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This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the audience through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.

The life of secret agent James Bond has begun to fall into a pattern that threatens complacency…until the sunny afternoon when M is kidnapped. The action ricochets across the globe to a volcanic Greek island, where Colonel Sun Liang-tan of the People's Liberation Army of China collaborates with an ex-Nazi atrocity expert in a world-menacing conspiracy. Stripped of all professional aids, Bond faces, unarmed, the monstrous devices of Colonel Sun....

Jake Richardson, an Oxford don nearing 60 with a lifetime's lechery behind him, is in pursuit of his lost libido and heads off to the consulting room of a miniature sex therapist. Not one to disobey a doctor's orders, he runs the full humiliating gamut of sex labs and trendy 'workshops', where more than souls are bared. He decks himself with cunning gadgetry, dreams up a weekly fantasy, pets diligently with his overweight wife and browses listlessly through porn magazines behind locked doors.

Age has done everything except mellow the characters in Kingsley Amis’s The Old Devils, which turns its humane and ironic gaze on a group of Welsh married couples who have been spending their golden years—when “all of a sudden the evening starts starting after breakfast”—nattering, complaining, reminiscing, and, above all, drinking. This more or less orderly social world is thrown off-kilter, however, when two old friends unexpectedly return from England: Alun Weaver, now a celebrated man of Welsh letters, and his entrancing wife, Rhiannon.

Novelist, poet and critic Kingsley Amis was one of Britain’s greatest postwar writers. A master of comic fiction, he came to fame in 1954, and won the 1986 Booker Prize for The Old Devils. Included in this collection are dramatisations of seven of his short stories and two novels, all imbued with his characteristic wit and social satire. These are complemented by readings of selected correspondence and an interview with Amis himself.

Elegant, provocative and hugely entertaining, Kingsley Amis's memoirs are filled with anecdotes, experiences and portraits of famous friends, family, acquaintances (and a few eminent foes). From his childhood days to Oxford and army life, his travels abroad and his years as a successful novelist, Memoirs offers extraordinary insights into a unique literary life.

Roger Micheldene, an English publisher, is on the loose in the US. He spends an October week shuttling between New York and Budweiser College in Pennsylvania. This exercises all his British appetites … snobbery, gluttony, anger, sloth, and lust. But Amis roasts Americans as well and serves us familiar dishes, though in a piquant sauce: the precocious undergraduate author of a far-out novel, an earnest young priest, and an alcoholic literary agent’s nymphomaniacal wife.

Everyone wants a comfortable place to die, and Kingsley Amis’s characters have found it in Tuppeny-happeny Cottage, where assorted septuagenarians have come together to see one another out the door of life. Ending Up is a grimly hilarious dance of death, full of bickering, bitching, backstabbing, drinking (of course), and idiocy of all sorts. It is a book about dying people and about a dying England, clinging to its memories of greatness as it succumbs to terminal decay.

Besinnungslose Texte zum Fest. Was Sie schon immer zum Thema Weihnachten hören wollten, aber nicht zu hören bekamen - hier kommt es, das ultimative Hörbuch zum Fest: Bissig, urkomisch und garantiert nicht mehr feierlich! Mit Texten von Kingsley Amis, David Lodge, Dan Kavanagh und David Sedaris.

Der wesentlich ältere Waldo Huws-Evans verliebt sich unsterblich in die junge Gloria Davis. Doch diese will von dieser Liebe nichts wissen...

Prvotina slavného britského prozaika Kingsleyho Amise se okamžitě po svém uveřejnění v roce 1954 zařadila mezi nejoblíbenější a nejčtenější romány. Jen během prvních čtyř let se dočkala dvaceti vydání. Čtenáře od počátku až do dnešní doby baví neodolatelným vtipem a sžíravou ironií, s nimiž Amis zaznamenal, jak mladý James Dixon přišel o iluze ve zkostnatělém prostředí malé anglické univerzity v provinčním městě.

In Kingsley Amis’s virtuoso foray into virtual history, it is 1976, but the modern world is a medieval relic, frozen in intellectual and spiritual time ever since Martin Luther was promoted to pope back in the sixteenth century. Stephen the Third, the king of England, has just died, and Mass (Mozart’s second requiem) is about to be sung to lay him to rest. In the choir is our hero, Hubert Anvil, an extremely ordinary ten-year-old boy with a faultless voice.

Prvotina slavného britského prozaika Kingsleyho Amise se okamžitě po svém uveřejnění v roce 1954 zařadila mezi nejoblíbenější a nejčtenější romány. Jen během prvních čtyř let se dočkala dvaceti vydání. Čtenáře od počátku až do dnešní doby baví neodolatelným vtipem a sžíravou ironií, s nimiž Amis zaznamenal, jak mladý James Dixon přišel o iluze ve zkostnatělém prostředí malé anglické univerzity v provinčním městě.

Amis’s antihero, Sir Roy Vandervane, a conductor and composer who bears more than a passing resemblance to Leonard Bernstein, is a pillar of the establishment who has fallen hard for protest, bellbottoms, and the electric guitar. And since vain Sir Vandervane is a great success, he is also free to pursue his greatest failing: a taste for younger and younger women. Highborn hippie Sylvia—not, in fact, twenty—is his latest infatuation and a threat to his whole family, from his drama-queen wife, Kitty, to his long-suffering daughter, Penny.

Maurice Allington has reached middle age and is haunted by death. As he says, “I honestly can’t see why everybody who isn’t a child, everybody who’s theoretically old enough to have understood what death means, doesn’t spend all his time thinking about it. It’s a pretty arresting thought.” He also happens to own and run a country inn that is haunted. The Green Man opens as Maurice’s father drops dead (had he seen something in the room?) and continues as friends and family convene for the funeral.