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Fuenteovejuna is a play by the Spanish playwright Lope de Vega. First published in Madrid in 1619 as part of Docena Parte de las Comedias de Lope de Vega Carpio, the play is believed to have been written between 1612 and 1614. The play is based upon an actual historical incident that took place in the village of Fuenteovejuna (now called Fuente Obejuna) in Castile in 1476.

El Alcalde de Zalamea is a play written during the Golden Age of Spanish drama. It was probably written in 1636. It pays homage to a play by the same name by Lope de Vega, which it surpassed in fame through its superior character development, becoming one of the most well-known plays of its time. This play has three acts that explore the power of the self-made man against the political authorities of 17th century Spanish society, and the continuous struggle between corporate and individual honor.

Don Juan Tenorio, el drama romantico por excelencia, es una de las pocas obras que han tenido y siguen teniendo una vida autentica mente popular. Dificil seria encontrar un espanol que no sepa recitar de memoria alguno de sus versos. El drama, que repite el viejo tema de Don Juan, ha adquirido una eficacia literaria inusitada en la mezcla de temas de capa y espada con los religiosos y morales.

The head of the household, Pancracio, is about to leave for a four-day trip and his wife Leonarda appears to be deeply saddened by his departure. In reality, Leonarda is not the least bit sad by her husband's absence. In fact, she eagerly awaits the times he is away so that she may entertain guests.

The Tragicomedy of Calisto and Melibea (Spanish: Tragicomedia de Calisto y Melibea), known in Spain as La Celestina, is a work entirely in dialogue published in 1499. It is attributed to Fernando de Rojas, a descendant of converted Jews, who practiced law and, later in life, served as an alderman of Talavera de la Reina, an important commercial center near Toledo.

Considerada la obra cumbre de Ralph Ellison y una de las cien mejores novelas de lengua inglesa del siglo XX, esta novela es el relato en primera persona de quien se describe a sí mismo como un «hombre invisible», no por una anormal condición fisiológica, sino porque la sociedad permanece ciega ante él; se niega a verlo.