Art Horror

Jenny's friends are lost one by one to a ghostly wolf and a phantom snake, instruments of the sinister but attractive Shadow Man, who has returned from the Shadow World with a deadly game called "Lambs and Monsters."

Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels.

Take a tour through the horror paperback novels of two iconic decades...if you dare. Hear shocking plot summaries that invoke devil worship, satanic children, and haunted real estate! Horror author and vintage paperback book collector Grady Hendrix offers killer commentary and witty insight on these trashy thrillers that tried so hard to be the next Exorcist or Rosemary's Baby. Complete with story summaries and artist and author profiles, this unforgettable volume dishes on familiar authors like V. C. Andrews and R. L. Stine, plus many more.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

When the first season of Stranger Things debuted on Netflix in the summer of 2016, the show struck a nerve with millions of viewers worldwide and received broad critical acclaim. The series has gone on to win six Emmy Awards, but its success was driven more than anything by word of mouth, resonating across generations. Viewers feel personal connections to the characters. Now fans can immerse themselves in the world - or worlds - of Hawkins, Indiana, like never before.

50 Years of Hammer Horror by John L. Flynn, Ph.D. is the follow-up book to his popular 75 Years of Universal Monsters. Hammer Film Productions was the most successful independent film company in the world. Between 1935 and 1983, the company produced more than 250 motion pictures and television shows, and their signature productions headlined theater marquees all around the globe. Those productions included thrillers, comedies, historical dramas, and science fiction. The company was best known for its series of gothic horror films.

Marshall Seaver is being haunted. In the first installment of this chillingly compelling trilogy, sixteen-year-old Marshall discovers that something beyond our world is after him. The eerie clues pile up quickly, and when people start dying, it's clear whatever this is - it's huge. Marshall has no idea what's happening to him, but he's soon convinced that it has something to do with his best friend, Cooper, who's been missing for over a week.

Arthur Roth is a lonely sixth-grader with a head full of big ideas and a gift for getting the hell kicked out of him. It's hard to make friends when you're the only inflatable boy in town.

Torture porn, shock-for-shock’s sake, violence that doesn’t serve the plot, and characters you hate — what was going on in the 2000s in horror cinema? And why were audiences hungry for it? Millennial Nasties takes a critical but appreciative look at an oft-ignored subset of horror. This book dissects the English-language horror films of the 2000s and the cultural events they were responding to.

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

Something is terrorizing the villages of the county. People are dying - covered in blood, their faces frozen in fear. But with not a wound on their bodies. Battling creatures of the dark is the job of the local spook, but 17-year-old Thomas Ward never finished his apprenticeship. It will be no easy task to earn the trust of the villagers and to defeat a monster that no one has ever seen. Yet Jenny - a seventh daughter of a seventh daughter - knows an awful lot about this new evil. And she's willing to share what she's learned with Tom…if he takes her on as his apprentice.

Nearly escaping from the evil Mr. Zetes, Kaitlyn Fairchild and her psychic team are dismayed when Gabriel defects to the Institute, and Kaitlyn pretends to betray the group as well in an effort to save her friend.

On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle. The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty's bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages.

Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.

Tom Ward is now spook of the county, and with his apprentice, Jenny, he continues the fight against boggarts, witches, and terrifying new creatures of the dark. Together with the witch assassin Grimalkin, Tom and Jenny lead an army into battle against a dangerous enemy - but it all goes catastrophically wrong. The situation seems hopeless until Alice - Tom's lost love and a powerful witch - appears. But Alice had turned to the dark: Can Tom trust her now?

From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.

Finding out I'm descended from royalty should have been like winning the lottery. Except I got all of the renown and none of the spoils. That's what it means to be related to the dark prince. Still reeling, I throw myself into uncovering more about my dark heritage. Meanwhile, Cal and Adrian try to solve a mystery of their own. Shifters from other packs are going missing...and all the evidence points to witches.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

Husband-and-wife team Sam and Remi Fargo face a new exciting adventure in the bestselling series by Clive Cussler, Grand Master of Adventure. The latest action-packed thriller featuring treasure-hunting team Sam and Remi Fargo...