Résultats lu par "Hala Alyan" dans Toutes les catégories

USA TODAY BESTSELLER A liberatory anthology of twenty-seven writers—a community in book form—charting paths ahead for action and care in the face of political uncertainty, curated by Maggie Smith and Saeed Jones. Inspired by Saeed Jones and Maggie Smith’s conversations in the wake of the...

LONGLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AN NPR BOOK OF THE YEAR ONE OF TIME’S 100 MUST-READ BOOKS OF THE YEAR AN ELECTRIC LITERATURE BEST NONFICTION BOOK OF THE YEAR The rich and deeply personal debut memoir by award-winning Palestinian American poet and novelist...

“I had to go out into the world and see it and hear it and react to it, before I knew at all who I was, what I was, what I wanted to be.” So begins Upstream, a collection of essays in which revered poet Mary Oliver reflects on her willingness to lose herself within the beauty and mysteries of the natural world and the world of literature. Emphasizing the significance of her childhood “friend” Walt Whitman, who inspired her to vanish into the world of her own writing, Oliver meditates on the forces that allowed her to create a life for herself out of work and love.

You’re Not a Girl in a Movie is a new collection of powerful poems by Hala Alyan, winner of the Arab American Book Award in Poetry and the Dayton Literary Peace Prize. In these nine extraordinary poems, Alyan wrestles with the intimate themes that have driven her acclaimed body of work to date: the aching loss of homeland, the image and worth of women, and the violence of love. In Beirut, Brooklyn, and roads in the American West, she unravels the effects of decades of war and displacement on love and human worth and identity.

From the author of The Arsonists’ City and The Twenty-Ninth Year, a new collection of poetry that traces the fragmentation of memory, archive, and family–past, present, future–in the face of displacement and war. A diaspora of memories runs through this poetry collection—a multiplicity...

For Hala Alyan, 29 is a year of transformation and upheaval, a year in which the past - memories of family members, old friends and past lovers, the heat of another land, another language, a different faith - winds itself around the present. Hala's ever-shifting, subversive verse sifts together and through different forms of forced displacement and the tolls they take on mind and body. Poems leap from war-torn cities in the Middle East, to an Oklahoma Olive Garden, a Brooklyn brownstone; from alcoholism to recovery; from a single woman to a wife.