Art Drama

Robin has made a powerful ally in the Duke of Lancaster. But he has made powerful enemies too: not only his childhood adversary Mortimer, but the sadistic knight Peter de Gray. Returning to England, he is awarded the fiefdom of Fernbrook in Lancashire, where he meets the beautiful noblewoman Joanna. But the wheel of fortune keeps turning and as the years pass Robin and his friends must face trials and tragedies: plague, war and political intrigue are never far away.

George Bernard Shaw has been called the second greatest playwright in English (after William Shakespeare) and one of the inventors of modern celebrity as the most famous public intellectual of his time. Beginning in the 1880s, as a critic and as a playwright, he transformed British drama, bringing to it intellectual substance, ethical imperatives, and modernity itself, setting the theatrical course for the subsequent century. That his legacy endures 70 years after his death is testament to the prescience of his thinking and his prolific creativity.

At the age of 30, Robin is an Earl at last - but not the Earl of Waringham, the ancestral title that he still hopes to win back one day from the evil Mortimer. England has seen other changes too: Edward III is dead and his successor, the boy king Richard II, is at odds with his uncle, the Duke of Lancaster. The introduction of a hated new poll tax brings about one of the most dangerous episodes in English history and Robin finds himself embroiled in the Peasants’ Revolt.

William Shakespeare had nothing to do with the actor and moneylender William Shaksper from Stratford-upon-Avon. The man behind the nom de plume "William Shakespeare" was, in fact, a very well-educated aristocrat who often frequented the court of Elizabeth and whose real name was Edward de Vere, Earl of Oxford. The dramas of Shakespeare were not written for the Globe Theatre but for the Queen's court.

Rumi, claimed as the national poet of Iran, Turkey & Afghanistan had an early life dedicated to scholarly studies. He only started to write poetry after encountering a holy man called Shams whose subsequent death instilled a profound grief in Rumi and an outpouring of many thousands of verses in Persian. He also intrinsically linked with Sufism.

The St. Charles Players present multi-cast dramatizations of some of Edgar Allan Poe's greatest works, including The Black Cat, The System of Dr. Tarr and Prof. Fether, The Purloined Letter, and The Murders in the Rue Morgue.

This single inherited epic in our language has it all: drama, blood, heroism, mourning, and teaching with soul-searching thought about all this. It looks back. In its top layer of listening, we are brought along with heroic figures, even with a superhero, to challenge agonizing monsters. This world also includes beautiful sea voyages, crafty disputes, the falling of tribes, and moving elegies. Most often its Old English poetry can translate directly into fresh pictures. The epic Beowulf is a masterfully told story.

Clifton Webb was one of those rare motion picture actors who became a major box-office star when he was in his mid-50s. Indeed, his first sound movie was Laura (1944), and his role as Waldo Lydecker in that classic film noir earned him the first of three Oscar nominations. Four years later, Clifton Webb became a household name when he played Lynn Belvedere and poured a bowl of mush onto a baby's head in Sitting Pretty.

In the glittering world of Hollywood, where dreams are made and broken, storytelling reigns supreme. The magic of the silver screen relies on compelling narratives, complex characters, and plot twists that capture the audience's imagination. As an aspiring screenwriter or author, you dream of creating a story that resonates, enchants, and leaves your audience craving for more. You dream of Hollywood.

Abandoned as an infant on the local veterinarian’s front porch, Pepper Rafferty was raised by two loving mothers, and now, at thirty-six is married to the stable, supportive Ike. She’s never told anyone that at fifteen she discovered the identity of her biological mother. That’s because her birth mother is Ula Frost, a reclusive painter famous for the outrageous claims that her portraits summon their subjects’ doppelgängers from parallel universes.

This production of The Lost World, based on the novel by Arthur Conan Doyle, was first broadcast on BBC Radio 4 in 1975, and amongst the cast are Francis de Wolff, Gerald Harper, Carol Boyd and the renowned radio actor Carleton Hobbs. The story follows a 19th century expedition to enter the rumoured lair of animals thought to have died out millions of years before - a terrifying world of pterodactyls and other 'prehistoric monsters'.

Mystery, power and malevolence are present in these plays, all of which subvert the happy endings that one would expect in a comedy and the tragic effect one would expect in a tragedy, to pose deeper moral questions that echo modern society. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Roy Dotrice, Prunella Scales, Ian McKellen, Michael Hordern and Derek Jacobi can be heard in these recordings.

In this third book in a four-book series, Lindell A. Warden, a former student of Neville Goddard, will be sharing with you some powerful principles around Neville's teachings. You will learn about spirituality, not religions. You'll also discover that everything begins in the theater of your mind and that you are always creating in your imagination.

Gain insights into how to mentally live from the end of your intentions by living in the power of your imagination.

Die Freundschaftsgeschichte DER beiden deutschen Geistesgrößen. Jeder der beiden sagte vom anderen, er sei ihm der wichtigste Mensch gewesen. Sie waren grundverschieden, doch Gegensätze ziehen sich an. Intuition und Gefühl bei Goethe, scharfer Intellekt und zäher Wille bei Schiller; der eine setzt auf Natur, der andere auf Freiheit. Ihre Freundschaft mit allen Konflikten und Spannungen hat beide zu Höchstleistungen angespornt: Schiller schreibt seine klassischen Dramen und bringt sie mit Goethes Hilfe auf die Bühne.

Based on Robert Greene’s story Pandosto, The Winter’s Tale play tells the story of Leontes, king of Sicilia, and his childhood friend Polixenes, king of Bohemia. In a jealous rage, Leontes mistakenly accuses Polixenes and his own his wife, Hermione, of adultery, and her newborn daughter as illegitimate, casting her into the wilderness, causing their son to die of grief and Hermione to seemingly follow suit. With his family dead or believed dead, Leontes must face the tragic consequences of his actions.

Bassiano, a noble Venetian, hopes to woo the beautiful heiress Portia. However, he requires financial assistance from his friend Antonio. Antonio agrees, but he, in turn, must borrow from the Jewish moneylender Shylock. As recourse for past ills, Shylock stipulates that the forfeit on the loan must be a pound of Antonio’s flesh. In the most renowned onstage law scene of all time, Portia proves herself one of Shakespeare’s most cunning heroines, disguising herself as a lawyer and vanquishing Shylock’s claims....

The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts Prince Hamlet and his revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. Hamlet is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others".

In 2014, the UK science-fiction television series Black Mirror was released on Netflix worldwide, quickly becoming a hit with US audiences. Like other beloved British imports, this series piqued Americans' interest with hints of dark comedy, clever plotlines, and six-episode seasons that left audiences frantic for more. In Transatlantic Television Drama, volume editors Michele Hilmes, Matt Hills, and Roberta Pearson team up with leading scholars in TV studies and transnational television to look at how dramas like Black Mirror captivate US audiences....

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.