Résultats de "Deborah White" dans Toutes les catégories

Ever felt like you should be better at feminism? Join comedian Deborah Frances-White and her guests for this comedy podcast, recorded in front of a live audience. Each week they discuss our noble goals as 21st century feminists and the hypocrisies and insecurities that undermine them. Deborah Frances-White is the 2016 Writers' Guild Award Winner for Best Radio Comedy for her hit BBC Radio 4 series Deborah Frances-White Rolls the Dice. She is an Edinburgh Fringe regular, a screenwriter and is in huge demand for her corporate seminars. Hosted on Acast. See acast.com/privacy for more information.

Sometimes we feel a bit like "I'm a feminist, but...." As in, "I'm a feminist, but I skipped the Women's March to buy face cream." As in, "I'm a feminist, but I've never found time to read Sylvia Plath (but I have watched 15 seasons of Keeping Up with the Kardashians)." In The Guilty Feminist, Deborah Frances-White reassures us that we don't have to be perfect to be a force for meaningful change. Exploring big issues of identity, equality, intersectionality, and the current feminist agenda, she explodes the myth of the model activist and offers a realistic path....

These interconnected stand-alone fairy tale retellings are set on the continent of Solstice, where dragons do their own thing, and enchanters run amok. If you enjoy strong heroines, clean romance, and fantasy worlds with a dash of intrigue, then lose yourself in the fairy tale world of The Kingdom Tales today. Box Set 1 includes Kingdom of Beauty: A Retelling of Beauty and the Beast, Kingdom of Slumber: A Retelling of Sleeping Beauty, and Kingdom of Cinders: A Retelling of Cinderella.

After a lifetime with a grief-stricken father and a self-absorbed brother, Felicity isn't daunted by sacrifice. But when protecting her father means falling afoul of the curse that has swallowed the Summer Castle, and Prince Justin along with it, her own safety is not all that's at stake. The prince's monstrous form is the least of her concerns—the whole castle has been trapped by his pride, and his absence from the capital is driving the kingdom to ruin.

With eleven younger sisters, Princess Zinnia usually has little choice but to be responsible. But if she had her way, she'd spend her time exploring the seashore and cavorting with the dragons often found there. When she sees one of those dragons flying mysteriously over her castle one night, the temptation to sneak out after it is too strong to resist. Except, by the time she realizes she doesn't recognize this dragon, she's already witnessed something much bigger than she was ready for. And now she's trapped, her sisters along with her.

Stolen as a baby by an egotistical enchanter, Aurelia has spent her entire life locked in a tower, her impractically long hair serving as a vessel in which her captor can store his magic. Every day is predictable—at least, until Cyfrin's manner and experiments take an inexplicable turn. Now Aurelia's biggest challenge is convincing her fellow prisoner—the only mother she's ever known—that she's strong enough to handle the truth behind the enchanter's strange behavior. The trouble is, she'll first need to convince herself.

Princess Wren is not the crown princess. Everyone else might think her six older brothers are dead, but she knows the truth. They're very much alive, and her oldest brother will absolutely assume the throne. Once he becomes a little less feathered . . . and beaky. The trouble is, that requires Wren to fulfill the terms of the curse that transformed her brothers into swans—which means she can't speak a word to a living soul. For six years.

Born into a kingdom where power is outlawed, Penny has little reason to love her magic. She barely remembers her mother, and even her father dies unaware of her abilities. Now, magic or not, Penny is powerless to escape the bitter tangle of competition her stepmother has created between her and her stepsisters. And a series of chance encounters with the crown prince only adds to her troubles. The last thing she needs is to attract the notice of the very royals who have turned her existence into a crime.

Merletta's enemies may think they've bested her, but she's always been a survivor. Now she has a choice to make—protect herself, or expose the Center's lies? The question only becomes more complex when she learns she's not the only one to have paid the price for her flight to Vazula. Meanwhile, Heath finally has the chance to bring the two factions of his family together. Except he can't seem to care about anything after losing Merletta. Then, just as his stirring magic ignites hope he hadn't dared to hold, a trip to Kyona threatens to overset Valoria's fragile peace.

Unlike everyone around her, Princess Azalea has never been especially troubled by the curse placed on her at her christening. But, as her sixteenth birthday approaches, even Ben—usually her only sanctuary from her well-meaning protectors—starts to worry. Not to mention he begins acting strangely about the betrothal that's bound them since childhood. Being forced to marry her best friend has always seemed like a far bigger problem than a mere curse—until the unthinkable happens.

In spite of being a nameless orphan, Merletta is determined to win the prestigious rank of record holder. And she has no intention of letting a little thing like universal disdain stop her. Lord Heath knows nothing of mermaids, but coming from the noble House of Dragonfriend, he's no stranger to magic. Except, in spite of having a dragon for a best friend, Heath is the only magic-less member of his family. Not that he covets the power around him. All he wants is to defuse the growing tension between the power-wielders and their royal cousins.

Merletta has survived her second-year test, but its revelations have once again upended everything she thought she knew. With so much at stake, it's hard to remember why she once cared so much about passing the program. It's time to show her true colors and face whatever comes . . . but yet again, she's failed to predict the Center's next move. And the consequences are disastrous for more than just her.

Ember's defiance has always been a frustration to the rest of her island community. But even she didn't expect to be selected as the next sacrifice, years before another is due. She can't help but wonder if it relates to the strange new ability that's just begun to stir within her. She doesn't intend to go down without a fight—in fact, the chance to confront the monster demanding sacrifices is a more welcome path than the marriage her parents had arranged to a local farmer.

As we look forward to gradually emerging from lockdown over the summer, we're reuniting some famous, brilliant, funny women for a remote catch-up, where they mull over the highs and lows of the past year. They’ll celebrate International Women's Day by sharing their experiences and their hopes for a better future, as life starts to opens up again.

Each story in this new collection offers a delightful and original reimagining of the incomparable Bertie Wooster and his gentleman's gentleman – seeing them journey to the horse races in Paris, solve puzzles at a wartime Bletchley Park, and even transported forward in time to the year 2025. JEEVES AGAIN is a joyful celebration of Wodehouse as a much-beloved British literary icon – as well as a timely and entertaining reminder of the lasting impact of his characters on a whole new generation of readers and writers.

Merletta is out of time, and so are the triple kingdoms. She can't outswim her mistakes, and if she can't expose the Center's lies, so many will pay the price. Matters of the heart have no place—whether on land with Heath, or in her underwater search for her family. Heath has accepted that there's no simple way for him and Merletta to be together. With the wrath of the dragons hanging over Merletta, and the increasingly desperate need to clear Percival's name, Heath has never felt more torn between worlds.

In all of human experience, there is very little that holds more intimate horror than childbirth. Bodies are ravaged, minds are torn, and lives are caught in a precarious balance of hope and fear. In this anthology of seventeen authors, the horrors of childbirth are scalpel-sharp and womb-deep. The stories in this anthology are painful and dark. A surprising parasite deeply planted in its mother's womb. A harrowing choice made by a mother with no options. Demon babies. Post-partum madness. Lifeblood lost. Check your triggers (found at ruthannaevans.

Flora owes her role as a royal bodyguard to her ability to control Dust—the invisible magic created by movement. She doesn’t pretend to be a man, she just doesn’t correct those who assume the Siqualian princess’s bodyguard must be a man…which is everyone. Including the delegation of the foreign prince to whom the princess is betrothed. Prince Cassius’s sole purpose in seeking a marriage alliance is to bring strength to the region before outside forces succeed in splintering the peninsula further.

In Bloodlines by Jerry Purdon, a sheriff becomes distraught, taking drastic action after learning of a betrayal beyond anything he had imagined. In THE BULLET by Trevor Abbud, in the aftermath of a world ravaged by the mysterious virus known as “ The Bullet,” Luke Hart grapples with the challenges of survival, navigating the feral transformation of his son Jacob and the haunting complexities of his wife's infectation. In Coyote by Benjamin B. White, born into a mixed breed with a culture of opposing ideologies — which wolves you run with are up to you or are they?

This revised edition of Ar'n't I a Woman? reviews and updates the scholarship on slave women and the slave family, exploring new ways of understanding the intersection of race and gender and comparing the myths that stereotyped female slaves with the realities of their lives. Above all, this groundbreaking study shows us how black women experienced freedom in the Reconstruction South—their heroic struggle to gain their rights, hold their families together, resist economic and sexual oppression, and maintain their sense of womanhood against all odds.