African Studies

Military history's hidden figures are given their due in this revealing and moving exploration of the pivotal role of African Americans who risked their lives for their country - even as they fought courageously to become full citizens. A retired Lieutenant Colonel, Michael Lee Lanning covers Black soldiers' involvement in conflicts from the colonial days through more recent struggles of the 21st century.

In March of 1827 the nation's first black newspaper appeared in New York City - to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper - and its ultimate decline - for more than 160 years until the end of the 20th century.

In America, Babylon is often used as a metaphorical term referring to a city or a cultural phenomenon that represents excessive materialism, corruption, or moral decay; it is derived from the ancient city of Babylon in Mesopotamia, known for opulence and decadence.

James Baldwins, Nadie sabe mi nombre relata los ltimos meses del autoexilio de diez a os de este famoso escritor estadounidense en Europa, su regreso a Estados Unidos y a Harlem, y su primer viaje al sur en el momento de las batallas de integraci n escolar. Contiene los perfiles controvertidos e ntimos de Baldwin de Norman Mailer, Richard Wright e Ingmar Bergman. Y explora temas tan variados como las relaciones entre negros y blancos, el papel de los negros en Am rica y en Europa y otros temas.

Making headlines when it was launched in 2015, Omise’eke Natasha Tinsley’s undergraduate course “Beyoncé Feminism, Rihanna Womanism” has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital new-millennium narratives.

Tackling the Everyday shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game.

Still I Rise takes its title from a work by Maya Angelou, and it resonates with the same spirit of an unconquerable soul, a woman who is captain of her fate. This book embodies the strength of character of the inspiring women profiled within. Each chapter outlines the fall and rise of great women heroes who smashed all obstacles rather than let all obstacles smash them. Still I Rise offers hope to those undergoing their own Sisyphean struggles. Intrepid women heroes are the antithesis of the traditional damsels in distress; rather than waiting for the prince, they took salvation into their own hands.

At a time when most of the public discourse was dominated by men, Anna Julia Cooper’s writings offered a blistering rebuke to that status quo. The essays and speeches collected here anticipated the debates about racism, sexism, and intersectionality that we are still having today. Cooper argues in particular for the importance of Black women’s participation in identifying and combating the structures of oppression that surrounded them - and that made life so much more difficult for many other groups as well.

In the first half of the 20th century, Dunbar was an academically elite public school, despite being racially segregated by law. By the 1950s, Dunbar High School was sending 80 percent of its students to college. Today, as with too many troubled urban public schools, the majority of Dunbar students struggle with reading and math. Journalist and author Alison Stewart, whose parents were both Dunbar graduates, tells the story of the school’s rise, fall, and path toward resurgence.

What is Ballroom? Not a song, a documentary, a catchphrase, a TV show, or an individual pop star. It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations.

For too long, the narratives surrounding Black communities in America have been dominated by deficit-based thinking, focusing on perceived weaknesses rather than the inherent strengths and resilience that have been fostered through generations of hardship. This book seeks to challenge that paradigm, offering a critical but constructive analysis of the socio-political and economic realities confronting Black Americans.

Mathabane argues that the reason many Americans are turned off by the current divisive racial dialogue is because the discussion has mostly been about the politics of race and avoids the elephant in the room - - what each of us can do to become agents for racial healing. His solution is for people to learn to speak the language of Ubuntu, a Zulu word for common humanity.

Blackdom, New Mexico, was a township that lasted about 30 years. In this book, Timothy E. Nelson situates the township’s story where it belongs: along the settlement continuum in Mexico’s Northern Frontier. Dr. Nelson illuminates the set of conscious efforts that helped Black pioneers develop Blackdom Township into a frontier boomtown.

In An Introduction to Black Studies, Eric R. Jackson demonstrates the continuing need for Black studies, also known as African American studies, in university curricula. Jackson connects the growth and impact of Black studies to the broader context of social justice movements, emphasizing the historical and contemporary demand for the discipline.

For generations, the Black church has been a cornerstone of resilience, community, and empowerment, serving as a sanctuary for African Americans facing systemic oppression. Rooted in liberation theology and social activism, it has played a crucial role in social movements and cultural identity. However, while the Black church continues to be a source of strength, it also mirrors the complexities and contradictions of the communities it serves.

The story of the Confederate States of America, the proslavery, antidemocratic nation created by white Southern slaveholders to protect their property, has been told many times in heroic and martial narratives. Now, however, Stephanie McCurry tells a very different tale of the Confederate experience. Confederate Reckoning is the startling story of this epic political battle in which women and slaves helped to decide the fate of the Confederacy and the outcome of the Civil War.

How do you learn to be a Black man in America? For young Black men today, it means coming of age during the presidency of Barack Obama. It means witnessing the deaths of Oscar Grant, Trayvon Martin, Michael Brown, Akai Gurley, and too many more. It means celebrating powerful moments of Black self-determination for LeBron James, Dave Chappelle, and Frank Ocean. In Invisible Man, Got the Whole World Watching, Mychal Denzel Smith chronicles his own personal and political education during these tumultuous years.

In this stunningly illustrated essay collection inspired by the popular podcast Life, I Swear, prominent Black women reflect on self-love and healing, sharing stories of the trials and tribulations they’ve faced and what has helped them confront pain, heal wounds, and find connection.

Of all the many horrors of slavery, the cruelest was the separation of families in slave auctions. Spouses and siblings were sold away from one other. Young children were separated from their mothers. Fathers were sent down river and never saw their families again. As soon as slavery ended in 1865, family members began to search for one another, in some cases persisting until as late as the 1920s. They took out advertisements in newspapers and sent letters to the editor. Judith Giesberg draws on the archive that she founded to compile these stories in a narrative form for the first time.

In Frontline Bodies, Nicolas Martin-Breteau argues that sports are not—and have never been—purely about entertainment for Black Americans. Instead, beginning in the 1890s during Reconstruction, Black Americans proactively used athletics as a tactic to fight racial oppression. Martin-Breteau considers the work of Edwin B. Henderson, a prominent Black physical educator, civil rights activist, and historian of Black sports.