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It's a blindingly hot summer. International visitors surge into Sydney's Darling Harbour. Two-year-old Tommy is sailing his toy boat in the park there with his mother Phoebe. Tommy vanishes into thin air. The following winter, taunting notes written as nursery rhymes begin arriving at his parents' home. Little Boy Blue, where did you go? Who led you away? Only I know.

It was supposed to be fun. A relaxing trip to a remote mountain retreat where there’s no phone reception. Three couples, friends since high school, are looking forward to a weekend of drinking, reminiscing and flirting. When someone suggests swapping partners, it doesn’t seem like such a bad idea. The lights will be switched off, for privacy. It’s not really cheating if you don’t know who you were with, right? But when the lights come back on, one of the men is dead. No-one can agree who was in which bedroom with whom.

Caroline Overington's stunning fiction debut is a multi-voiced novel centred around a child's death and its terrible repercussions. In 1982 Victorian police were called to a home on a housing estate an hour west of Melbourne. There, they found a five-year-old boy lying still and silent on the carpet. There were no obvious signs of trauma, but the child, Jacob, died the next day. The story made the headlines, and hundreds attended the funeral. Few people were surprised when the boy's mother and her boyfriend went to prison for the crime. 

When a simple mix-up leaves their father Joe’s estate to Eden, their long-absent mother, Clare and Aaron decide it’s finally time to track Eden down. But it’s been over thirty years since she left their remote outback mining town, and they’ve never heard from her again. Aaron is dealing with a new marriage that’s currently trapped in immigration limbo, and his teenage daughter Cady is clearly going through a personal crisis of her own.

Senior journalist Allira is writing a story for Folk magazine when she meets Nora, a nursing home resident with dementia and a doll cradled lovingly in her arms. Bit by bit, Nora reveals details about her younger life as a spirited teenage girl living beneath the Great Western Tiers in Tasmania's heartland, of stitching linings into coffins, of her illicit romance with a charming Polish-German migrant, and of a family torn apart by heartbreak. As the two women form an unlikely friendship, Allira becomes helplessly drawn into the old woman's story.

In 1999, Sierra Leone was in the midst of a brutal civil war where mindless violence, vicious amputation and the rape of young enslaved women were the everyday weapons of bloody conflict. It was also where rebel soldiers snatched the young Aminata Conteh-Biger from her father's arms, then held her captive for months. After she was released, the UNHCR recognised that her captors still posed a serious threat to her safety. So, still in her teens, she was put on a plane and flown to Australia to start afresh as a refugee in a land she knew nothing about.

Oli Darling is a queer artist from the country - it says so right at the top of every press release. His art has brought him fame, money, fashionable substance abuse issues and only a little imposter syndrome. But then he goes on live TV and says the one thing that can get a rich white guy cancelled. With his reputation in tatters, nobody is buying Oli's schtick or his art. That's a problem for all the people who've invested millions in him. Powerful, dangerous people. To save his own skin, Oli will need to restore his public image.