Résultats de "Lord Dunsany" dans Toutes les catégories

After 700 years of being ruled by man, the Parliament of Erl is ready to be ruled by a magical lord. Obeying the immemorial custom, the lord of Erl sends his son Alveric to fetch the King of Elfland’s daughter, Lirazel, to be his bride. Alveric makes his way to Elfland, where time passes at a rate far slower than the real world, wins her hand, and they return to Erl together. Alveric and Lirazel marry and have a son, but marriage between a mortal and a fairy princess is never simple. Lirazel struggles to adapt to the customs of humans.

Brought to you by Altrusian Grace Media. The Book of Wonder is a collection of short stories by Lord Dunsany, published in 1912. It is a remarkable work that showcases Dunsany's imaginative storytelling and his mastery of creating vivid and fantastical worlds. The book consists of numerous individual tales, each offering a glimpse into a unique realm filled with magic, mythology, and mystery. Dunsany's prose is rich and lyrical, transporting listeners to extraordinary landscapes and introducing them to a variety of enchanting characters.

It is said that Lord Dunsany wrote his stories with a handmade quill in a single draft, and The King of Elfland’s Daughter is widely regarded as one of his greatest works. A fantasy classic which has influenced some of the most popular fantasy writers of all time, including J. R. R. Tolkien and Neil Gaiman, and one of the landmark pre-Tolkien fantasy stories written. It is noteworthy not only for its poetic literature and picturesque imagery, but also its exploration of Elfland, a land of fancy, immortality, and forbidden love.

A pioneer in the realm of imaginative literature, Lord Dunsany has gained a cult following for his influence on modern fantasy literature, including such authors as J. R. R. Tolkien and H. P. Lovecraft. This unique collection of short stories ranges over five decades of work.

The Gods of Pegāna is the first book by influential fantasy writer Lord Dunsany. In a series of short vignettes, Lord Dunsany invents a pantheon of deities who dwell in Pegāna and chronicles the history of their imagined universe. It was followed by a further collection, Time and the Gods. In lush language and dreamlike prose, Lord Dunsany’s talents are on full display as he lays the groundwork for the fantasy genre. The Dunsany Mythos features the complete contents of The Gods of Pegāna and Time and the Gods in a single audiobook edition.

The story began when the lord of Erl was told by his people they wanted a magic lord to rule them. That took some doing, but he sent his son, Alveric, to retrieve Lirazel, daughter of the king of Elfland, to be his wife and thus fix the situation. At first, the king was angered and sent guards to kill Alveric, but the young man of Erl fought them off, and Lizarel fell for him and decided to leave with him. Later, under a spell, she decided she wanted to see her old home again.

The King of Elfland's Daughter is one of the most beloved fantasy novels of our time. Lord Dunsany, in his inventive, poetic style, tells the heartbreaking story of a marriage between a mortal man and an elf princess. This masterpiece has influenced some of our greatest contemporary fantasists, including Neil Gaiman, J.R. Tolkien, H.P. Lovecraft, Fritz Leiber, Ursula K. Le Guin, and C.L. Moore, who stated: "No one can imitate Dunsany, and probably everyone who's ever read him has tried." Dunsany's "The Gods of Pegana" follows "The King of Elfland's Daughter." 

Travel along as award-winning audiobook narrator Mike Vendetti and Edward Plunkett, 18th Baron of Dunsany, better known as Lord Dunsany take us on a trip an early 20th century stoner.

Sent forth on a quest to bring magic to the Vale of Erl, the young lord Alveric obtains a sword of thunderbolt iron, and crosses the twilight border into Elfland, returning with the beautiful Princess Lirazel as his bride. But, for two people from different worlds, however much in love, happiness is not guaranteed, and in the fields, we know, where all things are subject to the remorseless march of time, nothing truly lives happily ever after.

The Parliament of Erl tells their king that they want a more magical king for the future. They believe magic will bring fame to their beloved, but unknown, little village. Honoring their request, the king sends his son to Elfland to seek as his bride the King of Elfland's Daughter. The story travels from Erl to Elfland and back again meeting along the way magical creatures and enchanted lands as well as landscapes among the fields we know. The story unfolds as the magical and mundane worlds fail to mix quite as easily as the Parliament of Erl had planned.

The Sword of Welleran and Other Stories is the third book by Anglo-Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others. It was first published in hardcover by George Allen & Sons in October 1908, and has been reprinted a number of times since. Issued by the Modern Library in a combined edition with A Dreamer's Tales as A Dreamer's Tales and Other Stories in 1917.

The Sword of Welleran and Other Stories is the third book by Irish fantasy writer Lord Dunsany, who is considered to be a major influence on the works of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others. 

Time and the Gods is a collection of short stories involving Lord Dunsany’s invented pantheon of deities who dwell in Pegana. Dunsany was a key figure in the development of the fantasy genre, and his influence was noted by a diverse assortment of later writers of speculative fiction, including H. P. Lovecraft, J. R. R. Tolkien, and Arthur C. Clarke. Evocative, poignant, and bitingly clever, the legends and fables in Time and the Gods draw the listener into a singular world of dreamlike imagination and unforgettable characters.

A collection of fables, vignettes, and parables from the fanciful mind of Lord Dunsany. These brief tales feature characters such as Time, Death, Fame, Winter, Spring, the Fog, the North Wind, the blackbird, the god Pan, the river Styx boatman Charon, and others - in fantastical, whimsical, allegorical, and poignant scenarios.

The audiobook is a collection of short stories linked by Dunsany's invented pantheon of deities, witches, magic, and spirits who live in Pegāna. It is a work of ironic fantasy in a unique blend of language and fantastical imagery, simultaneously occupying the science-fiction and fairy-tale genres. 

The Ghosts begins as straightforward haunted house story, one coming out of the Gothic tradition. Our hero, a skeptic, is staying with his brother at an ancient baronial estate. There, he argues with his brother about the existence of ghosts, and what sorts of evidence for their existence would be acceptable. Then, in order to make his point, he proceeds to induce in himself a ghostly experience by means darkness, drugs, and deprivation.

This is a happy, feel-good tale by Lord Dunsany aka Edward Plunkett, the 18th Baron of Dunsany. Read by award-winning narrator Mike Vendetti, the wild things take you into their world.

Here is a very short, a very slight sort of tale which may yet manage to hold either a very big ghost or a very potent allegory. Lord Dunsany penned this sometime about the period of the First World War. Yet in what period of history, from the most ancient past up to very present, has not something of the spectre of Andelsprutz been perceptible to those with a sense of history. For those, this story will prove a "thought-piece" as well as a compelling fantasy.

Anyone who has to spend the better part of his days chained to a routine job in our workaday world will appreciate the sorcery that captured the heart of Mr. Sladden. That gentleman's experience in finding a private peep-hole out of this world is one we all may envy.

Edward Plunkett, better known as Lord Dunsany, published this tale of the Wild Things in 1908. In this story one of the creatures desires to obtain a soul in order to partake in the joy of human music and worship, which she can't experience without it.