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Once a prominent fixture in Omaha’s high society, Nina Wilson is now drowning in debt and disgrace following the untimely death of her father. Her engagement has been broken off, her family’s grand estate has fallen into disrepair, and her mother, consumed by grief, is incapable of running the household.

In 1904 Chicago, where secrets cling as thickly as the soot on every windowsill, Jo earns her living by photographing the dead. The work is quiet and cloistered, allowing her to hide from a past that haunts her: the grief over her husband’s mysterious death, a spiraling addiction, and the guilt she carries over the things she’s done to survive.

The black market is Liza’s lifeline, where she barters family heirlooms and steals whatever she can get her hands on just for enough food to survive. Morality, after all, has become a fluid thing since the Nazi siege has cut off her city from the rest of the world. Hope for a quick liberation is obliterated as the Soviet government focuses on sustaining the Red Army and not the city. When Liza’s best friend Aka proposes that they go to officials rumored to give young women food in exchange for “entertainment,” Liza thinks there must be some other way. Then Aka disappears.

Here's how it works: We create top ten lists of the greatest things in life—top ten songs, top ten films, top ten pizza toppings, you name it—and count them down slowly, meticulously, lovingly, one item per episode, savoring every last morsel of top ten goodness. Come along. It'll be fun. Down for the Count: It's top ten lists on steroids.