Résultats lu par "amy scanlon" dans Toutes les catégories

After their recent adventures in Transylvania, Russell and Holmes look forward to spending time with Holmes' son, the famous artist Damian Adler, and his family. But when they arrive at Damian’s house, they discover that the Adlers have fled from a mysterious threat. Holmes rushes after Damian while Russell, slowed down by a recent injury, stays behind to search the empty house. In Damian’s studio, she discovers four crates packed with memorabilia related to Holmes’ grand-uncle, the artist Horace Vernet.

It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories. Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations.

In Victorian England, a divisive election is fast approaching. Passions are so enflamed that Thomas Pitt, shrewd mainstay of the London police, has been ordered not to solve a crime but to prevent a national disaster. The aristocratic Tory candidate—and Pitt’s archenemy—is Charles Voisey. The Liberal candidate is Aubrey Serracold, whose wife’s dalliance with spiritualism threatens his chances.

In 1715, Lady Blythe Hedley's father is declared an enemy of the British crown because of his Jacobite sympathies, forcing her to flee her home in northern England. Secreted to the tower of Wedderburn Castle in Scotland, Lady Blythe awaits who will ultimately be crowned king. But in a house with seven sons and numerous servants, her presence soon becomes known.

When Mary Russell was a child, she adored her black sheep Uncle Jake. But she hasn’t heard from him in many years, and she assumed that his ne’er-do-well ways had brought him to a bad end somewhere—until he presents himself at her Sussex door. Yes, Jake is back, and with a load of problems for his clever niece. Not the least of which is the reason the family rejected him in the first place: He was involved—somehow—in the infamous disappearance of the Irish Crown Jewels from an impregnable safe in Dublin Castle.

A seemingly idyllic picnic ends in a macabre murder that echoes a pair of slayings fourteen years earlier in this riveting new historical mystery from the USA Today bestselling author of Who Cries for the Lost.

Lydia works as translator for the Logi cultural attaché to Earth. They work well together, even if the act of translating his thoughts into English makes her somewhat wobbly on her feet. She’s not the agency’s best translator, but what else is she going to do? She has no qualifications and no discernible talent in any other field. So when tragedy strikes and Lydia finds herself at the center of an intergalactic incident, her future employment prospects look dire—that is, if she can keep herself out of jail!

London, 1887: At the abandoned apartment of a missing young woman, a dossier of evidence is collected, ordered chronologically, and sent to the Chief Inspector of the London Metropolitan Police. It contains a frightening correspondence between an inquisitive journalist, Miss Emily Gibson, and the woman Gibson thinks may be the infamous Mrs. Lovett—Sweeney Todd’s accomplice, “a wicked woman” who baked men into pies and sold them in her pie shop on Fleet Street. The talk of London Town—even decades after her horrendous misdeeds.

Lemon, poppy seed, sun-warmed sand. These visions convince Aoife to quit her job, leave her manipulative boyfriend, and escape to the isolated shores of the Farmstead commune. There, among its charismatic and hedonistic residents, Aoife finds everything she’s been missing: a community that adores her, the freedom to indulge, and the promise to be a part of something miraculous. But darkness underpins her airy new way of life. A disappearing cave looms above an ocean no one dares step foot in, mysterious crying fills the night hours, and a rot is spreading across the island.

She'll light the fire of resistance—but she may get burned … 1942. Though she survived the bomb that destroyed her home, Yvonne Rudellat’s life is over. She’s estranged from her husband, her daughter is busy with war work, and Yvonne—older, diminutive, overlooked—has lost all purpose. Until she’s offered a chance to remake herself entirely …

It is 1901 when clockmaker and brilliant tinker Sydney Forrester inherits Blakely House, the eclectic estate of an estranged uncle she's never met. The well-known but mysterious industrialist has left behind a stunning array of peculiar inventions—and a couple of nephews intent on removing this interloper from the estate. Convinced that Sydney has something to do with their uncle's death, the late master's nephews contest the will and work against their cousin at every turn.

The man who lies bleeding to death in a London brickyard is no ordinary drifter but a secret informant with details of an international plot against the British government. Special Branch officer Thomas Pitt, hastening to rendezvous with him, arrives seconds after the knife-wielding assassin—who, in turn, flees on an erratic course that leads Pitt in wild pursuit to picturesque St. Malo on the French coast. Meanwhile, Pitt’s supervisor, Victor Narraway, stands accused of embezzling government funds.

Thomas Pitt is now the powerful head of Britain’s Special Branch, and some people fear that he may have been promoted beyond his abilities. His own self-doubt is fueled by rumors of a plot to blow up connections on the Dover–London rail line, on which Austrian duke Alois Habsburg is soon to travel. But why destroy an entire train to kill one obscure Austrian royal? Are the rumors designed to distract police from an even more devastating plot?

A beguiling trio of fantastical and farcical anti-fairy tales about a giantess who builds a magical “cottage of one’s own,” battles a silver-scaled sea monster, and defies governesses and gravity alike.

In 1892, the grisly murders of Whitechapel prostitutes four years earlier by a killer dubbed Jack the Ripper remain a terrifying enigma. And in a packed Old Bailey courtroom, Superintendent Thomas Pitt’s testimony causes distinguished soldier John Adinett to be sentenced to hang for the inexplicable murder of a friend.

In the search for the truth, the line between fact and fiction is beginning to fall out of focus It is 1903, and Lily Temple is a beautiful silent-film actress who spins fairy tales and plays frivolous roles in front of the cine-camera. But beneath the costumes and stage makeup is a woman with a quick wit, a murky past, and a tantalizing secret. As an underground investigator to the wealthy, Peter Driscoll has been tasked with locating the legendary Briarwood Teardrop, an exquisite sapphire that has been missing for years—and which Lily happens to be wearing beneath her gown.

1925. LONDON. When Alice Diamond, a.k.a. “Diamond Annie,” is elected the queen of the Forty Elephants, she’s determined to take the all-girl gang to new heights. She’s ambitious, tough as nails, and a brilliant mastermind with a plan to create a dynasty the likes of which no one has ever seen. Alice demands absolute loyalty from her “family”—it’s how she's always kept the cops in line. Too bad she’s now the target for one of Britain’s first policewomen.

Chelsea Iversen's THE WITCHES AT THE END OF THE WORLD is a speculative novel set in 17th-century Norway about two sisters who find themselves at odds when one incites a dangerous curse against the village where their mother once lived; but you can't take back dark magic once it's been released, and they know, like their mother before them, that someone will have to burn—they are witches, after all.

Thirteenth-century France. Bridget has grown up mastering the mystical gifts of her ancestor, Mary Magdalene, whose unbroken female lineage has kept a legacy of wisdom alive for a thousand years. But the all-powerful Catholic Church has sworn to destroy Bridget for using her healing talents and supernatural abilities.

All theater romances are tragedies. Ella Blythe knows this. Still, she cannot help but hope her own story may turn out different than most - and certainly different than the tragic story of the Ghost of Craven Street Theater. Yet as she struggles to maintain her tenuous place in the ever-shrinking ballet company, win the attentions of principal dancer Philippe, and avoid company flirt Jack, Ella cannot deny the uncanny feeling that her life is mirroring that of the dead ballerina.