Absurdist Fiction

Awarded a three-month stipend to travel and work, a Swedish writer flies to Madrid, where in a bar she meets a man with an extraordinary story to tell. In exchange for somewhere to sleep and to hide out for a few days, he is willing to tell her the whole astonishing tale. What follows is an account of fantastic proportions and ingredients: the existence of a shadowy Internet TV show with a certain morality clause, a threat to the storyteller's life, a diabolical nun, and the story of a girl with a missing left thumb.

At turns nonchalantly hip and charmingly deranged, Suzuki's singular slant on speculative fiction would be echoed in countless later works, from Margaret Atwood and Harumi Murakami, to Black Mirror and Ex Machina. In these darkly playful and punky stories, the fantastical elements are always earthed by the universal pettiness of strife between the sexes, and the gritty reality of life on the lower rungs, whatever planet that ladder might be on.

Jenlena and Daphne are two aimless humanities grads living in a crumbling Montreal when animals besiege cities and towns across the world, terrorizing their human residents. Though shocking, the threat is quickly neutralized when the animals are killed en masse for the safety of humanity. In the post-fauna world, Jenlena is transformed, shaking off her characteristic passivity to capitalize on other people’s heartbreak and grief by selling plants that have come to replace pets, and impersonating dogs for pay.

Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude", an imaginary crime that defies definition.

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.

THE AUTHOR is a dark absurdist take on the artist as a young man in a world damaged by social media, designer drugs, and the dark underbelly of Hollywood. The anonymous author of the saga peels back the curtain to reveal the inner life of a one-day superstar (or sociopath) desperate to become famous by any means necessary, who one day does, and pulls off one of the greatest public relations stunts in entertainment history.

L'Empire du bien n'est pas un essai, c'est une charge, une provocation, un éclat de rire grinçantlancé contre le conformisme du monde moderne. Philippe Muray y démonte avec une ironiecinglante les travers d'une époque où le divertissement se confond avec la morale, où la critique est suspecte, où l'enthousiasme obligatoire dicte les règles. Dans la langue au panache aussisuperbe qu'excessif d'un moraliste sous nicotine, Muray s'attaque à une société qui transforme touten fête forcée et où la liberté de penser s'efface derrière le masque du bonheur collectif.

In his first novel, A Happy Death, written when he was in his early 20s and retrieved from his private papers following his death in 1960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.

Morgan Beale is a pop icon - and hates every second of it. He begins adapting the latest best seller, The Chihuahua in the Blue Prada Bag, into a blockbuster movie just before his celebutante wife starts remodeling their Hollywood home, driving Beale to a hotel. Dodging the paparazzi one morning on his way to Starbucks, he spots his writing partner, Luke, who has been dead for over a decade, and who is staring into a mysterious hole in the ground....

A nameless narrator awakens to the muddle of middle age, no longer certain who or what he is. He finds himself at a party talking to a woman he doesn't know who proves to be his wife. Soon separated but still living in the same apartment, he is threatened by a litigious dachshund and saddled with a stubborn case of erectile dysfunction in a world that seems held together by increasingly mercurial laws and elusive boundaries.

Botanist Alfred Homer, ever hopeful and constantly surprised, is invited on a road trip by his parents’ friend, Professor Morgan Bruno, who wants company as he tries to unearth the story of the mysterious poet John Skennen. But this is no ordinary road trip. Alfred and the Professor encounter towns where Black residents speak only in sign language and towns that hold indigenous parades; it is a land of house burnings, werewolves, and witches.

For Jim Nashe, it all started when he came into a small inheritance and left Boston in pursuit of a "life of freedom." Careening back and forth across the United States, waiting for the money to run out, Nashe met Jack Pozzi, a young man with a temper and a plan. With Nashe's last funds, they entered a poker game against two rich eccentrics, "risking everything on the single blind turn of a card."

Richard Brautigan's world is one of gentle magic and marvelous laughter, of the incredibly beautiful and the beautifully incredible. Trout Fishing in America is a pseudonym for the miraculous. A journey that begins at the foot of the Benjamin Franklin statue in San Francisco's Washington Square, that wanders through the wonders of America's rural waterways, and that ends, inevitably, with mayonnaise. Funny, wild, and sweet, Trout Fishing in America is an incomparable guidebook to the delights of exploration.

Asa’s husband is transferring jobs, and his new office is located near his family’s home in the countryside. During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws, and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: She makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.

Bonnie Lincoln just wants to be left alone. To come home from work, shut out the voice that reminds her of some devastating losses, and unwind in front of the nostalgic, golden glow of her favorite TV show, Three's Company. When Bonnie wins the lottery, a more grandiose vision—to completely shuck off her own troublesome identity—takes shape. She plans a drastic move to an isolated mountain retreat where she can re-create the iconic apartment set of Three's Company and slip into the lives of its main characters.

Jonathan Abernathy is a self-proclaimed loser . . . he’s behind on his debts, has no prospects, no friends, and no ambitions. But when a government loan forgiveness program offers him a literal dream job, he thinks he’s found his big break. If he can appear to be competent at his new job, entering the minds of middle-class workers while they sleep and removing the unsavory detritus of their waking lives from their unconscious, he might have a chance at a new life. As Abernathy finds his footing in this new role, reality and morality begin to warp around him.

A bureaucratic glitch omits an entire building, along with its residents, from municipal records. So begins Reva's "darkly hilarious" (Anthony Doerr) intertwined narratives, nine stories that span the chaotic years leading up to and immediately following the fall of the Soviet Union. But even as the benighted denizens of 1933 Ivansk Street weather the official neglect of the increasingly powerless authorities, they devise ingenious ways to survive.

Lo incontriamo da ragazzino mentre "scarpagna" verso le Bisacconi (le scuole elementari del paese). Sono gli anni '50 e mentre ruba in una vigna un grappolo di schizzozibibbo, Lupetto, così lo chiamano, vede un uomo alto, con una barba immensa e un vecchio cane. È una divinità pagana, sporca come un letamaio, che gli regala una facoltà meravigliosa: un orologio interno, un orobilogio, che gli consentirà di correre avanti nel tempo.

The Novices of Lerna introduces the enigmatic fictions of Ángel Bonomini to English listeners for the first time. Shot through with wry humor and tender absurdity, these meditations on identity, surveillance, and isolation remain eerily prescient. The collection's central novella follows Ramon Beltra, an unambitious scholar who receives a mysterious invitation to a lucrative six-month fellowship at the University of Lerna in Switzerland.

A mysterious object has appeared out in the snow. Gibbs and Cline are mesmerized. They can’t discern its exact shape and color, nor if it’s moving or fixed in place. But it is there. Isn’t it? Whatever it might be, Hart thinks the thing in the snow is an unwelcome distraction, and probably a huge waste of time. Though, come to think of it, time itself has been a bit wonky lately. Weekends pass in a blur, and he can hardly tell day from night. Gravity seems less-than-reliable. The lights have been flickering weirdly, and he feels an odd thrumming sensation in his beard.