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Belisarius is a quantum man, an engineered Homo quantus who fled the powerful insight of dangerously addictive quantum senses. He found a precarious balance as a con man, but when a client offers him untold wealth to move a squadron of warships across an enemy wormhole, he must embrace his birthright to even try. In fact, the job is so big that he'll need a crew built from all the new sub-branches of humanity. If he succeeds, he might trigger an interstellar war, but success might also point the way to the next step of Homo quantus evolution.

Set in 2082, Peter Watts' Blindsight is fast-moving, hard SF that pulls readers into a futuristic world where a mind-bending alien encounter is about to unfold. After the Firefall, all eyes are locked heavenward as a team of specialists aboard the self-piloted spaceship Theseus hurtles outbound to intercept an unknown intelligence.

For years Chuck Palahniuk has reserved his best storytelling for his readings, often choosing to read a new short story instead of whatever novel he is supposed to be promoting. Make Something Up compiles these previously unpublished tales for the very first time, plus the Byliner social media insta-classic "Phoenix" and Palahniuk's most notable pieces from Playboy.

Burroughs’ first novel, a largely autobiographical account of the constant cycle of drug dependency, cures, and relapses, remains the most unflinching, unsentimental account of addiction ever written. Through time spent kicking and time spent dealing, through junk sickness and a sanatorium, Junky is a field report from the American postwar drug underground. A cult classic, it has influenced generations of writers with its raw, sparse, and unapologetic tone.

Five years ago, Coburn went to sleep - wasn't exactly planned - and he's just woken up to find most everybody in the world dead. And not cool, interesting dead like him; oh, no. Coburn looks basically human, and these guys...really don't. He likes blood, and they like flesh. He's smart; them, not so much. But they outnumber him by about a million to one, and their clotted blood cannot sustain him.

A hardened young veteran from the First World War, Ludwig now works for a monument company, selling stone markers to the survivors of deceased loved ones. Though ambivalent about his job, he suspects there's more to life than earning a living off other people's misfortunes. A self-professed poet, Ludwig soon senses a growing change in his fatherland, a brutality brought upon it by inflation.

Billy Edgewater is a harbinger of doom. Estranged from his family, discharged from the navy and touched by a rising desperation, he sets out hitchhiking home to East Tennessee, where his father is slowly dying. On the road, separately, are Sudy and Bradshaw, brother and sister, and a one-armed con man named Roosterfish. All, in one way or another, have their pasts and futures embroiled with D. L. Harkness, a predator in all the ways there are.

From a young age Kerouac was a spiritual thinker and questioner, and he always considered himself a spiritual writer. Buddhism gave more meaning to Jack’s work as a writer: he was working not for personal accomplishment and glory but for human betterment. And Buddhism justified his lifestyle: with its vision of the material world as empty and illusory, he was free to do what he wanted.

The long years of near-utopia have come to an abrupt end. Peace and order are now figments of the past. Corruption, deception, and insurgency humwithin the once steadfast leadership of the Hives, nations without fixed location.

When Kenneth and Corrie Tyler become suspicious of the town undertaker, they attempt to discover the truth. But what they find is far worse than they had feared.

In his third novel, award-winning author William Gay is sure to astound listeners with his dark themes and memorable characters.

Taking listeners inside the songwriting mecca of Nashville’s Music Row for the real stories behind country’s most influential songs—and featuring exclusive interviews with songwriters like Vince Gill, Clint Black, Buddy Cannon, Jelly Roll, and Taylor Swift co-writer Liz Rose—Songs of Nashville gives you a front-row seat to the lives and work of the artists who’ve shaped country music.

Since ancient times, accounts of supernatural activity have mystified us. Ghost stories as we know them did not develop until the late 19th century, but the restless dead haunted the premodern imagination in many forms, as recorded in historical narratives, theological texts, and personal letters. The Penguin Book of the Undead teems with roving hordes of dead warriors, corpses trailed by packs of barking dogs, moaning phantoms haunting deserted ruins, evil spirits emerging from burning carcasses in the form of crows, and zombies with pestilential breath.

In a future of near-instantaneous global travel, of abundant provision for the needs of all, a future in which no one living can remember an actual war, a long era of stability threatens to come to an abrupt end. For known only to a few, the leaders of the great Hives, nations without fixed location, have long conspired to keep the world stable, at the cost of just a little blood. A few secret murders, mathematically planned. So that no faction can ever dominate, and the balance holds. And yet the balance is beginning to give way.

Set in Mexico City during the early 50s, Queer follows William Lee's hopeless pursuit of desire from bar to bar in the American expatriate scene. As Lee breaks down, the trademark Burroughsian voice emerges; a maniacal mix of self-lacerating humor and the Ugly American at his ugliest. Burroughs' only realist love story, Queer is a haunting tale of possession and exorcism.

David Binder is a young, successful writer living in Chicago and suffering from writer's block. He stares at the blank page, and the blank page stares back - until inspiration strikes in the form of a ghost story that captivated him as a child. With his pregnant wife and young daughter in tow, he sets out to explore the myth of Virginia Beale, Faery Queen of the Haunted Dell.

The Union-Congregate war rages onward, and the Union's premier fighter pilots, the Homo Eridanus, start encountering deadly resistance from strange pilots on the Congregate side. Among wreckage, they find that new Congregate pilots aren't human, but Homo quantus, with strange wiring and AI connections. At the same time, the Puppets come to the Union with offers of an alliance for a dangerous price: the rescue of the geneticist Antonio Del Casal who is a captive at Venus, with over a hundred Homo quantus.

Days ago, Belisarius pulled off the most audacious con job in history. He's rich, he's back with the love of his life, and best of all, he has the Time Gates, arguably the most valuable things in existence. Nothing could spoil this...except the utter destruction of his people and the world they lived on. To save them, he has to make a new deal with the boss he just double-crossed, to travel back in time and work his quantum magic once again, tracking down the source of the wormholes.

The long years of near-utopia have come to an abrupt end. Peace and order are now figments of the past. Corruption, deception, and insurgency hum within the once steadfast leadership of the Hives, nations without fixed location. The heartbreaking truth is that for decades, even centuries, the leaders of the great Hives bought the world's stability with a trickle of secret murders, mathematically planned. So that no faction could ever dominate. So that the balance held.

State Road 177 runs along the Suwannee River, between Fargo, Georgia, and the Okefenokee Swamp. Drive that route from east to west, and you'll cross six bridges. Take it from west to east, and you might find seven. But you'd better hope not. Titus and Melanie Bell leave their hotel in Fargo for a second honeymoon canoeing the Okefenokee Swamp. But shortly before they reach their destination, they draw up to a halt at the edge of a rickety bridge with old stone pilings, with room for only one car....

As investigators brought out the bagged remains of several dozen young men from a small Chicago ranch home and paraded them in front of a crowd of TV reporters and spectators, attention quickly turned to the owner of the house. John Gacy was an upstanding citizen, active in local politics and charities, famous for his themed parties and appearances as Pogo the Clown. But in the winter of 1978-79, he became known as one of many so-called “sex murderers” who had begun gaining notoriety in the random brutality of the 1970s.