American Folklore

Many of us don’t know much about mythological stories from these regions, and it is my pleasure and privilege to educate you on the intricate details that lie within them. That’s why I have also provided some fascinating facts and historical background about each of these peoples. Creation myths, legacies, the sacrificing of children, the empires, and their wars are all mentioned and touched on in this book.

The original, full accounting of a rebellion in the Heart of Dixie.

A maverick, unionist district in the heart of the Old South? A notorious county that seceded from the Confederacy? This is how Jones County, Mississippi, is known in myth and legend. Since 1864 the legend has persisted. Differing versions give the name of this new nation as Republic of Jones, Jones County Confederacy, and Free State of Jones. Over the years this story has captured the imaginations of many.

Few events have sparked more legends and stories of the supernatural than America's Civil War. The accounts of gallantry and heroism have spread far and wide. Nancy Roberts grew up listening to her father's stories of the War Between the States, and she trekked over many battle sites with him during her childhood. After reading about General Joshua Chamberlain's supernatural experience at the Battle of Gettysburg, Roberts began to collect tales of the blue and gray and write them down.

Mihi Whan Park loves fairy tales. She wants to be a princess more than anything, but everyone tells her she’s not the princess type. Then Mihi gets her shot: When she and her new friends Savannah and Reese discover a portal to a fairy tale realm, they get a chance to learn how to be princesses! But the fairy tale world turns out not to be the wonderful place Mihi imagined. Soon, Savannah and Reese decide they’re ready to go home, and Mihi has to decide where her loyalties lie: With her friends and her future at home, or with her princess dreams?

A short listen that packs some powerful magic. When Billy Proudfoot and Terry Blackbird return to the reservation for the funeral of a beloved friend, they are shocked to find themselves alone at the funeral home. When their friend rises from his casket, they make tracks to the only man they know who can help them, Odd Whitefeather. The old man explains that a Windigo is on the loose and that the two of them must defeat it, or die trying.

Stella and Luna know that their mama, Elsie, came from the Philippines when she was a child, but they don't know much else. So one night, they ask her to tell them her story. As they get ready for bed, their mama spins two tales: that of her youth as a strong-willed middle child and immigrant; and that of the young life of Mayari, the mythical daughter of a god. Both are tales of sisterhood and motherhood, and of the difficult experience of trying to fit into a new culture, and having to fight for a home and acceptance.

You should see this book as a celebration of the resilience, creativity, and wisdom of Black people and their ancestors, and a reminder of the importance of preserving and sharing these stories for generations to come. Whether you're looking for tales of adventure, humor, or wisdom, this has something for everyone. This book is a timeless and inspiring tribute to the enduring power of Black storytelling.

Charles Alexander Eastman (1858-1939) was a mixed-blood Sioux. He became one of the best known Indians of his time, receiving a bachelor of science degree from Dartmouth in 1887 and a medical degree from Boston University three years later.

Charles Eastman is unique among Indian writers, whether storytellers or oral historians. He was raised traditionally, as a Woodland Sioux, by his grandmother, from 1858 to 1874, until he was 15. He thus gained a thorough first-hand knowledge of the lifeways, language, culture, and oral history. His father (thought to have been hanged at Mankato, Minnesota) reappeared and insisted he receive the white man's education.

La palabra muisca, significa en lenguaje nativo persona o gente. Y según muy serias investigaciones los nativos muiscas parecen descendientes de los chinos que poblaron la América Central, y de ahí sin duda pasaron a Panamá, territorio que antes pertenecía a Colombia, Perú, Ecuador y otros lugares. Sí, a los “Chibchas” o “Muiscas” los hacen descendientes de los chinos, por cuanto el legisla cultural y legendaria, cuna a la vez de los primeros inventos y de una gran civilización. De la misma manera se afirma que los fenicios también se establecieron en América.

In the 15th century, four Mahu sail from Tahiti to Hawaii and share their gifts of science and healing with the people of Waikiki. The islanders return this gift with a monument of four boulders in their honor, which the Mahu imbue with healing powers before disappearing. As time passes, foreigners inhabit the island and the once-sacred stones are forgotten until the 1960s. Though the true story of these stones was not fully recovered, the power of the Mahu still calls out to those who pass by them at Waikiki Beach today.

This story has its beginnings on a day long ago when Earth rolled and heaved, and rocks fell like rain... Thus began what some today would call a “migration” of The Walking People. Leaderless and bereft of the shared knowledge of tradition, they set off on their journey. Their story is the story of how one particular group of human beings was able to start anew - to learn through difficulty and changing circumstance to prosper as a Whole People.

In Cherokee myth - as in other indigenous American traditions - the whole of creation is alive and able to communicate like humans and with the human beings who share their environment. Cherokee myths explain how the world came to be the way it is and imparts important lessons about Cherokee cultural values.

Kushtaka or Kooshdakhaa is a Tlingit word meaning “land otter man.” The Kushtaka is on one hand the nemeses of the Tlingit people, yet necessary to their Shamans who play a critical role in the survival of the Tlingits. The Tlingit people are as mysterious in their beliefs as the Kushtaka, making for strange bedfellows.