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Japanese noblewoman Murasaki Shikibu wrote The Tale of Genji in the 11th century to entertain the other women in the court. It follows the romantic exploits of the title character, an emperor’s son, as he navigates life within aristocratic society and eventually outside of it. Praised for its psychological insight into the characters’ motivations, the book greatly influenced Japanese culture and is widely considered the world’s first novel. In 1882, Suematsu Kencho translated a condensed version of the text into English, allowing this classic tale to reach a wider audience.

Murasaki Shikibu, born into the middle ranks of the aristocracy during the Heian period (794-1185 CE), wrote The Tale of Genji - widely considered the world’s first novel - during the early years of the 11th century. Expansive, compelling, and sophisticated in its representation of ethical concerns and aesthetic ideals, Murasaki’s tale came to occupy a central place in Japan’s remarkable history of artistic achievement and is now recognized as a masterpiece of world literature.

The Tale of Genji by Murasaki Shikibu is a classic Japanese novel from the 11th century, following the life of Hikaru Genji, the son of an emperor. A romantic and cultured noble, Genji navigates courtly politics and love affairs, experiencing passion, loss, and exile. His relationships, particularly with women, shape his fate, reflecting Heian-era ideals. After his death, the story follows his descendants, exploring themes of impermanence and sorrow. Renowned for its psychological depth and poetic elegance, it is considered the world's first novel, offering insight into Japan’s aristocratic ...

Una de las primeras novelas consideradas por derecho propio pertenecientes a la literatura universal, y cumbre absoluta de la literatura japonesa. Estos pensamientos de Murasaki Shikibu, autora de la afamada "Historia de Genji", hablan de su vida como tutora y dama de compañía de la emperatriz Shōshi. En sus páginas nos adentramos en la vida en el palacio de la emperatriz y sus vicisitudes desde un punto de vista tan cercano como agudo.