American Short

In this striking and bleak, yet luminous debut collection, Nathan Ballingrud, winner of the inaugural Shirley Jackson Award, uses the trappings of the Gothic and the uncanny to investigate a distinctly American landscape: The loneliest and darkest corners of contemporary life. Ballingrud’s stories are love stories. They’re also monster stories. Sometimes the monsters collected here are vampires or werewolves.

The greatest short story writers strive to achieve a single, dramatic effect, a feature which the early masters of this genre perfected. Although the short story came from Europe, it was reborn in America and reached a pinnacle of superb form on these shores by the turn of the 20th century. In so many of our best writers, we hear echoes of a pioneer ethos that sustains the heart of a great literature. Here are 12 of America's best.

At once fiercely immediate and complex in their implications, “The Shawl” and “Rosa” succeed in imagining the unimaginable: the horror of the Holocaust and the emptiness of its aftermath. They were written in 1977 but were first published in the early 1980s in The New Yorker. Both “The Shawl” and “Rosa” won first prize in the O. Henry Prize Stories and were chosen for Best American Short Stories.

The stories in Waiting for the Long Night Moon explore the Indigenous experience from an astonishingly wide spectrum in time and place—from contact with the first European settlers, to the forced removal of Indigenous children, to the present-day fight for the right to clean water. Amanda Peters portrays the dignity of traditional Indigenous life, the humiliations of systemic racism, and the resilient power to endure by melding traditional storytelling with her signature style of evocative, spare prose.

Represented here are 16 short stories by seven great American writers, dating from the 19th and 20th centuries. Different in atmosphere and writing style, they nevertheless caught the mood and concerns of the day in a way that was distinctly American.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

The “best short story writer in English” (Time) is back with a masterful collection that explores ideas of power, ethics, and justice, and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose—wickedly funny, unsentimental, and perfectly tuned—Saunders continues to challenge and surprise: here is a collection of prismatic, deeply resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality.

Navy Wife: Lindy Kyle flees to Seattle to weather a broken heart, but is unprepared for a roommate like Rush Callaghan. Strong, sensitive, and sexy, the temporarily dry-docked naval officer is everything she’s ever dreamed of in a man...and in a husband. Though they are swept away on a tide of passion, Rush holds duty to his country above all else. Navy Blues: Despite her ex-husband’s stubbornness, Carol knows Lieutenant Commander Steve Kyle would be the perfect man to father the child she so desperately wants.

Stories of Your Life and Others presents characters who must confront sudden change-the inevitable rise of automatons or the appearance of aliens-while striving to maintain some sense of normalcy. In the amazing and much-lauded title story (the basis for the 2016 movie Arrival), a grieving mother copes with divorce and the death of her daughter by drawing on her knowledge of alien languages and non-linear memory recollection.

This audiobook, read by Audie award-winning narrators, includes unabridged recordings of all Mark Twains's greatest works: 12 novels; over 120 of his beloved short stories; Chapters From My Autobiography; 5 pieces of short non-fiction; and 6 pieces of his groundbreaking, wide-ranging travel writing.

With accomplished precision and gentle eloquence, Jhumpa Lahiri traces the crosscurrents set in motion when immigrants, expatriates, and their children arrive, quite literally, at a cultural divide. The nine stories in this stunning debut collection unerringly chart the emotional journeys of characters seeking love beyond the barriers of nations and generations.

On a snowy Christmas Eve in an unnamed American city, the archangel Michael wanders the streets. He is alone and hungry, his clothes tattered, and when he sees his face reflected in a store window, it is that of a young African American boy. Who will offer him food and shelter and who will turn him away? And when he becomes a blonde, freckle-faced child, is his fate different?

Here, gathered in one volume, are the stories that made Clarice a Brazilian legend. Originally a cloth edition of 86 stories, now we have 89 in all, covering her whole amazing career, from her teenage years to her deathbed. In these pages, we meet teenagers becoming aware of their sexual and artistic powers, humdrum housewives whose lives are shattered by unexpected epiphanies, old people who don't know what to do with themselves - and in their stories, Clarice takes us through their lives - and hers - and ours.

Winner of the McNally Robinson Aboriginal Book of the Year and the Aboriginal Fiction Book of the Year—a collection of twenty short stories told in Thomas King's classic, wry, irreverent, and allegorical voice.

Eighteen of the very best American short stories, each a classic in its own right. Stories include "The Little Frenchman and his Water Lots", by George Pope Morris; "The Angel of the Odd", by Edgar Allan Poe; "The Schoolmasters’s Progress", by Caroline M.S. Kirkland; "The Watkinson Evening", by Eliza Leslie; "Titbottom’s Spectacles", by George William Curtis; "My Double and "How He Undid Me", by Edward Everett Hale; "A Visit to the Asylum for Aged and Decayed Punsters", by Oliver Wendell; and more.

No nation has ever achieved the literary diversity of America. From nativist humor to immigrant triumph, Americans have recorded their visions and hopes better than anyone

Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively.

The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labelled Borgesian.

From one of the greatest writers of our age comes a collection of stories and parables unlocking the mysteries of the human condition. Gathered from Paulo Coelho’s daily column of the same name, Maktub, meaning “it is written,” invites seekers on a journey of faith, self-reflection, and transformation. As Paulo Coelho explains, “Maktub is not a book of advice—but an exchange of experiences.”

Wounds is a confounding, strange, and utterly entrancing collection of six stories, including one new novella from Shirley Jackson Award-winning author Nathan Ballingrud. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in The Visible Filth to the search for the map of hell in “The Butcher’s Table”, Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.