African American Science

In 2013, Alicia Garza wrote what she called “a love letter to Black people” on Facebook, in the aftermath of the acquittal of the man who murdered seventeen-year-old Trayvon Martin. Garza wrote: Black people. I love you. I love us. Our lives matter. With the speed and networking capacities of social media, #BlackLivesMatter became the hashtag heard ’round the world. But Garza knew even then that hashtags don’t start movements - people do.

Sharks have been on this planet for over 400 million years, so there is a lot they can teach us about survival and adaptability. For example: how do sharks, which unlike other fish are denser than water, stay afloat? They keep moving. When Jasmin Graham, an award-winning young shark scientist, started to feel that the traditional path to becoming a marine biologist was pulling her under, she remembered this important lesson: keep moving forward.

David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era—and also one to which Shakespeare was himself a crucial contributor.

Negus: A Compilation of African-American Science Fiction short stories and flash fiction will satisfy conspiracy theorists, sci-fi lovers, and urban fiction fans. Whether you're obsessed with aliens, astronomy, pineal gland decalcification, crystals, or life before birth and after death, Negus hits a home run with out-of-this-world content that'll leave you in deep thought about life and this planet we call home.

Fifty years ago Malcolm X told a White woman who asked what she could do for the cause, "Nothing." Dyson believes he was wrong. In Tears We Cannot Stop, he responds to that question. If we are to make real racial progress, we must face difficult truths, including being honest about how Black grievance has been ignored, dismissed, or discounted.

The Revolutionary War encompassed at least two struggles: one for freedom from British rule, and another, quieter but no less significant fight for the liberty of African Americans, thousands of whom fought in the Continental Army. Standing in Their Own Light restores these African American patriots to their rightful place in the historical struggle for independence and the end of racial oppression.

After a deadly pandemic, shocking incidents of police brutality, a racial justice crisis, and the fall of a dangerous demagogue, America remains more divided than at any time in decades. At the heart of this national crisis is the fear of a darkening America - a country in which there is no longer a predominant White majority. As the Republican Party has lost the popular vote in seven of the last eight presidential elections, its leaders have incited White Americans in a last-ditch race against time to stop the advance of a new, multiracial emerging majority.

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert."

This book contains a collection of academic articles ranging from African-American history, Jewish history, early Christian history, the New Testament, Patristic history, medieval history, and the history of the Reformation. This academic work is a bold quest to capture the essence of history and canon as phenomenalized in the human experience. Scholars and students of history, religion, literary criticism, sociology, anthropology, humanities, and theology will surely benefit from reading this book.

This searing story of slavery and freedom in the Chesapeake reveals the pivot in the nation’s path between the founding and civil war. Frederick Douglass recalled that slaves living along Chesapeake Bay longingly viewed sailing ships as "freedom’s swift-winged angels." In 1813 those angels appeared in the bay as British warships coming to punish the Americans for declaring war on the empire. Drawn from new sources, Alan Taylor's riveting narrative re-creates the events that inspired black Virginians, haunted slaveholders, and set the nation on a new and dangerous course.

When Shane McCrae was three years old, his grandparents kidnapped him and took him to suburban Texas. His mom was white and his dad was Black, and to hide his Blackness from him, his maternal grandparents stole him from his father. In the years that followed, they manipulated and controlled him, refusing to acknowledge his heritage—all the while believing they were doing what was best for him.

From Lewis and Clark's 1804 expedition to the 2014 uprising in Ferguson, American history has been made in St. Louis. And as Walter Johnson shows in this searing book, the city exemplifies how imperialism, racism, and capitalism have persistently entwined to corrupt the nation's past. St. Louis was a staging post for Indian removal and imperial expansion, and its wealth grew on the backs of its poor Black residents, from slavery through redlining and urban renewal.

From the late eighteenth century through the end of the Civil War, Choctaw and Chickasaw Indians bought, sold, and owned Africans and African Americans as slaves, a fact that persisted after the tribes' removal from the Deep South to Indian Territory. The tribes marginalized free black people in the Indian nations well after the Civil War and slavery had ended. In this groundbreaking study, Barbara Krauthamer rewrites the history of southern slavery, emancipation, race, and citizenship to reveal the centrality of Native American slaveholders and the black people they enslaved.

Black Panther and Cuban exile, Assata Shakur, has inspired multiple generations of radical protest, including our contemporary Black Lives Matter movement. Drawing its title from one of America’s foremost revolutionaries, this collection of thought-provoking essays by award-winning Panther scholar Donna Murch explores how social protest is challenging our current system of state violence and mass incarceration. Assata Taught Me offers a fresh and much-needed historical perspective on the fifty years since the founding of the Black Panther Party.

After the 1969 season, the St. Louis Cardinals traded their star center fielder, Curt Flood, to the Philadelphia Phillies, setting off a chain of events that would change professional sports forever. At the time there were no free agents, no no-trade clauses. When a player was traded, he had to report to his new team or retire. Unwilling to leave St. Louis and influenced by the civil rights movement, Flood chose to sue Major League Baseball for his freedom.

In Washington D.C., during his 1963 “I Have A Dream” speech, Dr. Martin L. King Jr. introduced the world to his dream. The passion of his dream was so intense that it still echoes throughout the World. With a dream big enough to influence listeners for over four decades, do you ever wonder what became of the children of the dream? The Native African American Cultural Development Guide answers this question and offers much more to its listener.

MEM is a rare novel, a small book carrying very big ideas, the kind of story that stays with you long after you've finished listening to it. Set in the glittering art deco world of a century ago, MEM makes one slight alteration to history: a scientist in Montreal discovers a method allowing people to have their memories extracted from their minds, whole and complete.

This cultural biography tells the enthralling story of the high-achieving Black elites who thrived in the nation's capital during Reconstruction. Daniel Murray (1851-1925), an assistant librarian at the Library of Congress, was a prominent member of this glorious class. Murray's life was reflective of those who were well-off at the time. This social circle included African American educators, ministers, lawyers, doctors, entrepreneurs, US senators and representatives, and other government officials.

The slave ship Amistad set sail from Havana on July 2, 1839, on a routine delivery of human cargo. A few days into its voyage, the 53 African captives aboard would seize control and steer a new course - one that took them to freedom and ultimately into history. Though the Amistad rebellion has been celebrated in films and books, its story has largely been told through the eyes of white abolitionists, with the Supreme Court victory by the Africans as the ultimate triumph. Now, Marcus Rediker’s captivating new history turns the lens on the Africans themselves.

The children we meet through the deepening friendships that evolve between Janathan Kozol and their families defy the stereotypes of urban youth too frequently presented on TV and in newspapers. Tender, generous, and often religiously devout, they speak with painful clarity about the poverty and racial isolation that have wounded but not hardened them. "It's not like being in a jail," says 15-year-old Isabel. "It's more like being hidden."