Résultats lu par "Simon Brett" dans Toutes les catégories

Ellen Curtis runs her own business helping people who are running out of space. As a declutterer, she is used to encountering all sorts of weird and wonderful objects in the course of her work. What she has never before encountered is a dead body.

Carole Seddon, a very respectable retired woman living in the English seaside village of Fethering, doesn’t care for the theatre. But her neighbor Jude counts the job of actress among her many and varied past careers. So when Jude attends the closing night of a new play based on a classic TV sitcom, Carole is interested—but only because she suspects the leading man, Drake Purslow, is one of her scandalous friend’s ex-lovers. The night turns out to be more dramatic than either Carole or Jude could have ever predicted.

Carole Seddon has never enjoyed holidays much. Nevertheless, she has allowed herself to be persuaded by her friend Jude to accept a fortnight’s free accommodation at a luxurious Turkish villa owned by Jude’s property developer friend Barney Willingdon. But from the outset the holiday is marred by a series of menacing incidents.

Having decided to redecorate Woodside Cottage, Jude engages the services of local man Pete, who painted and decorated the homes of Fethering residents for many years. Pete is currently working on Footscrow House, a large Victorian building that is being converted into holiday flats by a local developer.

Jude's life has been turned upside-down thanks her new man, Piers Targett, who's keen to get her involved in his hobby – or obsession – of Real Tennis. But when one of Piers' friends dies on the court in suspicious circumstances, Jude finds herself caught up in the police investigation. Meanwhile, Jude's neighbour Carole is trying to identify the human remains known locally as the “Lady in the Lake”.

Carole Seddon's trusty Renault is one of her most treasured possessions. So when it’s vandalized, there's only one person she will entrust with its repair: Bill Shefford, who’s been servicing the vehicles of the good citizens of Fethering for many years. But how could something like this happen in Fethering of all places? Then a note is shoved under Carole's kitchen door: Watch out. The car window was just the start. It appears that she’s been deliberately targeted. But by whom, and why?

Although she hadn’t known Leonard Mallett very well, nor liked him particularly, Carole Seddon feels duty bound to attend her fellow committee member’s funeral. As she suspected, the hymns, readings, and sermon are all very predictable - not unlike Leonard himself. What she couldn’t have predicted was that the deceased’s daughter would use the occasion to publicly accuse her stepmother of murder.

Invited to a Private View of the work of controversial artist Denzil Willoughby, the good citizens of Fethering are not quite sure what to expect. And it certainly turns out to be a lively affair, culminating in a confrontation between Willoughby and his ex-lover, followed by a heated argument with the gallery owner and a rival artist. But what no one could have anticipated was that the evening would end in sudden, violent death.

When Jude agrees to lend her vintage chaise longue for the local Amateur Dramatic Society’s production of George Bernard Shaw’s The Devil’s Disciple, little does she realise she’ll end up in a starring role. It’s an ambitious play, culminating in a dramatic execution scene: a scene that’s played for real when one of the leading actors is found hanging from the specially constructed stage gallows during rehearsals. A tragic accident - or something more sinister?

Having been booked to give a talk at Fethering Library, successful author Burton St Clair invites his old friend Jude to come along. Although they haven't met for 20 years, Jude is not surprised to find that St Clair hasn't changed, with his towering ego and somewhat shaky relationship with the truth. What Jude hadn't been suspecting, however, was that the evening would end in sudden, violent death. More worrying, from Jude's point of view, is the fact that the investigating police officers seem to be convinced that she herself was responsible for the crime. With the evidence stacking up against her, Jude enlists the help of her neighbour Carole.

For Mrs Pargeter, it is a matter of principle that she should complete any of her late husband's unfinished business. Amongst his many bequests, perhaps the most valuable is his little black book, in which he listed all the people who ever worked for him, with details of their particular skill sets. This means that whenever Mrs P has a crime to solve, she can readily contact someone with the relevant expertise.

When the owner of Polly's Cake Shop announces her retirement, the Fethering residents start to worry about the loss of this popular amenity. Alarmed by rumours that the café might become a Starbucks, a group clubs together to form an action committee. The plan is that Polly's should become a community venture managed and run by volunteers from the village. Roped in to help, Jude finds the committee meetings fraught with petty power struggles, clashing personalities and monstrous egos.

As ever, Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation, especially in the form of women and alcohol. His intentions may be good, but somehow the results always go wrong. What makes Charles different from other seedy, middle-aged, down-at-heel actors is that he can't avoid finding himself near trouble, that trouble being murder. He may be an amateur sleuth, but he's patently no Poirot.

Mrs. Pargeter’s friends know two important details about her marriage to her late husband. First, that it was blissfully happy. And second, that Mr. Pargeter was not a man to bring his work home with him. So, while the chance of her ever being asked by the police what he did for a living is, naturally, remote, Mrs. Pargeter would be able to reply, in all honesty, that she doesn’t know. What she does know is that Mr. Pargeter’s former associates are all respectable members of society, and if they were ever criminals, they are now 100% reformed.

Chaired by Simon Brett (author of the hugely popular Charles Paris series), this intriguing, interactive panel show challenges professional crime novelists to put their experience and expertise to the test as they try to unravel various mind-bending mysteries. Each episode features a death and a denouement - with various red herrings and misdirections along the way. As the murder scenario is described and the clues laid out, our writer-detectives take turns cross-examining the suspects.

When Alexandra Richards approaches professional declutterer Ellen Curtis to ask her to help sort out her mother’s chaotic flat, Ellen gets the impression Alexandra doesn’t like her mother very much. So when Ingrid Richards’ body is discovered in her burned-out home, Alexandra’s exasperated words don’t seem like such a joke. Due to the hazardous state of the victim’s over-cluttered residence, the police are inclined to dismiss her death as an unfortunate accident. Ellen’s not so sure. Could Alexandra’s resentment toward her mother have escalated into outright violence?

Declutterer Ellen Curtis has been working to bring order into the life of Cedric Waites, a recluse in his eighties who hasn't left his house or let anyone inside it since his wife died. On one of her regular visits, Ellen finds the old man dead. It's sad but, given his age, perhaps not unexpected, and nothing to get worked up about...until the police raise the suspicion that Cedric might have been poisoned!

Meet Major Bricket, an infrequent resident of Highfield House in Stunston Peveril, Suffolk. In the past the Major's work assignments, frequently in foreign countries, have prevented him from spending much time there and as a result, there is an air of mystery around him while everyone in the village speculates on the nature of his occupation. But now the Major has retired and has come home for good in his open-topped little red sports car... and what a homecoming it is, for lying spreadeagled on his lawn in the summer sunshine is the corpse of a clown.

Landing a minor part in the Empire Theatre Eastbourne’s Christmas production of Cinderella, Charles Paris soon discovers that his main role is to gently introduce the show’s baffled American star, Kenny Polizzi, to the bizarre customs of English pantomime. During their sessions in the local pub, Charles finds himself increasingly caught up in Polizzi’s tangled affairs. But Charles is about to be far more involved than he might wish when he stumbles across a body beneath Eastbourne Pier.

It is her characteristic generosity rather than her love of animals that finds Mrs Pargeter supporting her friend, Jasmine Angold, at a charity reception for PhiliPussies, whose worthy aim is to rehabilitate stray cats from the Greek island of Atmos into caring English homes. But the evening is to have unexpected consequences. At the event, Mrs P is taken aback to meet a woman who claims to be the sister of her late husband, the much-missed Mr Pargeter.