an seine fünfjährige Tochter über die vielen Menschen, die zu ihrer Beerdigung kamen. Im Jannat Guest House umarmen sich im Schlaf zwei Menschen, als ob sie sich eben erst getroffen hätten - aber sie kennen sich schon ein Leben lang.

Die kleinen Dinge, das sind der Streifen auf einem Wespenflügel, roter Nagellack auf den Fingern eines Schreiners, die geballte Faust auf einer Motorhaube. Die großen Dinge dagegen lauern unausgesprochen im Innern. Das wissen die siebenjährigen Zwillinge Rahel und Estha, und sie wissen auch, dass sich alles an einem einzigen Tag verändern kann. Und sie werden recht behalten. Als Rahel nach vielen Jahren zurückkehrt in ihr Heimatdorf im südindischen Kerala, ist nichts mehr, wie es einst war. Die Konservenfabrik der Familie verfallen, die geliebte Mutter tot, der Zwillingsbruder verstummt.

അടിച്ചമർത്തലുകളുടെ ലോകത്തിൽ സ്വാതന്ത്ര്യത്തിന്റെ അർത്ഥതലങ്ങളെക്കുറിച്ച് പുതുക്കിച്ചിന്തിക്കാൻ പ്രേരിപ്പിക്കുന്ന സ്‌ഫോടനാത്മകമായ എഴുത്ത്. ലോകം കാതോർക്കുന്ന അനുഗൃഹീത സാഹിത്യകാരിയും സാമൂഹ്യപ്രവർത്തകയുമായ അരുന്ധതി റോയിയുടെ ഏറ്റവും പുതിയ പുസ്തകം

Arundhati Roy examines the persistent inequality in India through an extensive critique of Gandhi's views on race, caste and imperialism.

Ammu, figlia di un alto funzionario, lascia un marito violento e torna a casa con i suoi bambini, i gemelli Estha e Rahel, maschio e femmina. Ma nell’India meridionale dei tardi anni Sessanta, una donna divorziata come lei si ritrova priva di una posizione sociale riconosciuta, soprattutto se commette l’errore di innamorarsi di un paria.