Résultats lu par "Ryanne Chisholm" dans Toutes les catégories

The kids call her Lighthouse: no lights on up there. In a small town, everyone knows when you can’t read. But Cathy is just distracted by the light and lines and artistry of everyday life. She is a talented artist growing up in tiny Mariners Cove and yearns for acceptance. She dreams of enrolling in art school, but getting there will be a struggle. Hutch Parsons is everything Cathy is not: charismatic, popular, smart. Overflowing with energy, he is confident in his plans for the future. But one icy evening his world is upended. Now he must face a different life and his own struggle.

It’s 1943. Enman and Una Greene are newly married. Each is haunted by their respective pasts, and each harbours secrets. They have hopes of a happy life together - though they have little idea how to create such a life. Enman brings Una to his childhood home in rural Barrein, Nova Scotia, where he hopes they will stay. Una is restless and feeling increasingly trapped and longs for the city life she once had. Una meets a mysterious man, and then a body washes up on a beach. There are rumours of German sailors roaming the dunes.

Indigenous communities have been organizing against violence since newcomers first arrived, but the cases of missing and murdered women have only recently garnered broad public attention. Violence Against Indigenous Women joins the conversation by analyzing the socially interventionist work of Indigenous women poets, playwrights, filmmakers, and fiction writers.

In the 1950s, Anne Innis Dagg was a young zoologist with a lifelong love of the giraffe and a dream to study them in Africa. Based on extensive journals and letters home, Pursuing Giraffe vividly chronicles the realization of that dream and the year that she spent studying and documenting giraffe behaviour.

Deeply informed by archival research and current scholarship, but written as a reflective and intimate memoir, What the Oceans Remember addresses current issues in migration, identity, belonging and history through an interrogation of race, ethnicity, gender, archives and memory. More importantly, it addresses the relevance of our past to understanding our present. It shows the multiplicity of identities and origins that can shape the way we understand our histories and our own selves.

Magie Dominic’s first memoir, The Queen of Peace Room, was shortlisted for the Canadian Women’s Studies Award, ForeWord magazine’s Book of the Year Award, and the Judy Grahn Award. Told over an eight-day period, the book captured a lifetime of turbulent memories, documenting with skill Dominic’s experiences of violence, incest, and rape. But her story wasn’t finished.

Memories are like layers of your skin or layers of paint on a canvas. In The Queen of Peace Room, Magie Dominic peels away these layers as she explores her life, that of a Newfoundlander turned New Yorker, an artist and a writer—and frees herself from the memories of her violent past. On an eight-day retreat with Catholic nuns in a remote location safe from the outside world, she exposes, and captures, fifty years of violent memories and weaves them into a tapestry of unforgettable images.

Lexi, a young Mennonite woman from Saskatchewan, comes to work as housekeeper and nanny for a doctor’s family in Waterloo, Ontario, during the Depression. Dr. Gerald Oliver is a handsome philanderer who lives with his neurotic and alcoholic wife, Cammy, and their two children. Lexi soon adapts to modern conveniences, happily wears Cammy’s expensive cast off clothes, and is transformed from an innocent into a chic urban beauty. When Lexi is called home to Saskatchewan to care for her dying mother, she returns a changed person.