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This is the classic biography of reggae legend Bob Marley, updated and revised for the twenty-fifth anniversary of his death. Bob Marley left an indelible mark on modern music, both as a reggae pioneer and as an enduring cultural icon. Catch a Fire, now a classic rock biography, delves into the life of this man, the leader of a musical and spiritual revolution that continues today. The book chronicles Marley's life and career, as well as the milieu that shaped his spiritual and political beliefs.

Timothy R. White begins his history of the theater industry with the dispersed pre-Broadway era, when components such as costumes, lights, and scenery were built and stored nationwide. Subsequently, the majority of backstage operations and storage were consolidated in New York City during what is now known as the golden age of musical theater. Toward the latter half of the 20th century, decentralization and deindustrialization brought the emergence of nationally distributed regional theaters and performing arts centers.

The Objective Standard is a quarterly journal of culture and politics written from an Objectivist perspective (Objectivism being Ayn Rand’s philosophy of reason, egoism, and laissez-faire capitalism). The journal is based on the idea that for every human concern - from personal matters to foreign policy, from the sciences to the arts, from education to legislation - there are demonstrably objective standards by reference to which we can assess what is true or false, good or bad, right or wrong.

From mid-August to mid-September 1863, Union major general William S. Rosecrans's Army of the Cumberland maneuvered from Tennessee to north Georgia in a bid to rout Confederate general Braxton Bragg's Army of Tennessee and blaze the way for further Union advances. Meanwhile, Confederate reinforcements bolstered the numbers of the Army of Tennessee, and by the time the two armies met at the Battle of Chickamauga, in northern Georgia, the Confederates had gained numerical superiority.