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In this follow-up to his first collection of essays - Shoot This One - television writer and producer Javier Grillo-Marxuach continues to overshare about his misadventures in the small screen to a degree that will make you fear for his future employment. The essays in Shoot That One offer both a tantalizing glimpse into the inner circles of the entertainment industry, as well a management lesson disguised as a juicy tell-all.

It’s no secret that amazing television starts with a great script. But what makes a television screenplay compelling? An effective screenplay is a blueprint, a loan application, and work order. But first and foremost, it must be a work of art and a captivating read all on its own. Using his script for the proposed reboot of Xena, Javier Grillo-Marxauch (Lost, The Witcher, The Dark Crystal: Age of Resistance) shares what he does to make a fascinating television screenplay, from the first slug line to the final fade to black.

Every writer learns the basics elements of storytelling. Whether it’s The Heroes Journey, the Three Act film structure, or even the performing of a magic trick it’s all there. Even when telling a simple joke. Using these three basic elements, screenwriter Javier Grillo-Marxuach (Lost, The Witcher, Medium) breaks down the anatomy used for so many of the stories we love, from Raiders of the Lost Ark, to Gone With the Wind.

Using examples from Aldus Huxley’s Brave New World, George Orwell’s 1984, and the writings of Neil Postman, screenwriter Javier Grillo Marxuach (Lost, The Witcher, Medium) examines the utopia/dystopia binary and what it means live in the modern social media landscape.

Sometimes we love a work of art, not in spite of it flaws, but because of them. And a wish that that work of art could be better. Screenwriter Javier Grillo Marxuach (Lost, The Witcher, Medium) peers through the lens of the ill-fated Disney science fiction epic The Black Hole to show us what we can learn from a flawed gem as it waxes into nostalgia and why it has such a subtle hold on our hearts.

When does the band you love cease to be the band you love? Taking such disparate elements as the writings of Plutarch and the power ballads of 80’s rockers Foreigner, screenwriter Javier Grillo- Marxuach (Lost, The Witcher, Medium) examines what it means to be a creator of art during the Big Feelings of youth and how those feelings mature into collaborating and getting the work done in middle age.

How do you become a television writer? What does it take to create your own show? Did the writers of Lost really have a plan, or were they making it all up as they went? In a career spanning far longer than he cares to admit, Javier Grillo-Marxuach has not only written for some of your favorite (and not-so-favorite) shows.

Join two-time Emmy Award winner Javier Grillo-Marxuach (writer-producer of Lost, The Dark Crystal: Age of Resistance, The Witcher and creator of The Middleman) and Paul Alvarado-Dykstra (co-founder of Fantastic Fest, the leading genre film festival in the US) as they travel back in time to revisit the summer movies that shaped their generation: movie by movie, weekend by weekend, and year by year. Starting with the legendary summer of 1982, movie experts Javi and Paul - aided and abetted by the long-suffering Producer Brad - take you on an unprecedented audio adventure from Memorial Day ...