Résultats de "Marilynne Robinson" dans Toutes les catégories

Lila, homeless and alone after years of roaming the countryside, steps inside a small-town Iowa church - the only available shelter from the rain - and ignites a romance and a debate that will reshape her life. She becomes the wife of a minister, John Ames, and begins a new existence while trying to make sense of the life that preceded her newfound security. Neglected as a toddler, Lila was rescued by Doll, a canny young drifter, and brought up by her in a hardscrabble childhood.

Glory Boughton, aged 38, has returned to Gilead to care for her dying father. Soon her brother, Jack - the prodigal son of the family, gone for 20 years - comes home too, looking for refuge and trying to make peace with a past littered with tormenting trouble and pain.

In 1956, toward the end of Reverend John Ames's life, he begins a letter to his young son, an account of himself and his forebears. Ames is the son of an Iowan preacher and the grandson of a minister who, as a young man in Maine, saw a vision of Christ bound in chains and came west to Kansas to fight for abolition: He "preached men into the Civil War", then, at age 50, became a chaplain in the Union Army, losing his right eye in battle.

With Jack, Robinson takes her listeners back to the small town of Gilead, Iowa, in 1956, to tell the story of John Ames Boughton, the godson of John Ames and the black sheep of his family. He's a ne'er-do-well and the beloved prodigal son who falls in love with and marries Della, a beautiful and brilliant African American teacher he meets in segregated St. Louis. Their fraught, beautiful romance is one of Robinson's greatest achievements.

Marilynne Robinson has plumbed the human spirit in her renowned novels, including Lila and Gilead, winner of the Pulitzer Prize and the National Book Critics Circle Award. In this new essay collection she trains her incisive mind on our modern political climate and the mysteries of faith. Whether she is investigating how the work of great thinkers about America, like Ralph Waldo Emerson and Alexis de Tocqueville, inform our political consciousness or discussing how beauty informs and disciplines daily life, Robinson's peerless prose and boundless humanity are on full display.

The spirit of our times can appear to be one of joyless urgency. As a culture we have become less interested in the exploration of the glorious mind, and more interested in creating and mastering technologies that will yield material well-being. But while cultural pessimism is always fashionable, there is still much to give us hope.

Senza un soldo, senza una casa, Jack passa la notte al Bellefontaine, il cimitero per bianchi di St. Louis. Là nessuno fa caso alla sua giacca sgualcita, al volto emaciato. Ma quella notte Jack non è solo. Una donna gentile cammina per gli stessi viali, una donna che non dovrebbe essere là. Da perfetto gentiluomo, che pure non è, Jack la scorterà fino al mattino cercando di proteggerla da pericoli e malintenzionati.

Glory, trentotto anni e il cuore a pezzi, torna nella natia Gilead per prendersi cura del padre, il pastore Robert Boughton. Pochi mesi dopo bussa alla porta di casa anche Jack, la pecora nera della famiglia, il figlio piú amato, il piú corrotto, il piú smarrito. Quel ritorno tanto atteso mette l'anziano padre di fronte alla paura di farsi ancora del male, al dovere della comprensione, alla vera natura dell'amore.

Lila porta con sé un bagaglio fatto soltanto di ricordi e delusioni quando raggiunge la cittadina di Gilead. Ma, varcando per la prima volta la soglia di una chiesa in cerca di un riparo, incontra la voce calda e sicura del reverendo John Ames e finalmente può smettere di combattere. Non importa che lui sia colto e lei ignorante, non importa da quale inferno venga lei o quanta vita abbia davanti lui. Non importa che lei abbia fatto la prostituta né che lui abbia visto morire la moglie e il figlio che stava mettendo al mondo.

Gilead é o segundo romance de uma das mais brilhantes autoras americanas contemporâneas, que compõe com sua escrita um bordado ao mesmo tempo sutil e avassalador — certamente um desafio a uma tradução tão primorosa como essa, de Maria Helena Rouanet. Esse livro é uma declaração de amor incondicional à vida, mesmo assombrada por Deus e um lamento por sua brevidade. Aclamado pela crítica e pelo público, foi o vencedor do Pulitzer de 2005.

John Ames Boughton, Jack, er den fortabte søn af Gileads presbyterianske præst. Han er stukket af hjemmefra og lever som hjemløs i St. Louis. Her forelsker han sig voldsomt i den afro-amerikanske Della Miles, en generøs, uafhængig high school-lærer, der også er barn af en prædikant. Jack og Dellas dybtfølte, plagede og uheldsvangre kærlighedshistorie i 1950’ernes segregerede St. Louis resonerer med alle paradokser i det amerikanske liv - dengang og nu. En fortælling om skyld, skam, kærlighed, forventninger, skuffelse og et møde i poesien.

"Hjemme" udspiller sig i 1956 i Gilead, den lille by i Iowa, hvor også Marilynne Robinsons forrige roman, "Gilead", foregik. Denne gang er vi i hjemmet hos pastor Robert Boughton, John Ames' nærmeste ven. Glory Boughton er i en alder af 38 år modvilligt vendt tilbage til Gilead for at pleje sin døende far. Snart kommer også hendes bror, Jack, hjem - efter at have været bortrejst i tyve år.

Marilynne Robinson discusses her Pulitzer Prize-winning and New York Times best-selling second novel, the lyrical, luminous, unforgettable story of minister John Ames, as told poetically in a long letter to his young son. His powerful story spans three generations from the Civil War to the twentieth century. This is a book that is being passed hand to hand and that booksellers nationwide are recommending.

Auf dem Sterbebett schreibt John Ames einen Brief an seinen siebenjährigen Sohn. Dem Kind will er alles erklären: Die Einsicht, mit der man das eigene Leben auf einen Schlag begreift, den Trost, der in einer einzelnen Berührung liegen kann, und den Ort, der sein Ende beschließt: Gilead, die kleine Stadt unter dem unermesslichen Himmel des Westens, leicht wie Staub und so schwer wie die Welt.