Résultats de "Chris Andrews - Translator" dans Toutes les catégories

“Extraordinary . . . [Bolaño’s] greatest work.” —James Wood, The New York Times Book Review “A marvelous river of feeling, a brilliant meditation, an enthralling fantasy—By Night in Chile is the real thing, and the rarest: a contemporary novel destined to have a permanent place in...

“Extraordinarily beautiful . . . [Like] a dream from which we awake inspired to look more attentively at the world.” —Francine Prose, The New York Times Book Review A journey to Acapulco gradually becomes a descent into the underworld. An elderly South American writer instructs a protégé...

“[Narrator André] Santana elevates each story, however brief, with tone, cadence, and pacing, bringing Bolaño’s brilliance vividly to life.” — Kirkus “One of the more colorful gods in the pantheon of international literary myth . . . [Bolaño] follows his restless talent down every...

A tour de force, Amulet is a highly charged first-person, semi-hallucinatory novel that embodies in one woman's voice the melancholy and violent recent history of Latin America. Amulet is a monologue, like Bolaño's acclaimed debut in English, By Night in Chile. The speaker is Auxilio Lacouture, a Uruguayan woman who moved to Mexico in the 1960s, becoming the "Mother of Mexican Poetry", hanging out with the young poets in the cafés and bars of the University.

The Wind That Lays Waste begins in the great pause before a storm. Reverend Pearson is evangelizing across the Argentinian countryside with Leni, his teenage daughter, when their car breaks down. This act of God or fate leads them to the workshop and home of an aging mechanic called Gringo Brauer and a young boy named Tapioca. As a long day passes, curiosity and intrigue transform into an unexpected intimacy between four people.

“[One] of his best.” —Daniel Zalewski, The New Yorker “A masterpiece.” —Los Angeles Times The year is 1971, or perhaps 1972, in Salvador Allende’s Chile. Arturo B. is just one of a motley crew of young bohemians attending Juan Stein’s poetry workshop at the University of...

“The greatest writer to have appeared in Latin America since the so-called ‘boom’ . . . I’m tempted to call Bolaño the love child of David Lynch and Jorge Luis Borges—he’s that visceral and erudite—but this wouldn’t do justice to his ambition.” —John Powers, NPR’s Fresh...

“Roberto Bolaño’s oeuvre is among the great, blistering literary achievements of the twentieth century.” —Lauren Groff, author of The Vaster Wilds “[Latin America’s] most vibrant expositor: an acid-tongued, truth-telling, peripatetic genius, who lived all too briefly, wrote in a...

“Reading Roberto Bolaño is like . . . watching the tracks of art and life merge at the horizon and linger there like a dream from which we awake inspired to look more attentively at the world.” —Francine Prose, The New York Times “We savor all he has written, as every offering is a...

“One of the most respected and influential writers of [his] generation.” —John Banville, The Nation “A genius . . . Bolaño had the courage to look at the world anew.” —Ilan Stavans, The Washington Post Composed of thirteen indelible stories, Roberto Bolaño’s The Return is...

“One of the greatest and most influential modern writers.” —James Wood, The New York Times Book Review “Bolaño is the real thing.” —n+1 In the quiet Spanish seaside town of Z, a horrific crime has been committed: a coldblooded murder on a secret ice rink in the abandoned Palacio...

“Genius . . . [This] is Bolaño playing with sharp, twisting knives.” —Stacey D’Erasmo, The New York Times Book Review “Imaginative, full of a love for literature, and . . . exceptionally entertaining.” —Michael Dirda, The Washington Post Nazi Literature in the Americas is Roberto...