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Here is one of the best historical novels ever written. Lame, stammering Claudius, once a major embarrassment to the imperial family and now emperor of Rome, writes an eyewitness account of the reign of the first four Caesars: the noble Augustus and his cunning wife, Livia; the reptilian Tiberius; the monstrous Caligula; and finally old Claudius himself. Filled with poisonings, betrayal, and shocking excesses, I Claudius is history that rivals the most exciting contemporary fiction.

Robert Graves continues Claudius' story with the epic adulteries of Messalina, King Herod Agrippa's betrayal of his old friend, and the final arrival of that bloodthirsty teenager, Nero.

The politics of empire-building and the hypocrisies, back-stabbings, and corruptions of Rome's first family come to light. First published in 1934, the book retains a marvelously modern and often comic tone, and is written in the form of Claudius' autobiography. This is gripping stuff, read by one of our finest actors, who also starred as Claudius in the classic television series.

A full-cast dramatisation of Robert Graves' brilliant account of the madness and debauchery of ancient Rome, starring Tom Goodman Hill as Claudius and Derek Jacobi as Augustus. The wickedly entertaining inside story of the lives and deaths of the Imperial dynasty from Augustus to Caligula is told by their obscure relation, Claudius. In public, Claudius is a stammering, drooling weakling, whose reputation as an idiot keeps him safe from office and assassination.

A famous autobiographical account of life as a young soldier in the first World War trenches. Robert Graves, who went on to write I, Claudius, has given to posterity here one of the all-time great insights into the experience of war.

The Horrors of Fox Hollow Farm provides detailed insights from the original criminal investigation as well as the perspectives of the man who survived Herb's attempt on his life. This chilling book also features actual supernatural evidence - from EVPs and psychic confirmations to first-hand accounts of the disembodied hands and voices that regularly manifest on the estate.

"Good-Bye to All That: An Autobiography" by Robert Graves is a seminal work that vividly captures the harrowing experiences of a young British officer during World War I.

Read in the style of a secret diary, this famous sequel to I, Claudius gives a wry and human view of the Roman world, bringing to life some of the most scandalous and violent times in history. Claudius has survived the murderous intrigues of his predecessors to become, reluctantly, Emperor of Rome. He recounts his surprisingly successful rule; how he cultivates the loyalty of the army to repair the damage caused by his nephew Caligula; his friendship with the Jewish King Herod Agrippa; and his invasion of Britain.

In the midst of bombs and bullets, trenches and trauma, the soldiers of World War I, and those observing the horrors taking place from home, took pen to paper to record their experiences in verse. These poems - considered the greatest written during WWI and some of the greatest poetry of the twentieth century - show the horror of war but also shine a light on the strength of human courage, bravery, and virtue.

T. E. Lawrence began his lifelong affair with the Middle East as a student at Oxford, taking a four-month walking tour of Syria to study the Crusaders' castles. He later returned to the area as an archaeologist and was attached to British Army Intelligence in Egypt at the outbreak of World War I. In 1916, he set out on his greatest adventure: with no backing, Lawrence joined Arab forces facing almost insurmountable odds in a rebellion against Turkish domination.

The poems in this collection, "Fairies and Fusiliers", appeared in 1918, after Robert Graves returned from World War I in his early 20s. The fairy poems are from the carefree happy days of childhood and make-believe recalled by a man who has lived the reality and horror of war. The poems of war are written only as one who has witnessed it can tell them.

Immaginaria autobiografia del grande imperatore, Io, Claudio rievoca i fasti, i costumi e la potenza della Roma imperiale, ma anche gli episodi grotteschi e le tragiche avventure di colui che, tra i dodici Cesari, ebbe la vita più movimentata. Primo "generalissimo" dell'impero, seguiremo Claudio nell'instaurazione della dominazione permanente della Britannia, nei palazzi dei deserti libici, per le strade di Roma, negli accampamenti dei Balcani, addirittura ad Antiochia in una casa infestata dagli spiriti.

Prima della scienza, prima della religione, c'è il mito. Modo ingenuo - ci dicono -, modo fantasioso, spregiudicato e prescientifico, di spiegare l'origine delle cose e degli uomini, gli usi i costumi e le leggi. Filologia, etnografia, antropologia hanno lacerato il velo del mito, evidenziandone le radici ideologiche, il retroterra di superstizione e di magia. Ma i miti, così dissezionati, ci vengono restituiti alla stregua di freddi reperti anatomici, buoni tuttalpiù per qualche museo.

Hear rare recordings from some of the world's most-respected poets reading their own works: Ezra Pound, "Old Men With Beautiful Manners"; W. B. Yeats, "The Lake Isle of Innisfree"; Robert Graves, "A Last Poem"'; Edna St. Vincent Millay, "The Harp-Weaver"; Richard Eberhart, "The Groundhog"; Philip Levine, "Blasting from Heaven"; Marianne Moore, "The Mind Is an Enchanting Thing"; Stephen Spender, "What I Expected"; and Vachel Lindsay, "An Interpolation by Mr. Lindsay".