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Considered by many to be the first modern mystery novel, Trent's Last Case introduces the gentleman sleuth Philip Trent, a freelance reporter and invistigator. Trent becomes involved in the case of the murder of millionaire American financier Sigsbee Manderson, slain while on holiday in England.

Private detective Philip Trent, who first appeared in E.C. Bentley’s Golden Age crime classic The Woman in Black, is called upon to solve a mystery surrounding the will of a wealthy man with a particular appreciation for the work of Lewis Carroll. A string of literary clues leads Trent to suspect there was more to the man’s dying wishes than may have first appeared.

This is a whodunit that neatly fits into the history of detective fiction. It features artist Philip Trent as he unexpectedly becomes an amateur detective. Some of his carefully collected information often proved erroneous. It begins when a wealthy American plutocrat, Bigsbee Manderson, uses his finances in attempt to establish rules controlling society. When Manderson is found murdered on the grounds of his country house in England, Trent is hired as a reporter by a press association to investigate and file reports.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

Trent's Last Case, published when Conan Doyle and Chesterton were both at the pinnacle of their respective literary careers, was the first detective story to use finger-printing as a means of detecting the criminal. The book was intended to be a gentle parody of the detective genre, only for it to be quickly hailed as a classic.

Written in 1912 as a light-hearted reaction against the solemnity of the Sherlock Holmes stories, Trent's Last Case, with its ingeniously twisting plot and cheerfully self-mocking hero, is the first classic of the golden age of English detective fiction.