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Nate Foster has big dreams. His whole life, he’s wanted to star in a Broadway show. (Heck, he’d settle for seeing a Broadway show.) But how is Nate supposed to make his dreams come true when he’s stuck in Jankburg, Pennsylvania, where no one (except his best pal Libby) appreciates a good show tune? With Libby’s help, Nate plans a daring overnight escape to New York.

Armed with a one-way ticket to New York City, small-town theater geek Nate is off to start rehearsals for E.T.: The Broadway Musical. It’s everything he ever practiced his autograph for! But as thrilling as Broadway is, rehearsals are nothing like Nate expects: Full of intimidating child stars, cut-throat understudies, and a director who can’t even remember Nate’s name. Now, as the countdown to opening night is starting to feel more like a time bomb, Nate is going to need more than his lucky rabbit’s foot if he ever wants to see his name in lights.

When the news hits that E.T.: The Musical wasn’t nominated for a single Tony Award - not one! - the show closes, leaving Nate both out of luck and out of a job. And while Nate’s cast mates are eager to move on, Nate knows it’s back to square one, also known as Jankburg, Pennsylvania. Where horror (read: high school) awaits. Desperate to turn his life from flop to fabulous, Nate takes on a huge freshman English project with his BFF, Libby: He’s going to make a musical out of Charles Dickens’s Great Expectations. What could possibly go...right?

In 1969, being gay in the United States was a criminal offense. It meant living a closeted life or surviving on the fringes of society. People went to jail, lost jobs, and were disowned by their families for being gay. Most doctors considered homosexuality a mental illness. There were few safe havens. The Stonewall Inn - a Mafia-run, filthy, overpriced bar in New York City's Greenwich Village - was one of them.

Before Tim Federle became a best-selling author and a Broadway playwright, he worked as a back-up dancer at the Super Bowl, a polar bear at Radio City, and a card-carrying chorus boy on Broadway. Life Is Like a Musical features 50 tips learned backstage, onstage, and in between gigs, with chapters such as "Dance Like Everyone's Watching" and "Save the Drama for the Stage". This charming and clever guide will appeal to all ages and inspire listeners to step into the lead roles of their own lives, even if they're not recovering theater majors.

Quinn Roberts is a 16-year-old smart aleck and Hollywood hopeful whose only worry used to be writing convincing dialogue for the movies he made with his sister, Annabeth. Of course, that was all before - before Quinn stopped going to school, before his mom started sleeping on the sofa...and before Annabeth was killed in a car accident.