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General George S. Patton was America's antihero of the Second World War. Driven by an innate sense of duty, both to his family’s great military tradition and to his country, he was fixated on the notion of reaching the status of a military legend and driven by outdated notions of honor. Simultaneously brilliant and deeply flawed, he could be daring and noble and then petulant and cruel, lacking in the diplomatic grace and tact that defined many of his contemporaries.

Karl Marx: The Divine Tragedy presents a groundbreaking exploration of Karl Marx’s life, revealing the man not just as a revolutionary thinker, but as a flawed prophet consumed by his own radical vision. Robert Orlando traces Marx's descent through the lens of Dante’s Divine Comedy. unveiling a deeply spiritual and haunting journey through the inferno of Marx’s personal and ideological struggles.

Just six weeks apart in the spring of 1981, Pope John Paul II and President ­Ronald Reagan took bullets from would-be assassins. Few realized at the time how close both men came to dying. Surviving these near-death experiences created a singular bond between the pope and the president that ­historians have failed to appreciate. When John Paul II and Reagan met only a year later, they confided to each other a shared conviction: that God had spared their lives for a ­reason. That reason? To defeat Communism. In private, Reagan had a name for this: “The DP” - the Divine Plan.

Writer/director Robert Orlando, locked down during the Covid-19 pandemic, learned Citizen Kane was Trump's favorite film, and the parallels were astonishing. Both Kane and Trump are swaggering masters of media, and both claim to stand for the working man. Truth be told, Kane was crushed by scandal; Trump was not. He triumphed above front-page divorces, bankruptcies, unprecedented media attacks, and political chaos. Did his failed attempt at reelection end his star power? Citizen Trump gives us our looking glass.

When Orlando was first approached about making a documentary about the Shroud of Turin, he was skeptical of the project—and the Shroud itself. Then, he came across conflicting opinions in history and science. This, along with his desire to learn more about the life of Jesus and make sense of the final things, led him to investigate “a new crime scene.” This book was inspired by his new documentary with the same title.