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The Canterbury Tales is a collection of stories written in Middle English by Geoffrey Chaucer in the 14th century (two of them in prose, the rest in verse). The tales, some of which are originals and others not, are contained inside a frame tale and told by a group of pilgrims on their way from Southwark to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral.The themes of the tales vary, and include topics such as courtly love, treachery, and avarice. The genres also vary, and include romance, Breton lai, sermon, beast fable, and fabliau. The characters, introduced in...

In this edition, we hear, translated into modern English, 20-some tales, told in the voices of knight and merchant, wife and miller, squire and nun, and many more. Some are bawdy, some spiritual, some romantic, some mysterious, some chivalrous. Between the stories, the travelers converse, joke, and argue, revealing much about their individual outlooks upon life as well as what life was like in late 14th-century England.

In The Canterbury Tales Chaucer created one of the great touchstones of English literature, a masterly collection of chivalric romances, moral allegories and low farce. A story-telling competition between a group of pilgrims from all walks of life is the occasion for a series of tales that range from the Knight's account of courtly love and the ebullient Wife of Bath's Arthurian legend, to the ribald anecdotes of the Miller and the Cook.

The Canterbury Tales, written near the end of Chaucer's life and hence towards the close of the 14th century, is perhaps the greatest English literary work of the Middle Ages: yet it speaks to us today with almost undimmed clarity and relevance.

Lively, absorbing, often outrageously funny, Chaucer's The Canterbury Tales is a work of genius, an undisputed classic that has held a special appeal for each generation of readers. The Tales gathers 29 of literature's most enduring (and endearing) characters in a vivid group portrait that captures the full spectrum of medieval society, from the exalted Knight to the humble Plowman. This unabridged work is based on the new translation.

In Edgar Allan Poe's eerie title story, an old man's diseased eye drives the narrator to murder. But while the murderer can rid himself of the eye, he can't silence the old man's heart.

The Knight's Tale of medieval wars and chivalry is the first tale told to the pilgrims as they set out to Canterbury. It concerns Theseus, returning from fighting at Thebes, and two brother knights Palamon and Arcite, imprisoned but yearning for their loves. But the real hero of this recording is Richard Bebb who, with the help of Professor Derek Brewer, the leading expert on Chaucerian pronunciation, make the original Middle English not only comprehensible to the modern ear, but exciting.

This is a story from the Canterbury Tales II: Modern Verse Translation collection.

The best known of Chaucer's Canterbury's Tales, read by Dame Peggy Ashcroft. After a prologue, in which the Wife of Bath mentions that she would welcome another husband - who would be her sixth - and that she pursues power over her husbands, she tells a tale about a knight who must marry....

Set during the fierce Trojan War, Troilus and Criseyde is the poignant tale of love won and lost. The beautiful Criseyde becomes the object of desire for Troilus, the son of King Priam, and he is able to win her affection through the machinations of his uncle, Pandarus. They experience a brief time of bliss together, but despite their vows of faithfulness, they are soon separated by the fortunes of war.

Narrated in Middle English by J.B. Bessinger, Jr.

A BBC Radio 4 full-cast dramatisation of Chaucer's Troilus and Criseyde by poet and writer Lavinia Greenlaw.

One of the great works of English literature, this powerful, compelling story explores love from its first tentative beginnings through to passionate sensuality and eventual tragic disillusionment. Lavinia Greenlaw's new version for radio brings Chaucer's language up-to-date for a modern audience while remaining true to his original poetic intention.

Chaucer's The Canterbury Tales is one of the most influential pieces of writing in the British literary cannon. It helped to establish English, rather than Latin or Norman French, as an acceptable language for literature. It was also one of the earliest pieces of work to have story linking - what had previously been just collected writings which the author deemed interesting.

The Canterbury Tales is a collection of stories, written in the Middle English vernacular, supposedly told among a group of pilgrims traveling from London to Canterbury. Chaucer uses the form, possibly based on knowledge of Boccaccio’s Decameron gained on a visit to Italy in 1373, to provide a highly varied portrait of his society, both secular and religious. The journey of the pilgrims, unlike that of, say, Homer’s Odysseus or of Dante in the Divine Comedy, is relatively unimportant compared to the tales themselves, where Chaucer’s true interest lies.

Three tales from The Canterbury Tales, read in the original Middle English by Richard Bebb under the direction of Britain's foremost Chaucer scholar, Derek Brewer.

This is a story from the Canterbury Tales III: Modern Verse Translation collection.

This is a story from the Canterbury Tales III: Modern Verse Translation collection.

Chaucer's greatest work, written towards the end of the fourteenth century, paints a brilliant picture of medieval life, society and values. The stories range from the romantic, courtly idealism of "The Knight's Tale" to the joyous bawdy of the Miller's; all are told with a freshness and vigor in this modern verse translation that make them a delight to hear.

Chaucer’s The Canterbury Tales, a collection of narratives written between 1387 and 1400, tells of a group of 30 people from all layers of society who pass the time along their pilgrimage to Canterbury by telling stories to one another, their interaction mediated (at times) by the affable host - Chaucer himself. Naxos AudioBooks’ third volume presents the tales of six people, here in an unabridged modern verse translation (by Frank Ernest Hill, 1935).

If you want to understand the daily life and psychology of the late Middle Ages, Ronald Ecker’s classic translation of The Canterbury Tales provides one of the very best means of doing so. Within its audio is to be found a broad range of society - high and low, male and female, rich and poor - who express their innermost beliefs and extravagant fantasies in a series of stories they tell as they make their way to Canterbury Cathedral.