African American Families

With The Interruption of Everything, her sixth novel, Terry McMillan takes on the fault lines of mid-life and family life, reminds us once again of the redeeming power of friendship, and turns her eye toward the dilemma of how a woman starts to put her own needs higher on the to-do list while not shortchanging everyone else.

PREGNANT AND ALONE?

When Katie Rogers returns to Dundee, Idaho, it's not because she wants to. It's because she's disillusioned, broke and pregnant. She was going to make something of her life in the big city. Instead, she's paying a high price for trusting the wrong man...

In God Don't Play, trouble comes a woman's way just when she thinks she's finally got it all figured out. Annette Goode couldn't be happier with where she is in life. She has a good job, a comfortable home, and a wonderful husband and daughter. But tough times lie ahead. Out of the blue, Annette begins receiving anonymous hate mail and threatening phone calls. It seems her life isn't as settled as she thought, and demons from her past surface in unexpected ways.

Set in a middle-class neighborhood in Atlanta in the 1980s, Silver Sparrow revolves around James Witherspoon's two families - the public one and the secret one. When the daughters from each family meet and form a friendship, only one of them knows they are sisters. It is a relationship destined to explode when secrets are revealed and illusions shattered. As Jones explores the backstories of her rich yet flawed characters - the father, the two mothers, the grandmother, and the uncle - she also reveals the joy, as well as the destruction, they brought to one another's lives.

In 1850s South Carolina, an enslaved woman named Rose faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag for her with a few items, and, soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the sack in spare, haunting language. Historian Tiya Miles carefully traces these women’s faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of slavery.

"A charming, feel-good story of the ways that devoted friends—and great books!—can change our lives with the summer vibes I’m needing right now! There’s a dose of Susan Mallery magic in all her novels; this one just might have an extra scoop!" – Kristy Woodson Harvey, New York...

Lucas has been in the fight against the evil forces in his town since the beginning, but he is tired of feeling like an outsider. When the start of high school presents Lucas with options beyond D&D and being bullied, he wonders if he can be more than invisible. After connecting with one of the few other Black students at school, Lucas starts to learn more about himself apart from his friend group. And he begins to understand himself as a Black teen in Hawkins, which feels unlike anything—in this world or any other—he’s ever experienced.

#1 New York Times Bestseller The inspiration for the Netflix series streaming now! “A revealing look at life inside the White House. . . it’s Downton Abbey for the White House staff.”— The Today Show A remarkable history with elements of both In the President’s Secret Service...

This “endearing and honest” (School Library Journal) romance about love across cultures follows a Black girl and Brown boy who find themselves—and each other—while pursuing their passions the summer before college. Deja’s got a plan. The first in her large family to go to college, she...

In God Don't Like Ugly, she weaves a powerful tale of devastating abuse, the strength of friendship, and the burden of terrible secrets. Shy, overweight Annette Goode is only seven years old when Mr. Boatwright, a boarder in her house, begins sexually abusing her. She keeps this information to herself for years, until gorgeous, self-assured Rhoda Nelson becomes her new friend. Annette confides in Rhoda and finds the strength and courage to survive to adulthood.

This stirring coming-of-age tale unfolds in 1930s rural Kansas. A poignant portrait of African-American family life in the early twentieth century, it follows the story of young Sandy Rogers as he grows from a boy to a man. We meet Sandy's mother, Annjee, who works as a housekeeper for a wealthy white family; his strong-willed grandmother, Hager; Jimboy, Sandy's father, who travels the country looking for work; Aunt Tempy, the social climber; and Aunt Harriet, the blues singer who has turned away from her faith.

Since childhood, identical twins Leona and Fiona Dunbar have been getting in—and out—of trouble by pretending to be each other. Yet underneath, they couldn’t be more different. Outspoken Leona lives to break rules, have a good time, and scandalize their respectable hometown of Lexington. Fiona is a seemingly demure churchgoing girl who is the apple of her domineering, widowed mother Mavis’s eye. But together, the twins have fooled teachers, boyfriends, bosses, racist police—and most importantly, straitlaced Mavis.

Our narrator is a gifted photographer, an uncertain wife, an infertile mother, a biracial woman in an unraveling America. As she grapples with a lifetime of ambivalence about motherhood, yet another act of police brutality makes headlines, and this time the victim is Noah, a boy in her photography class. Unmoored by the grief of a recent devastating miscarriage and Noah's fight for his life, she worries she can no longer chase the hope of having a child, no longer wants to bring a Black body into the world.

Sins from the past have left a lingering stench in the Mitchell family. Amid a tumultuous roller-coaster ride through financial ruin, professional humiliation, personal failure, and marital discord, Joel, the youngest son, who was once considered the most eligible bachelor, has finally come to terms with his shortcomings and self-centered decisions.

New York Times Bestseller Kira, Samm, and Marcus fight to prevent a final war between Partials and humans in the gripping final installment in the Partials Sequence, a series that combines the thrilling action of The Hunger Games with the provocative themes of Blade Runner and The Stand. There...

Ever since running away at the age of fourteen, Paul-Edward, the son of a white landowner and a black slave, has had one dream: to own land every bit as good as his daddy's. While growing up, Paul-Edward loved, and feared, his father, but he loved the land unconditionally. Then, after a rash act of youthful rebellion, he leaves his family behind and vows to succeed on his own. However, for anyone black coming of age in 1880's Mississippi, this is no simple goal.

Anissa Dent is experiencing heartbreak like none she’s ever felt. Her husband of nearly twenty years has fallen victim to crack cocaine after a devastating loss. All her efforts to help him have failed, and to protect herself and her sons, she divorces him and has him removed from their home. That doesn’t stop him from popping in and out of their lives with promises of getting clean. Anissa desperately wants to move on in her life, but her love for what once was is holding her back. However, attending a family barbeque with her son proves to be the restart she desperately needs.

Growing up poor in Texas, Vera Lomax used every gold-digging trick in the book to land a rich husband. Now living in the lap of luxury in San Francisco, her only job is to fawn over her much-older husband, so it's been easy for her to balance a life of shopping and affairs with younger men with a major secret: the 16-year bribery of one of her husband's mistresses to keep her pregnancy under wraps. Vera figures that a little hush money every month will ensure her husband's fortune is hers alone....

Rebecca Carroll grew up the only Black person in her rural New Hampshire town. Adopted at birth by artistic parents who believed in peace, love, and zero population growth, her early childhood was loving and idyllic - and yet she couldn’t articulate the deep sense of isolation she increasingly felt as she grew older. Everything changed when she met her birth mother, a young White woman, who consistently undermined Carroll’s sense of her blackness and self-esteem.

In this “deeply original” (Elif Batuman) and “violently funny” (Myriam Gurba) story, a young lawyer finally confronts her dark past so she can live in a more peaceful future. To the outside observer, Vivian is a success story—a dedicated lawyer who advocates for mentally ill patients...