Résultats de "Donna Leon" dans Toutes les catégories

In Leon's fifth Commissario Guido Brunetti mystery, the beating of renowned art historian Dotoressa Brett Lynch draws the contemporary Venetian police detective out of his warm and loving home and into the yearly onslaught of acqua alta, the torrential winter rains. Brett, an American who spearheaded a recent exhibition of Chinese pottery in Venice, lives with her lover, Flavia Petrelli, the reigning diva of La Scala. With his open mind and good sense, Brunetti finds himself more fazed by Flavia's breathtaking talent than by the nontraditional relationship between the two women. Brunetti's deliberate and humane investigation to uncover a motive for Brett's beating takes him to dark, wet corners of Venice and into a sinister web of art theft, fakery, and base human desires.

Brunetti is forced to confront the price of loyalty, to his past and in his work, as a seemingly innocent request leads him into troubling waters. What role can or should loyalty play in the life of a police inspector? It’s a question Commissario Guido Brunetti must face and ultimately answer in Give Unto Others, Donna Leon’s splendid 31st installment of her acclaimed Venetian crime series.

Depuis quelques mois, des gangs d'adolescents sévissent dans les rues de Venise. Tandis que le commissaire Brunetti et sa collègue, Claudia Griffoni, enquêtent sur ce phénomène inquiétant, ils découvrent que ces garçons viennent tous de familles influentes dans les sphères politiques, juridiques et économiques de la ville. Mais les tensions vont crescendo et la corruption, vénérée et intouchable, s'apprête à faire de nouvelles victimes. Brunetti devra choisir entre protéger la future génération ou préserver la paix des puissants avant qu'il ne soit trop tard.

Around one a.m. on an early spring morning, two teenage gangs are arrested after clashing violently in one of Venice’s squares. Commissario Claudia Griffoni, on duty that night, perhaps ill-advisedly walks the last of the boys home because his father, Dario Monforte, failed to pick him up at the Questura. Coincidentally, Guido Brunetti is asked by a wealthy friend of Vice-Questore Patta to vet Monforte for a job, triggering Brunetti’s memory that twenty years earlier Monforte had been publicly celebrated as the hero of a devastating bombing of the Italian military compound in Iraq.

Late one night, Commissario Guido Brunetti's telefonino rings. A woman's body has been found in a Spartan apartment on Campo San Giacomo dell'Orio. Brunetti sees some signs of force on the old woman, but they could just as easily have been from the radiator near where she fell. When the medical examiner rules that the woman died of a heart attack, it seems there is nothing to investigate.

During intermission at the famed La Fenice opera house in Venice, Italy, a notoriously difficult and widely disliked German conductor is poisoned—and suspects abound. Guido Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he calls on his knowledge of Venice, its culture, and its dirty politics. Along the way, he finds the crime may have roots going back decades—and that revenge, corruption, and even Italian cuisine may play a role.

It all begins with an early morning phone call. In the chill of the Venetian dawn, a sudden act of vandalism shatters the quiet of the city, and Brunetti is shocked to find that the culprit waiting to be apprehended at the scene is his own wife, Paola. She has taken a stand against a travel agency known for a certain kind of shady tourism. Meanwhile, at work, Brunetti is under pressure from his superiors to solve a daring robbery with a link to a suspicious accidental death. Does it all lead back to the Mafia? And how are his family’s actions connected to these crimes?

One afternoon, Commissario Guido Brunetti gets a frantic call from the director of a prestigious Venetian library. Someone has stolen pages out of several rare books. After a round of questioning, the case seems clear: The culprit must be the man who requested the volumes, an American professor from a Kansas university. The only problem-- the man fled the library earlier that day, and after checking his credentials, the American professor doesn't exist.

Early one morning Commissario Guido Brunetti of the Venice Police confronts a grisly sight when the body of a young man is fished out of a fetid canal. All the clues point to a violent mugging, but for Brunetti the motive of robbery seems altogether too convenient.

Guido Brunetti faces a heinous crime committed outside his jurisdiction. He is drawn in innocently enough: two young American women have been badly injured in a boating accident, joyriding in the Laguna with two young Italians. However, Brunetti's curiosity is aroused by the behavior of the young men, who abandoned the victims after taking them to the hospital. If the injuries were the result of an accident, why did they want to avoid association with it?

Commissario Guido Brunetti comes to the aid of a young nursing sister who has had five patients unexpectedly die and decides to leave her convent. In the course of his inquiries, Brunetti encounters an unusual cast of characters but discovers nothing that seems criminal. Is the nun simply creating a smoke screen to justify abandoning her vocation? Or has she stumbled onto something very real and very sinister - something that places her own life in imminent danger?

A good man who loves his family and his city, Commissario Guido Brunetti is relentless in his pursuit of truth and some measure of justice. In Earthly Remains, Brunetti's endurance is tested more than ever before. During an interrogation of an entitled, arrogant man suspected of giving drugs to a young girl who then died, Brunetti acts rashly, doing something he will quickly come to regret. In the fallout, he realizes that he needs a break, needs to get away from the stifling problems of his work.

Venetian Commissario Guido Brunetti’s hopes of escaping the sweltering heat of Venice in August for a refreshing family holiday in the mountains are dashed when a gruesome discovery is made in a field in Marghera—a body so badly beaten the face is completely unrecognizable. Brunetti searches Venice for someone who can identify the corpse, but he is met with a wall of silence. Then he receives a phone call promising tantalizing information, provided he meets with the caller under a bridge outside of town in the middle of the night.

Dans la belle Venise, les activités criminelles semblent se calmer tandis que la ville sort de la pandémie. Le commissaire Brunetti profite de ce moment pour renouer avec la splendeur de la Sérénissime et sa riche culture. Cependant, la trêve prend fin quand une amie d’enfance de Brunetti arrive en catastrophe à la questure. Elle soupçonne son gendre d’être mêlé à des affaires sordides, et de mettre ainsi toute sa famille en danger. Brunetti va mener l’enquête en secret, aidé de la signorina Elettra et de la commissaire Claudia Griffoni, au risque de désobéir à sa hiérarchie.

A woman’s cryptic dying words in a Venetian hospice lead Guido Brunetti to uncover a threat to the entire region in Donna Leon’s haunting 29th Brunetti novel. When Dottoressa Donato calls the Questura to report that a dying patient at the hospice Fatebenefratelli wants to speak to the police, Commissario Guido Brunetti and his colleague, Claudia Griffoni, waste no time in responding.

On a cold November evening, Guido Brunetti and Paola are up late when a call from his colleague Ispettore Vianello arrives, alerting the Commissario that a hand has been seen in one of Venice’s canals. The body is soon found, and Brunetti is assigned to investigate the murder of an undocumented Sri Lankan immigrant. Because no official record of the man’s presence in Venice exists, Brunetti is forced to use the city’s far richer sources of information: gossip and the memories of people who knew the victim.

Donna Leon’s memoir, Wandering through Life, gave her legions of fans a colorful tour through her life, from childhood in New Jersey to adventures in China and Iran, to her love of Venice and opera. Nowhere, however, did she discuss her writing life. In Backstage, Donna reveals her admiration for, and inspiration from, the great crime novelists Ruth Rendell and Ross MacDonald, examining their approach to storytelling as she dissects her favorite books of theirs. She expresses her love for Charles Dickens’s Great Expectations and her appreciation for Sir Walter Scott’s generosity of spirit.

On a beautiful spring morning on the island of Pellestrina, south of the Lido on the Venetian lagoon, a small boat moored at the docks suddenly explodes, killing two local clam fishermen. When it becomes clear that the fire was deliberately set, Brunetti decides to investigate. But when he tries to dig up information about the murder, the island’s tight-knit—and closemouthed—community closes ranks, forcing Brunetti to accept Signorina Elettra’s offer to visit her relatives there to search for clues.

Donna Leon’s bestselling series featuring the principled, warmhearted Venetian Commissario Guido Brunetti has won her countless fans, critical acclaim, and international renown as one of the world’s best crime writers. In A Question of Belief, Brunetti must contend with ingenious corruption, bureaucratic intransigence, and the stifling heat of a Venetian summer. With his hometown beset by hordes of tourists and baking under a glaring sun, Brunetti’s greatest wish is to go to the mountains with his family, where he can sleep under a down comforter and catch up on his reading.

The polluted waters of the canals in Venice are an ever-present issue; but environmental concerns become significant in Commissario Guido Brunetti's work when an investigator from the Carabiniere—looking into the illegal hauling of garbage—asks for a favor. But the investigator is not the only one with a special request. Brunetti's father-in-law needs help and a mysterious woman comes into the picture. And the Commissario soon finds himself in the middle of an investigation into murder and corruption more dangerous than anything he's seen before.