Art Essays

Ann M. Martin’s Baby-Sitters Club series featured a complex cast of characters and touched on an impressive range of issues that were underrepresented at the time: divorce, adoption, childhood illness, class division, and racism, to name a few. In We Are the Baby-Sitters Club, writers from the original BSC generation will reflect on the enduring legacy of Ann M. Martin’s beloved series, 35 years later - celebrating the BSC’s profound cultural influence.

A welcome surprise: more than 50 prose pieces, gathered together for the first time, by one of America's most revered and admired novelists and short-story writers, whose articles, essays, and cultural commentary - appearing in the New York Review of Books, the New York Times Book Review, The New Yorker, The Atlantic, The Guardian, Harper's Magazine, and elsewhere - have been parsing the political, artistic, and media idiom for the last three decades.

New York Times best-selling author Laura Lippman, a journalist for many years, collects here her recent essays exploring motherhood as an older mom, her life as a reader, her relationships with her parents, friendship, and other topics that will resonate with a large audience. Her voice is wry and relatable, her takes often surprising. Meet the woman behind the books....

In June 2015 Alberto Manguel prepared to leave his centuries-old village home in France's Loire Valley and reestablish himself in a one-bedroom apartment on Manhattan's Upper West Side. Packing up his enormous, 35,000 volume personal library, choosing which books to keep, store, or cast out, Manguel found himself in deep reverie on the nature of relationships between books and readers, books and collectors, order and disorder, memory and reading.

Acquired Tastes is a celebration of life's extravagances. It explores an aspect of human nature that, although dormant in hard economic times, is capable of erupting with the hint of good fortune and the drop of a credit card. It samples the luxuries of Havana cigars, Parisian hotels, bespoke London tailoring, and handmade shoes; discusses the proper color for a stretch limousine; and weighs the cost versus the pleasure of keeping a mistress.

Throughout his 25-year journalistic career, David Carr was noted for his sharp and fearless observations, his uncanny sense of fairness and justice, and his remarkable compassion and wit. His writing was informed both by his own hardships as an addict, and his intense love of the journalist's craft. His range - from media politics to national politics, from rock-n-roll celebrities to the unknown civil servants who make our daily lives function - was broad and often timeless.

Hockey forms the backdrop of our lives. For many Canadians, the big moments - births, deaths, marriages, moves - are all mixed up with the wins and losses of our teams. The voices of Hockey Night in Canada sportscasters are our soundtrack, and visions of skates scraping across the ice lull us to sleep. George Bowering, Canada's former poet laureate, is no different.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

Everyone’s a critic, especially in the digital age—but no one takes on the movies like multiple award-winning author Harlan Ellison. Renowned both for fiction (A Boy and His Dog) and pop-culture commentary (The Glass Teat), Ellison offers in this collection twenty-five years’ worth of essays and film criticism.

Chapters from My Autobiography is a collection of twenty-five pieces of autobiographical work published by American author Mark Twain in the North American Review between September 1906 and December 1907. Rather than following the standard form of an autobiography, they comprise a typically Twain-esque collection of rambling anecdotes and ruminations.

Psychotic Reactions and Carburetor Dung contains the wild and brilliant writings of Lester Bangs—the most outrageous and popular rock critic of the 1970s—edited and with an introduction by the reigning dean of rock critics, Greil Marcus.

Lost in Language & Sound is a vibrant and vital collection that celebrates the three most important muses in the life and work of Ntozake Shange - language, music, and dance. In this deeply personal book, the celebrated writer reflects on what it means to be an artist, a woman, and a woman of color through a beautiful combination of memoir and essay. She describes where her love for creative forces began - in her childhood home, a place where imagination reigned and boredom wasn't allowed.

In Bookends, Pulitzer Prize-winning author Michael Chabon offers a compilation of pieces about literature - age-old classics as well as his own - that presents a unique look into his literary origins and influences, the books that shaped his taste and formed his ideas about writing and reading.

A portrait of a keen social observer at the center of the last 50 years of cultural life, captured through a vivid selection of O’Brien’s own writings on music to fashion to downtown art and, just as importantly and unexpectedly, the political temperature of America. Glenn O’Brien collaborated with visual artists, writers, fashion houses, and musicians throughout his almost 50-year career. Intelligence for Dummies gathers Glenn O’Brien’s essays, aphorisms and tweets, to create a portrait of the artist as cultural bellwether.

In her fiction, Claire Messud "has specialized in creating unusual female characters with ferocious, imaginative inner lives" (Ruth Franklin, New York Times Magazine). Kant’s Little Prussian Head & Other Reasons Why I Write opens a window on Messud’s own life: a peripatetic upbringing; a warm, complicated family; and, throughout it all, her devotion to art and literature.

No matter what was happening in Jennifer Weiner's life - whether good, bad, or very, very ugly - her mother, Fran, would say the same thing: It's all material. Now the number-one New York Times best-selling author and "one of the biggest names in popular fiction" ( USA Today), beloved on Twitter and hailed as "an unlikely feminist enforcer" ( The New Yorker), takes the raw stuff of her personal life and spins it into a collection of personal essays as uproariously funny and heartfelt as the best of Tina Fey and Nora Ephron.

Although Paul Auster and J. M. Coetzee had been reading each other’s books for years, the two writers did not meet until February 2008. Not long after, Auster received a letter from Coetzee, suggesting they begin exchanging letters on a regular basis and, “God willing, strike sparks off each other.” Here and Now is the result of that proposal: the epistolary dialogue between two great writers who became great friends. Over three years their letters touched on nearly every subject, from sports to fatherhood, film festivals to incest, philosophy to politics....

In the powerful and daring essays in Constellations Sinéad Gleeson does that very thing. All of life is within this audiobook, from birth to first love, pregnancy to motherhood, terrifying sickness, old age and loss to death itself. Throughout this wide-ranging collection she also turns her restless eye outwards delving into work, art and our very ways of seeing. In the tradition of some of our finest life writers, and yet still in her own spirited, generous voice, Sinéad takes us on a journey that is both uniquely personal and yet universal in its resonance.

With His gentle hand He wounded my neck And caused all my senses to be suspended. Part poetic masterpiece, part mystic treatise, The Dark Night of the Soul by 16th century Carmelite monk, St. John of the Cross, addresses the feeling of being forgotten by the Presence of the Almighty that every Christian, desirous of walking more closely with God must pass through in order to learn to walk by faith and not by sight.

For decades, Janet Malcolm's books and dispatches for the New Yorker and the New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life—a task demanding a writer just as peerlessly skillful as she was widely known to be. Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes's Camera Lucida.