Résultats lu par "A. M. Holmes" dans Toutes les catégories

A wondrous, deeply affecting portrait of the interlocking lives at an adult day care center in Southern California, depicting an often overlooked community with extraordinary wit and grace—by a major new literary voice hailed as a “groundbreaking debut novelist” (Publishers Weekly) “[A]...

Michaela Olsson has found her soulmate in James Khan. There are just a few teeny, tiny problems.... One, he’s her boss, two, he’s too old for her, and three, well, he happens to be engaged to somebody else. She’ll take this crush and bury it deep. She’ll take it to her grave. James already belongs to another, so she’ll lock her secret up so tight it’ll be deprived of oxygen, suffocate and die. Too dark? Matters are only made worse when James asks her to move into his newly purchased house to supervise the renovations.

Leanne Simmons and Callum Davidson are complete opposites. As soon as they meet, they know they won’t get along. However, for the sake of their TV show, they agree to put their differences aside. But it’s not as easy as they think. For one, there’s the unexplainable physical attraction they can’t seem to shake. And for two, everything out of their mouths seems to rub the other the wrong way.

Spending a month filming a reality TV show with your ex is no picnic. Especially when you’ve signed a contract stating that the two of you will not, under any circumstances, have romantic relations while filming. Leanne Simmons and Callum Davidson never had an easy relationship. From enemies to lovers and back to enemies, they’ve been on again/off again for years. Things come to a head when Callum gets into an altercation with a rival for Leanne’s affections. Their management decide enough is enough and give them both an ultimatum: sign the contract or leave the show.

The author of Midnight's Children discusses Two Years Eight Months and Twenty-Eight Nights with A. M. Homes. Rushdie's novel is a masterpiece about the age-old conflicts that remain in today's world, and an enduring testament to the power of storytelling.

"Driven by a deep love and obsession with language, poetry and melody, I had first wanted to be a writer, in a quiet room, setting depth charges of emotion in the outside world, where my readers would know me only by my language," writes Rosanne Cash in Composed, her new memoir. "Then I decided I wanted to be a songwriter, writing not for myself but for other voices.