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A collection of poems written by the revered American poet, essayist, and journalist. Included are selections from this most famous work, Leaves of Grass, as well as Drum Taps and Songs of Parting.

First published in 1855, when Whitman was 37, Leaves of Grass announced a new voice and style in American letters. It attempted to reach out to the common person with an optimistic epic that took the nation as its subject and encouraged readers to connect with nature and unite in a harmonious society where race and class are transcended.

One of the great innovators in American letters, Walt Whitman created a daringly new kind of poetry that became a major force in world literature. Leaves of Grass is his masterpiece, written in a pure, uninhibited style, combining sensual and mystical sensibilities. Its bold, joyous voice, its expansive optimism, and its transcendental vision made it uniquely American.

Transcendentalism embodies the concept that people have a deeper and more profound understanding of the world around them than simply by what they can glimpse with their senses. In this collection of essays and poems, the works of three transcendentalist authors are shared, each with their own impressions and opinions supporting the movement.

Five works in one collection. This audiobook of his treasured poetry collection walks you through a time when the American Experiment came to a new maturity; when the Transcendentalist Movement forever changed life and poetry.

When Walt Whitman self-published "Leaves of Grass" in 1855, he rocked the literary world and forever changed the course of poetry. In subsequent editions, Whitman continued to revise and expand his poems - but none matched the raw power and immediacy of the first edition. This volume presents the 1855 "Leaves of Grass" in its entirety, unchanged, along with Ralph Waldo Emerson's famous letter to Whitman.

The poem "Song of Myself" by Walt Whitman first appeared in his 1855 volume Leaves of Grass. "Song of Myself" is written in Whitman’s signature free verse style. The "I" of the narrator should not be confused with the person of the historical Walt Whitman, as the first-person persona is portrayed as having transcended the conventional boundaries of self. Most critics consider "Song of Myself" as the core of Whitman’s poetic vision, and it remains one of the most acclaimed of all American poems.

It is hard to top the pleasure of a woodland walk in Spring unless of course you have a lyric poet as your guide. Now that is possible with Poets of Nature. Let Walt Whitman, John Keats, Emily Dickinson, Henry David Thoreau, Emily Bronte, and Ralph Waldo Emerson take you into that realm of Nature "where we seldom wander".

The poems of Leaves of Grass are loosely connected, with each representing Whitman's celebration of his philosophy of life and humanity. This book is notable for its discussion of delight in sensual pleasures during a time when such candid displays were considered immoral. Where much previous poetry, especially English, relied on symbolism, allegory, and meditation on the religious and spiritual, Leaves of Grass exalted the body and the material world.

Elliott Gould, Burt Reynolds, Meryl Streep, and a host of other celebrities read over 100 poems by four of America's greatest poets. Walt Whitman celebrates the brash and rugged individualism of his country in exuberant language. The spare, precise language of Emily Dickinson conveys her penetrating vision of the natural world and an acute understanding of the most profound human truths.

Walter Whitman was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was controversial in its time, particularly his 1855 poetry collection Leaves of Grass, which was described as obscene for its overt sensuality. Whitman's own life came under scrutiny for his presumed homosexuality.

In 1852, young Walt Whitman—a down-on-his-luck housebuilder in Brooklyn—was hard at work writing two books. One would become one of the most famous volumes of poetry in American history, a free-verse revelation beloved the world over, Leaves of Grass. The other, a novel, would be published...

Walt Whitman stands out as one of poetry's towering anomalies: In celebrating the trees, water, sky and air, the bear, the eagle, the buffalo and the lion, Whitman expressed a uniquely democratic vision that engulfs not only the American continent but the entire universe. His passionate vehemence, his faith in the common man, and his unflinching pursuit of the truth gave form to an arsenal of ideas, inspiring and motivating generations of writers to come.

Perhaps the first great and truly "American" poet, Walt Whitman's writing reflected the idealism and turbulence of the mid-19th century. His poetry broke new stylistic ground with its unconventional meter and rhyme schemes, yet celebrated democratic values, the beauty of nature, and the complex variety and vitality of American life.

Walt Whitman's celebrated poetry collection, read by Ed Begley.

This book compiles both the first (1855) and final (1892) versions of Walt Whitman's masterpiece Song of Myself in one volume, making it unique and valuable for students of American literature.

Walt Whitman said, "...poetry is the voice of the nation, expressing its deepest concerns, ambitions and longings," which is certainly true of the great classic poetry of America. This wide-ranging anthology, from the earliest poets of the 16th century to the present day, reflects the changing preoccupations and visions of Americans, including Henry Wadsworth Longfellow, Edgar Allan Poe, Emily Dickinson, Robert Frost, E.E. Cummings, and more.

In 1855, Walt Whitman published, at his own expense, the first edition of Leaves of Grass, a visionary volume of 12 poems. Showing the influence of a uniquely American form of mysticism known as Transcendentalism, the writing is distinguished by an explosively innovative free-verse style and previously unmentionable subject matter. Exalting nature, celebrating the human body, and praising the senses and sexual love, this monumental work, now a classic of American poetry, was condemned as immoral upon publication.

Abraham Lincoln read it with approval, but Emily Dickinson described its bold language and themes as "disgraceful." And Ralph Waldo Emerson found Leaves of Grass "the most extraordinary piece of wit and wisdom that America has yet contributed," calling it a "combination of the Bhagavad Gita and the New York Herald."

Leviathans stride the poetic stage, known to us all and revered by many. Their verse is at once familiar and yet constantly reveals new layers and depths, new ways of thinking and assembling words to reveal new truths, new feelings and above all new poetry.