African American Science

#SayHerName provides an analytical framework for understanding Black women's susceptibility to police brutality and state-sanctioned violence, and it explains how—through black feminist storytelling and ritual—we can effectively mobilize various communities and empower them to advocate for racial justice.

Virtually anyone, anywhere knows that six million Jewish human beings were killed in the Jewish Holocaust. But how many African human beings were killed in the Black Holocaust - from the start of the European slave trade (c. 1500) to the Civil War (1865)? And how many were enslaved? The Black Holocaust, a travesty that killed millions of African human beings, is the most underreported major event in world history.

In The Way of Tenderness, Zen priest Zenju Earthlyn Manuel brings Buddhist philosophies of emptiness and appearance to bear on race, sexuality, and gender, using wisdom forged through personal experience and practice to rethink problems of identity and privilege.

Thirty years have passed since Cornel West's book Race Matters rose to the top of the bestseller lists in 1993. Yet his book remains as relevant as ever to American culture-even more so, if one considers its influence on contemporary racial justice movements such as Black Lives Matter, prison justice, and the fight for police reform. Prophetic Leadership and Visionary Hope looks back to the original 1993 text and forward into the future of racial understanding and healing in our current century.

Corporate America continues to struggle with racial equity in a post-George Floyd world. As the United States becomes more diverse and the public consciousness continues to shift, successful racial equity efforts in the workplace are needed now more than ever. Decentering Whiteness in the Workplace exposes the ways that white culture and expectations are centered in the modern American workplace and the fears within corporate spaces about talking candidly, openly, and honestly about whiteness, white supremacy, and anti-Blackness.

Over more than two centuries men, women, and children escaped from slavery to make the Southern wilderness their home. They hid in the mountains of Virginia and the low swamps of South Carolina; they stayed in the neighborhood or paddled to secluded places; they buried themselves underground or built settlements. Known as maroons, they lived on their own or set up communities in swamps or other areas where they were not likely to be discovered. Although well-known, feared, celebrated or demonized at the time, the maroons whose stories are the subject of this book have been forgotten.

In the summer of 1860, more than 50 years after the United States legally abolished the international slave trade, 110 men, women, and children from Benin and Nigeria were brought ashore in Alabama under cover of night. They were the last recorded group of Africans deported to the United States as slaves. This book reconstructs the lives of the people in West Africa, recounts their capture and passage in the slave pen in Ouidah, and describes their experience of slavery alongside American-born enslaved men and women.

The findings from wide-ranging interviews and careful historical research, Black Genius explores the roots of Black achievement in America. The results are surprising and inspiring. Interweaving past and present, beginning with this country's inception, Russell covers the importance of continuity and tradition in nurturing Black artists, scientists, and leaders. Here are memorable portraits of Wynton Marsalis, Ralph Ellison, Louis Armstrong, Toni Morrison, Duke Ellington, James Baldwin, Paul Robeson, Muhammad Ali, Lois Mailou-Jones, and other Black notables.

"African Americans – A Dying Race" delves into the concept of miscegenation and its impact on African American heritage and identity. The book highlights historical examples, such as the Afro-Argentines in Buenos Aires and Afro-Mexicans, showing how blending of genes and cultures has led to the near disappearance of distinct African populations in these regions.

In God Don't Play, trouble comes a woman's way just when she thinks she's finally got it all figured out. Annette Goode couldn't be happier with where she is in life. She has a good job, a comfortable home, and a wonderful husband and daughter. But tough times lie ahead. Out of the blue, Annette begins receiving anonymous hate mail and threatening phone calls. It seems her life isn't as settled as she thought, and demons from her past surface in unexpected ways.

From a new voice in the tradition of Lauren Beukes, Ian McDonald, and Nnedi Okorafor comes The Prey of Gods, a fantastic, boundary-challenging tale, set in a South African locale both familiar and yet utterly new, which braids elements of science fiction, fantasy, horror, and dark humor. In...

Dive into this revealing portrait of Stranger Things fan favorite Lucas Sinclair and get to know Lucas like never before. The thrilling adventure of Stranger Things continues where season three left off, with fan favorite Lucas Sinclair finally telling his own story in his own words. Lucas...

In April 2014, Rubin "Hurricane" Carter died after a long battle with cancer. David McCallum was exonerated and freed two months later, after serving 29 years in prison. This is the story of how Carter and his friend and coauthor Ken Klonsky worked for 10 years to help free the wrongfully convicted McCallum, along with a group of committed friends and professionals.

Harlem is perhaps the most famous, iconic neighborhood in the United States. A bastion of freedom and the capital of black America, Harlem's 20th-century renaissance changed our arts, culture, and politics forever. But this is only one of the many chapters in a wonderfully rich and varied history. In Harlem, historian Jonathan Gill presents the first complete chronicle of this remarkable place.

In this ambitious - even radical - literary collection, first published in 1920, civil rights leader W. E. B. Du Bois tackled race, gender, art, politics, labor, and economics from the perspective of an African American who, in his own words, had “been in the world, but not of it.” Du Bois took an experimental approach in Darkwater - utilizing essays, poetry, spirituals, sketches, and autobiographical writings - to break new ground on issues of race, class, and prejudice that continue to confound us.

Twelve Years a Slave is the 1853 narrative of former slave Solomon Northup. He was born free in New York and kidnapped and sold into slavery. It was famously adapted for film in 2013.

Activists, pundits, politicians, and the press frequently proclaim today's digitally mediated racial justice activism the new civil rights movement. As Charlton D. McIlwain shows in this book, the story of racial justice movement organizing online is much longer and varied than most people know. Beginning with the simultaneous rise of civil rights and computer revolutions in the 1960s, McIlwain, for the first time, chronicles the long relationship between African Americans, computing technology, and the Internet.

In 1924, in response to the pursuit of increasingly racist policies in the United States, W. E. B. Du Bois published a groundbreaking collection of essays that challenged the existing prejudices about Black people and provided a fuller accounting of Black contributions to American life. The accomplishments that Du Bois chronicles here - in art, literature, economics, religion, industry, the military, and more - are stunning, especially considering the obstacles facing Black Americans.

What is the true nature and mission of the church? Is its proper Christian purpose to save souls, or to transform the social order? This question is especially fraught when the church is one built by an enslaved people and formed, from its beginning, at the center of an oppressed community's fight for personhood and freedom. Such is the central tension in the identity and mission of the Black church in the United States.

In Black Trans Feminism Marquis Bey offers a meditation on blackness and gender nonnormativity in ways that recalibrate traditional understandings of each. Theorizing black trans feminism from the vantages of abolition and gender radicality, Bey articulates blackness as a mutiny against racializing categorizations; transness as a nonpredetermined, wayward, and deregulated movement that works toward gender's destruction; and black feminism as an epistemological method to fracture hegemonic modes of racialized gender.