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Like anyone who discusses the problems of girls and women in public, Caitlin Moran has often been confronted with the question: “But what about men?” And at first, tbh, she dgaf. Boys, and men, are fine, right? Feminism doesn’t need to worry about them. However, around the time she heard an angry young man saying he was “boycotting” International Women’ Day because “It's easier to be a woman than a man these days,” she started to wonder: are unhappy boys, and men, also making unhappy women?

Though they have the vote and the Pill and haven't been burned as witches since 1727, life isn't exactly a stroll down the catwalk for modern women. They are beset by uncertainties and questions: Why are they supposed to get Brazilians? Why do bras hurt? Why the incessant talk about babies? And do men secretly hate them? Caitlin Moran interweaves provocative observations on women's lives with laugh-out-loud funny scenes from her own, from adolescence to her development as a writer, wife, and mother.

It’s 1990. Johanna Morrigan, 14, has shamed herself so badly on local TV that she decides that there’s no point in being Johanna anymore and reinvents herself as Dolly Wilde - fast-talking, hard-drinking Gothic hero and full-time Lady Sex Adventurer! She will save her poverty stricken Bohemian family by becoming a writer - like Jo in Little Women, or the Bröntes - but without the dying young bit.

The author of the international bestseller How to Be a Woman returns with another “hilarious neo-feminist manifesto” (NPR) in which she reflects on parenting, middle-age, marriage, existential crises—and, of course, feminism. As timely as it is hysterically funny, this memoir/manifesto will have listeners laughing out loud, blinking back tears, and redefining their views on feminism and the patriarchy. More Than a Woman is a brutally honest, scathingly funny, and absolutely necessary take on the life of the modern woman—one that only Caitlin Moran can provide.

Introducing every piece and weaving her writing together into a brilliant, seamless narrative—just as she did in Moranthology—Caitlin combines the best of her recent columns with lots of new writing unique to this book as she offers a characteristically fun and witty look at the news, celebrity culture, and society. Featuring strong and important pieces on poverty, the media, and class, Moranifesto also focuses on how socially engaged we've become as a society.

You can’t have your best friend be famous if you’re not famous. It doesn’t work. You’re emotional pen-friends. You can send each other letters - but you’re not doing anything together. You live in different countries. Johanna Morrigan (AKA Dolly Wilde) has it all: at 18, she lives in her own flat in London and writes for the coolest music magazine in Britain. But Johanna is miserable. Her best friend and man of her dreams John Kite has just made it big in 1994’s hot new Britpop scene. Suddenly John exists on another plane of reality: that of the Famouses. Never one to sit on the sidelines, Johanna hatches a plan....

A hilarious, heartfelt sequel to How to Build a Girl, the breakout novel from feminist sensation Caitlin Moran who the New York Times called, "rowdy and fearless... sloppy, big-hearted and alive in all the right ways." You can’t have your best friend be famous if you’re not famous. It doesn’t work. You’re emotional pen-friends. You can send each other letters - but you’re not doing anything together. You live in different countries.

Adapted and narrated by Caitlin Moran, this brand-new radio adaptation intersperses dramatised scenes from Moran's life (from her teenage years in a crowded council house in Wolverhampton, to setting out as a music journalist, to getting married and having children) with her thoughts on subjects that range from the necessity of big knickers to the experience of giving birth and having an abortion.

Un retrato perspicaz y atrevido de la masculinidad contemporánea. Cualquier feminista que haya dialogado ante el público sobre las frustraciones y los lastres innatos a la aventura de ser mujer habrá tenido que enfrentarse alguna vez a la pregunta: «¿Y los hombres qué?». Y si la feminista en cuestión lleva años intentando convencer a ese público de que las preocupaciones de ambos sexos son cosas muy distintas, su respuesta automática, muy probablemente, habrá sido algo como: «¿Por qué me sacan este tema? ¡Yo soy feminista! ¡Mi especialidad son las mujeres! No me ocupo de… los otros».

¿Quién dijo que convertirse en una mujer de mediana edad iba a ser una tarea fácil? Caitlin Moran, que arrasó con aquel tronchante y lúcido manifiesto de feminismo asilvestrado titulado Cómo ser mujer, regresa con una secuela que desmonta la teoría de que segundas partes nunca fueron buenas, dada la espectacularidad de esta. Si en la anterior entrega hablaba la joven Caitlin, aquí es la cuarentona la que vuelve a la carga. Ahora las experiencias vitales son otras y han cambiado algunas prioridades y puntos de vista, pero la pluma con la que escribe sigue afiladísima.

Si eres una adolescente con unos kilos de más, te masturbas con sigilo para no despertar a tu hermano pequeño, vives en Wolverhampton, formas parte de una familia numerosa con una economía precaria, tienes un padre con aspiraciones nunca cumplidas de triunfar en la música, que abusa de la botella, y una madre depresiva, la vida puede ser un asco. Si para colmo haces el ridículo en la televisión local leyendo un poema, probablemente ha llegado el momento de tomar una decisión drástica. Empezando por cambiarte el nombre.

No hubo nunca mejor época que ésta para ser mujer: ahora existen el voto femenino y la píldora, y desde 1727 ya no envían a las mujeres a la hoguera por brujas. Pero ¿cómo ser mujer? Ésa es precisamente la gran, eterna pregunta a la que Caitlin Moran se propone responder en una obra que aborda a calzón quitado - a veces literalmente -, con inteligencia, desvergüenza e ironía y también una salvaje franqueza, los principales aspectos de la condición femenina.

It's 1990. Johanna Morrigan, 14, has shamed herself so badly on local TV that she decides that there's no point in being Johanna anymore and reinvents herself as Dolly Wilde - fast-talking, hard-drinking gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writer - like Jo in Little Women, or the Brontës - but without the dying-young bit.

Caitlin Moranová před deseti lety předpokládala, že má všechny trable za sebou. Ve svém globálním bestselleru Jak být ženou se vypořádala s patriarchátem, feminismem a vším tím, co obnáší moderní „ženství“, a měl ji čekat spokojený dospělý život plný skvělého sexu a harmonického rodičovství. Nečekal. V nové knize se proto zaobírá výzvami, které v současnosti čekají na „zralé“ ženy a stává se tak naším břitkým průvodcem dospělostí i smířením s faktem, že seznam povinností, potřeb a potíží se bude jen prodlužovat.