Résultats lu par "Isuri Wijesundara" dans Toutes les catégories

The month leading up to one’s thirteenth birthday can be exciting, but rarely does that thrill come in the form of a perilous chase. Nearly thirteen-year-old Rosemary Thorpe is on the run from a wicked statue come-to-life as she fights to discover what’s happening with the fae courts. She can see the future . . . and right now, it’s looking grim.

From the New York Times bestselling author of Capote’s Women comes an astonishing account of the revolutionary artist Andy Warhol and his scandalous relationships with the ten women he deemed his “Superstars”.

Rosemary Thorpe has always been a bit different. She has the uncanny and unfortunate ability to foresee people’s deaths, which tends to land her in hot water. Well, not actual hot water—where it lands her is a place between worlds called Fern’s School for Wayward Fae, where Rosemary learns that her powers come from being part fae. At Fern's School, Rosemary meets others who are part fae—including Trym, her banshee roommate whose screams can kill, and Essie, a djinn who grants wishes. But just as Rosemary settles in, a student vanishes in thin air.

Being the daughter of the village Capuwa, or demon-priest, Amara is used to keeping mostly to herself. Influenced by the new religious practices brought in by the British Colonizers, the villagers who once respected her father’s craft have turned on the family. Yet, they all still seem to call on him whenever supernatural disturbances arise. Now someone—or something—is viciously seizing upon men in the jungle. But instead of enlisting Amara’s father’s help, the villages have accused him of carrying out the attacks himself.

Raina needs to win the National Bollywood Dance Circuit Scholarship. That will show her mother that dance can be a financially stable career and prove to her boyfriend and co-captain, Aditya, that they’re still the perfect couple, even if all they seem to do these days is fight. There’s only one problem—Aditya breaks up with her, their Nationals choreography crumbles on stage, and Raina, as well as her hopes of winning the scholarship, is taken right down with it.

There is no other anthology that brings together similar stories of ancient women in power. All of these stories were written by men, and none of them can be interpreted as affirmations or celebrations of women in power. They are instead misogynistic tales that aim to shore up masculine authority by exposing the consequences when women rather than men wield it.